This is a cute and sad little story of cultural difference. Kyoko is a beautiful Japanese woman who has run to California to escape from a failed relationship in Japan. Ken is a Japanese American manual laborer with aspirations of rock and roll stardom but little concrete to offer a potential partner. Kyoko "marries" Ken in order to be able to stay permanently in the U.S., with the understanding that although they will live together until she gets a "green card" the marriage will be in name only. It soon develops that the parties are not on the same wavelength - or perhaps in the same "time zone", hence the title of the movie. As an immigration attorney I have seen such "arrangements" take on a life of their own, so I was pleased to see how well the filmmaker developed the dramatic possibilities of this situation.
13 Reviews
Loving Living on Tokyo Time
vertigo_147 March 2004
This is one of those films that explore the culture clash of Eastern born people in Westernized cultures.
Loving on Tokyo Time is a sad film about the inability of opposites to attract due to major cultural differences. Ken, rock n'roll fanatic, marries Kyoto, a Japanese girl, so that she can stay in the United States when her visa expires. The marriage is only expected to be temporary, that is, until Kyoto gains legal status again. But, Ken, who seems to be lost in every relationship, takes a liking to Kyoto and tries very hard to make things work out. This, despite his friend's urging that dumping Kyoto and getting rid of all commitments to girls is bad for rock n' roll except to inspire some song writing about broken hearts and all of that.
But Kyoto comes from a strict traditional Japanese upbringing, and doesn't expect to be married to Ken all that long. Not only that, she is homesick and wants to return to Japan. It's sad in that this is finally someone Ken thinks he can love and be with and all that, except the one time he thinks he's found someone to feel that way about, the girl isn't expecting to stay that long. It's not that she doesn't like Ken, it's just that she's used to a whole 'nother way of life. She says, "I can't tell him the way I feel in English, and Ken can't tell me the way he feels in Japanese." It's a rather sad love story with a killer 80s techno-nintendo soundtrack.
I picked up Loving on Tokyo Time because it reminded me of one of my favorite 80s films, Tokyo Pop. And, for those of you who enjoyed Loving on Tokyo Time, check out Tokyo Pop (a New York singer goes to Japan and joins a Japanese American cover band), except it's a movie with a happy ending.
Loving on Tokyo Time is a sad film about the inability of opposites to attract due to major cultural differences. Ken, rock n'roll fanatic, marries Kyoto, a Japanese girl, so that she can stay in the United States when her visa expires. The marriage is only expected to be temporary, that is, until Kyoto gains legal status again. But, Ken, who seems to be lost in every relationship, takes a liking to Kyoto and tries very hard to make things work out. This, despite his friend's urging that dumping Kyoto and getting rid of all commitments to girls is bad for rock n' roll except to inspire some song writing about broken hearts and all of that.
But Kyoto comes from a strict traditional Japanese upbringing, and doesn't expect to be married to Ken all that long. Not only that, she is homesick and wants to return to Japan. It's sad in that this is finally someone Ken thinks he can love and be with and all that, except the one time he thinks he's found someone to feel that way about, the girl isn't expecting to stay that long. It's not that she doesn't like Ken, it's just that she's used to a whole 'nother way of life. She says, "I can't tell him the way I feel in English, and Ken can't tell me the way he feels in Japanese." It's a rather sad love story with a killer 80s techno-nintendo soundtrack.
I picked up Loving on Tokyo Time because it reminded me of one of my favorite 80s films, Tokyo Pop. And, for those of you who enjoyed Loving on Tokyo Time, check out Tokyo Pop (a New York singer goes to Japan and joins a Japanese American cover band), except it's a movie with a happy ending.
interesting character study
rishi33321 April 2001
The main plot line of "Living on Tokyo Time" is Ken's marriage of convenience to a Japanese national seeking a green card. But between the lines it is a character study of a Japanese American in a life crisis. Intimate and understated, we see an authentic portrait of a man who doesn't know where he belongs.
Slow but interesting
dewanevl24 January 2006
Warning: Spoilers
I just saw this on the Asian network. Steven Okazaki really caught the impossibility of communicating between the two young people, with the language differences and even the two cultures. He also caught the everyday life of an Asian-American, including the very tiring familial issues that can arise.
