Just before the Cannes Film Festival midnight-show premiere of the David Bowie documentary “Moonage Daydream,” the film’s writer, director, and editor, Brett Morgen, didn’t simply stroll down the red carpet. As Bowie’s “Let’s Dance” blared from the promenade speakers, Morgen danced — and pranced and pogo-ed, and flashed a cheeky madman grin, and by the time he entered the theater, the crowd, taking all this in on a giant video screen, gave him an even more rapturous than usual Cannes ovation. Morgen had the right look for these antics. He started off his career as a documentary geek, but around the time of “Montage of Heck,” his 2015 film about Kurt Cobain, he began to style his hair in a fashionably disheveled wet-look mane. Tall and aggressive, he entered the Lumière like a would-be rock star.
The reason I bring this up is that I think it’s relevant...
The reason I bring this up is that I think it’s relevant...
- 5/26/2022
- by Owen Gleiberman
- Variety Film + TV
It’s always been telling that Batman, one of the only superheroes not graced with superpowers, may be the most popular superhero. Masses of comic-book fans identify with his humanity, imagining that they could be him. Natasha Romanoff, better known as Black Widow, draws from the same basic well of appeal. She was trained as a Russian spy and fights like a whirling dervish, though without special powers — so she too, in theory, could be you. “I doubt the god from space has to take an Ibuprofen after a fight,” snarks a character in “Black Widow,” the new entry in the Marvel Cinematic Universe. That Natasha does makes her relatable. But audiences going into “Black Widow” may still wonder what, exactly, they’re going to get to see the title character do. In Scarlett Johansson’s appearances in the MCU thus far, going back to “Iron Man 2,” she’s...
- 6/29/2021
- by Owen Gleiberman
- Variety Film + TV
It’s happening. It’s finally happening. What was once a particularly pervasive and aggressive Internet meme is now a reality. HBO Max’s list of new releases for March 2021 is highlighted by none other than the mythical Snyder cut.
The entity now known as Zach Snyder’s Justice League will premiere on March 18. While it was originally planned to be a four-part miniseries, this recut version of 2017’s ill-fated Justice League will in fact be a four-hour movie. But perhaps even four hours won’t be enough for fans who have been waiting years for just such an event.
Read more Movies Zack Snyder’s Original Vision for Justice League Faded Long Before His Exit By Joseph Baxter Movies Justice League: How Christopher Nolan Helped Prevent Zack Snyder from Seeing the Whedon Cut By David Crow
If the Snyder Cut is not to your speed, there are plenty...
The entity now known as Zach Snyder’s Justice League will premiere on March 18. While it was originally planned to be a four-part miniseries, this recut version of 2017’s ill-fated Justice League will in fact be a four-hour movie. But perhaps even four hours won’t be enough for fans who have been waiting years for just such an event.
Read more Movies Zack Snyder’s Original Vision for Justice League Faded Long Before His Exit By Joseph Baxter Movies Justice League: How Christopher Nolan Helped Prevent Zack Snyder from Seeing the Whedon Cut By David Crow
If the Snyder Cut is not to your speed, there are plenty...
- 2/28/2021
- by Alec Bojalad
- Den of Geek
Titles to include world premiere of The Summer of Frozen Fountains.
The 19th Tallinn Black Nights Film Festival (Nov 13-29) is spotlighting Georgian cinema for its 19th edition, including the world premiere of Vano Burduli’s The Summer of Frozen Fountains, which plays in competition.
A retrospective, stretching back to 1929, includes 14 titles such as Tengiz Abuladze’s 1977 drama The Wishing Tree.
Mikheil Giorgadze, Georgia’s Minister of Culture and Monument Protectorate of Georgia, discussed the complexities of both Georgia and Estonia’s film industry in a speech at the opening ceremony on Friday (Nov 13).
“It is particularly emotional for me that Georgian film is represented at this prestigious festival in Estonia as our countries are connected with special relations and common history,” said Giorgadze.
