62
Metascore
8 reviews · Provided by Metacritic.com
- 75Chicago TribuneDave KehrChicago TribuneDave KehrProfessionalism is both Nothing in Common's greatest strength and its greatest limitation. It's a very finely crafted piece, a product of hard work and careful consideration, yet nothing breaks through the craft--there's no personal drive to it.
- 70Los Angeles TimesKevin ThomasLos Angeles TimesKevin ThomasNothing in Common starts out like yet another yuppie Tom Hanks comedy--until it takes off in a surprising and unexpectedly rewarding direction. Never has Hanks or Jackie Gleason been better.
- 70Washington PostRita KempleyWashington PostRita KempleyJackie Gleason and Tom Hanks team entertainingly in Nothing in Common, a sugar-coated variation on "Death of a Salesman." It proves an uncommonly funny drama, its painful truths brightened by Hanks' clowning glory and Gleason's glowering deadpan. [1 Aug 1986, p.25]
- 63Chicago Sun-TimesRoger EbertChicago Sun-TimesRoger EbertI realize that Nothing in Common wants to surprise us by inserting tragedy in the midst of laughter, but the problem is, the serious parts of this movie are so much more interesting than the lightweight parts that the whole project gets out of balance.
- 63Christian Science MonitorDavid SterrittChristian Science MonitorDavid SterrittIt's refreshing to find a comedy that deals with such resonant material. True, there's nothing profound in the screenplay by Rick Podell and Michael Preminger, and director Garry Marshall wraps most of the emotions in bundles as tidy as a Thursday-night sitcom. But the story has serious things on its mind, relating to intimate areas of family life and sexuality. [30 July 1986, p.21]
- 63The Globe and Mail (Toronto)The Globe and Mail (Toronto)Nothing in Common does not have flawless courage - Hanks is too pumped-up, his fun scenes too tidily choreographed - but it has a heart and a mind and decent intentions. For coming out of today's Hollywood with these intact, the film deserves a medal. [1 Aug 1996, p.D1]
- As long as the story stays with David's wooing of the big Colonial Airlines account and the company president's tough-minded daughter (Sela Ward), a good time is to be had. But in the last half-hour, everybody starts to slobber.
- 50Miami HeraldBill CosfordMiami HeraldBill CosfordThe movie is facile and manipulative, but it can't hide the gifts of Jackie Gleason in the role of Hanks' father. [30 July 1986, p.D6]