Spoiler: It was a very sad movie in that you would very much like things to work out between the two parties and you really care for them. It's obvious that Ken is a good person and so is Kyoko. But the movie ends as you expect it to end. Ken's show of anger is just perfect at the very end - exactly as it would happen in real life, still worrying about not breaking anything, even though the most important thing in his life has disappeared.
Spoiler: It was a very sad movie in that you would very much like things to work out between the two parties and you really care for them. It's obvious that Ken is a good person and so is Kyoko. But the movie ends as you expect it to end. Ken's show of anger is just perfect at the very end - exactly as it would happen in real life, still worrying about not breaking anything, even though the most important thing in his life has disappeared.
Starts out a bit slow, but if you stay with it, it delivers some laughs and drama
jasonbourneagain29 January 2012
I liked Kiyoko (Minako Ohashi) right off the bat as we see her talk about her disappointment with an arranged marriage in Japan, and so she came to America to have an "independent American experience." She gets a job as a kitchen helper and tries to learn English by herself in the evening. She talks about what she wants to do in America such as visit Yosemite and see the Golden Gate Bridge. However, she has difficulties expressing herself in English. A few minutes later, we meet Ken (Ken Nakagawa), a Japanese-American man, who has a dead end job and dreams about being a rock n' roll star. We meet him as his girl friend is walking out on him because he's boring. Ken sits there, stares blankly, and eating his Cheerios while she dumps him. Maybe he should have had his Wheaties that morning. We see Ken is very American with his liking for donuts and disliking manju or Japanese pastry in a cafe scene. The story builds slowly, but Kiyoko and Ken meet and they end up getting married in a marriage of convenience, so she can stay in America. The rest shows us Kiyoko's friends at work and Ken's friends in his band, maintenance worker job, and his dad and sister's family. There are some good supporting characters and there is some good humor as they give their opinions to both Kiyoko and Ken about each other. Lana (Kate Connell) arranges for the two to meet and likes Ken even though he doesn't talk much. On the other hand, Shari (Judi Nihei) belittles Ken as boring. The payoff is watching Ken change from being boring with his mundane life to someone who starts to care about Kiyoko and would like for their marriage to succeed. Kiyoko doesn't have the same thinking and expresses herself in Japanese, but Ken does not understand. There are some lighthearted comedic moments, and the film succeeds in expressing the relationship between Kiyoko and Ken and what obstacles they must overcome for a real relationship to blossom.
Culture Clash
chinaskee24 June 2001
This is a realistic,comedic look at a marriage of convenience between a Japanese-American man and a Japanese woman.Director Steven Okazaki does a great job of showing the culture clash between the Japanese-born Kyoto and the born in America Ken.All the performances are uniformly good.Minako Ohashi as the Japanese emigre Kyoto,turns in a knowing performance.You feel her alienation and loneliness throughout.There are some fine supporting roles here,notably Kate Connell,and Mitzie Abe,as Ken's sister.Director Okazaki wraps everything up with an unexpected,realistic ending.
Sad Slice of Life
Mark-1299 November 2003
While "Living on Tokyo Time" is highlighted with fine performances from the two leads and a real sense of realism and desperation, the main feeling I took away from my viewing was depression. Dreams and hopes are shattered in the story and perhaps in the real world there are no happy endings, but, that's why we have movies.
a slacker marriage of convenience
mjneu592 December 2010
The point of contact between two cultures can be a sometimes bewildering place, affording a unique glimpse into both worlds while not necessarily allowing a clear understanding of either. In Steven Okazaki's debut dramatic feature the culture clash is less a collision than it is a comic stalemate, presenting a benign communication breakdown between two young strangers thrown together in an awkward marriage of convenience. Ken is the thoroughly Westernized (some might say lobotomized) third-generation Asian American drop-out and aspiring punk rock guitarist who reluctantly agrees to go through the motions of marriage with Kyoko, a shy Japanese visitor looking to circumvent immigration laws after her travel visa expires. As is often the case with an independent, shoestring production the script is let down by inconsistent acting, but the lack of experience (on both sides of the camera) can sometimes work in Okazaki's favor. Beneath the unpolished, student film veneer is more genuine humor and compassion than in any of the largely impersonal blockbusters released by Hollywood the same summer, and at only a fraction of the cost.