“I often say that culture is the language used for dialogue between civilised, developed societies. One brilliant example of inter-cultural cooperation is the Georgian-Estonian film Tangerines [featured in the Forum section]. It is only the beginning.”
Giorgadze went on...
The 19th Tallinn Black Nights Film Festival (Nov 13-29) is spotlighting Georgian cinema for its 19th edition, including the world premiere of Vano Burduli’s The Summer of Frozen Fountains, which plays in competition.
A retrospective, stretching back to 1929, includes 14 titles such as Tengiz Abuladze’s 1977 drama The Wishing Tree.
Mikheil Giorgadze, Georgia’s Minister of Culture and Monument Protectorate of Georgia, discussed the complexities of both Georgia and Estonia’s film industry in a speech at the opening ceremony on Friday (Nov 13).
“It is particularly emotional for me that Georgian film is represented at this prestigious festival in Estonia as our countries are connected with special relations and common history,” said Giorgadze.
“I often say that culture is the language used for dialogue between civilised, developed societies. One brilliant example of inter-cultural cooperation is the Georgian-Estonian film Tangerines [featured in the Forum section]. It is only the beginning.”
Giorgadze went on...
- 11/16/2015
- ScreenDaily
Soak up the Sun: Pialat’s Palme d’Or Winning Spiritual Anguish
As part of Cohen Media Group’s Maurice Pialat retrospective, perhaps the most significant title showcased in the lineup is his infamous 1987 title, Under the Sun of Satan. Instantly reviled after winning the coveted Palme d’Or at the Cannes Film Festival (with a jury made up of such heavy-hitters as Elem Klimov, Jerzy Skolimowski, Theo Angelopoulos, and Norman Mailer), where Pialat was jeered by a disapproving crowd, the title quickly lapsed into obscurity following a continually tepid critical reception.
Perhaps Pialat’s austere and increasingly deliberate examination of mental and spiritual anguish told through the perspective of a bumbling priest whose blasphemous predicament proves only the presence of Satan rather than God was as simultaneously too old fashioned as it was inconveniently provocative. Based on a 1927 novel by French author Georges Bernanos, Pialat’s treatment does seem...
As part of Cohen Media Group’s Maurice Pialat retrospective, perhaps the most significant title showcased in the lineup is his infamous 1987 title, Under the Sun of Satan. Instantly reviled after winning the coveted Palme d’Or at the Cannes Film Festival (with a jury made up of such heavy-hitters as Elem Klimov, Jerzy Skolimowski, Theo Angelopoulos, and Norman Mailer), where Pialat was jeered by a disapproving crowd, the title quickly lapsed into obscurity following a continually tepid critical reception.
Perhaps Pialat’s austere and increasingly deliberate examination of mental and spiritual anguish told through the perspective of a bumbling priest whose blasphemous predicament proves only the presence of Satan rather than God was as simultaneously too old fashioned as it was inconveniently provocative. Based on a 1927 novel by French author Georges Bernanos, Pialat’s treatment does seem...
- 9/29/2015
- by Nicholas Bell
- IONCINEMA.com
Controversial composer Alfred Schnittke was born November 24, 1934 in the Soviet Union's Volga Republic, an ethnic German enclave. In his mid-thirties he pioneered a broadly eclectic style of composing that drew on many classical styles (even sometimes quoting familiar Beethoven or Bach works, among others) as well as the occasional foray into jazz and pop. By 1972 his experimentalism had earned the disapproval of the Soviet Composers Union (the Soviets also weren't enamored of his occasional expressions of religion, for that matter), but a number of esteemed musicians who had left Russia to live in the West supported his work and brought him an international reputation. His work was basically pessimistic in outlook, but its emotional impact, and the accessibility of some of the styles he drew on, nonetheless seduced many listeners.
The contradictions in Schnittke's style are laid out in his liner notes to the Bis recording of his Symphony No.
The contradictions in Schnittke's style are laid out in his liner notes to the Bis recording of his Symphony No.
- 11/24/2014
- by SteveHoltje
- www.culturecatch.com
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