Sweet hard to find movie that should be on DVD
texwebs25 February 2016
UPDATE (2 March 2016)Just received email from the film's director in response to my email of Feb. 29th where I had visited production company's web site asking about film and lamenting the fact it was not available on DVD. NEWS! The director told me that "out of the blue, MGM has released the movie on DVD" and it is now available on Amazon.com! After a decade or so of wanting a DVD of this film, my wish has been answered. Thanks MGM.
This is a sweet, simple, funny low budget movie that is nearly impossible to find and as far as I can tell only on VHS. I have my third VHS copy. Can't remember what happened to first one. Second one I bought cheap at a flea market and had no sound. I have seen a used copy or two for sale on eBay and Amazon.
I used this film in teaching Freshman Comp II at a community college in the early 90s for several reasons, but partly due to its low key humor that includes contrasting a real Japanese (a girl) with a Japanese- American wannabe rocker who eats cold cereal rather than sushi.
It's a quiet movie with no sex, cursing, drugs etc. Just some interesting characters and a cute leading actress. The lead female character narrates the film in a sweet voice.
This is a sweet, simple, funny low budget movie that is nearly impossible to find and as far as I can tell only on VHS. I have my third VHS copy. Can't remember what happened to first one. Second one I bought cheap at a flea market and had no sound. I have seen a used copy or two for sale on eBay and Amazon.
I used this film in teaching Freshman Comp II at a community college in the early 90s for several reasons, but partly due to its low key humor that includes contrasting a real Japanese (a girl) with a Japanese- American wannabe rocker who eats cold cereal rather than sushi.
It's a quiet movie with no sex, cursing, drugs etc. Just some interesting characters and a cute leading actress. The lead female character narrates the film in a sweet voice.
Complete lack of life, energy and passion
Pro Jury24 January 2006
Warning: Spoilers
*** May contain spoilers. ***
If LIVING ON TOKYO TIME were some bold experiment where real-life wanna-be actors were given film parts on the condition that they would be required to take a combination of powerful prescription anti-anxiety, anti-depression, and anti-psychotic medications (this is the classic psych ward combo that renders patients into drooling zombies) all during filming, then this movie would hold far more interest. Or, if the film production was another type of experiment where all of the actors were sleep deprived before and during filming, then TOKYO TIME could be more easily explained.
As it is, this film is filled with lifeless, low-energy actors. In the scene where the new husband was sitting on the stairs talking with his sister, it appeared that he was having trouble keeping his eyes open. In almost every scene he speaks his lines sitting down with every part of his body motionless. From beginning to end, his facial expression is best described as "near sleep."
Fret not about the actors speaking over each other's lines because these actors can barely finish droning out any lines of dialog. Everyone speaks with a depressing, monotone voice. No laughing. No yelling. No vigor. No one has energy enough to crack a smile. The result: complete and total boredom.
And it does not help matters that the direction is simple and amateurish.
Avoid this lifeless film at all costs. Better to watch GREENCARD which has a similar plot and has charm and energy. Or, for an unconventional Japanese romance story, check out THE LONG VACATION which has an ample amount of everything LIVING ON TOKYO TIME does not.
If LIVING ON TOKYO TIME were some bold experiment where real-life wanna-be actors were given film parts on the condition that they would be required to take a combination of powerful prescription anti-anxiety, anti-depression, and anti-psychotic medications (this is the classic psych ward combo that renders patients into drooling zombies) all during filming, then this movie would hold far more interest. Or, if the film production was another type of experiment where all of the actors were sleep deprived before and during filming, then TOKYO TIME could be more easily explained.
As it is, this film is filled with lifeless, low-energy actors. In the scene where the new husband was sitting on the stairs talking with his sister, it appeared that he was having trouble keeping his eyes open. In almost every scene he speaks his lines sitting down with every part of his body motionless. From beginning to end, his facial expression is best described as "near sleep."
Fret not about the actors speaking over each other's lines because these actors can barely finish droning out any lines of dialog. Everyone speaks with a depressing, monotone voice. No laughing. No yelling. No vigor. No one has energy enough to crack a smile. The result: complete and total boredom.
And it does not help matters that the direction is simple and amateurish.
Avoid this lifeless film at all costs. Better to watch GREENCARD which has a similar plot and has charm and energy. Or, for an unconventional Japanese romance story, check out THE LONG VACATION which has an ample amount of everything LIVING ON TOKYO TIME does not.
A simple story, low production-what independent films are about.
mannykronos120 September 2009
Warning: Spoilers
I rented this some years ago, the video store had only VHS at the time. Straight to video was hitting it's strides (you know, where the box covers use the same font and color schemes of successful films).I didn't know what to expect other than what was printed. First thing I thought while watching was "what the hells' wrong with the sound?"-Obviously there was no dialogue dubbing. Words echoed, so I stopped munching on whatever I had to pay closer attention-mind you there's no Shakespeare here!,just simple talk. The story is simple enough, boy meets girl etc.. What struck me as humorous and heartfelt was, the people in the movie didn't seem like caricatures written into the story,but rather non-actors plucked temporarily from their real jobs(uniforms included). All the while, you begin to sense what the filmmaker is after,then see that there are no attempts at cheap humor(people hurting their privates,using vulgarities this couldn't have hurt the marketing. There was something honest about it. I thought if they'd have a bigger budget then it would have been better, which i'm sure they considered daily,but, they went ahead and made it. This, I felt, was what independent film-making is all about.The word "Indy", is thrown around as if it's a Genre..Ha!..that's funny!
A film of chance, culture, and convenience mixed with love and friendship.
blanbrn12 May 2016
I for one typically like films that involve Japanese people so for sure I had to check out this 1987 film called "Living on Tokyo Time" and it was a slow little moving drama that gave insight into how life is all about chance and learning each day. The film still does a good job to explore Asian-American culture and the clash it has when a young Japanese girl travels to live and start a new life in San Francisco. This woman simply wants a new life a break from the normal ways of her family and she seems well on that path when she marries a Japanese-American junk food want to be rock star in the making. Really this is just a marriage of convenience so that the girl can stay in the U.S. so that her visa will not expire. So the theme of immigration is present so the film might can even be classified as before it's time. Overall the film is a culture class as it shows you learn everyday with life and love and in the end you have to make a choice to do the right thing as sometimes a visit and a stay is just a journey of chance as I think that was what this film proved.
Paint drying is more entertaining than this!
Malibukitten28 January 2006
I caught this film on AZN on cable. It sounded like it would be a good film, a Japanese "Green Card". I can't say I've ever disliked an Asian film, quite the contrary. Some of the most incredible horror films of all time are Japanese and Korean, and I am a HUGE fan of John Woo's Hong Kong films. I an not adverse to a light hearted films, like Tampopo or Chung King Express (two of my favourites), so I thought I would like this. Well, I would rather slit my wrists and drink my own blood than watch this laborious, badly acted film ever again.
I think the director Steven Okazaki must have spiked the water with Quaalude, because no one in this film had a personality. And when any of the characters DID try to act, as opposed to mumbling a line or two, their performance came across as forced and incredibly fake. I honestly did not think that anyone had ever acted before...the ONLY person who sounded genuine was Brenda Aoki.. I find it amazing that this is promoted as a comedy, because I didn't laugh once. Even MORE surprising is that CBS morning news called this "a refreshing breath of comedy". It was neither refreshing, nor a breath of comedy. And the ending was very predictable, the previous reviewer must be an idiot to think such things.
AVOID this film unless you want to see a boring predictable plot line and wooden acting. I actually think that "Spike of Bensonhurst" is a better acted film than this...and I walked out half way through that film!
I think the director Steven Okazaki must have spiked the water with Quaalude, because no one in this film had a personality. And when any of the characters DID try to act, as opposed to mumbling a line or two, their performance came across as forced and incredibly fake. I honestly did not think that anyone had ever acted before...the ONLY person who sounded genuine was Brenda Aoki.. I find it amazing that this is promoted as a comedy, because I didn't laugh once. Even MORE surprising is that CBS morning news called this "a refreshing breath of comedy". It was neither refreshing, nor a breath of comedy. And the ending was very predictable, the previous reviewer must be an idiot to think such things.
AVOID this film unless you want to see a boring predictable plot line and wooden acting. I actually think that "Spike of Bensonhurst" is a better acted film than this...and I walked out half way through that film!
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