| Photos (see all 5 | slideshow) | Videos |
| Bruno Lawrence | ... | Zac Hobson | |
| Alison Routledge | ... | Joanne | |
| Pete Smith | ... | Api | |
| Anzac Wallace | ... | Api's Mate | |
| Norman Fletcher | ... | Perrin | |
| Tom Hyde | ... | Scientist |
Directed by | |||
| Geoff Murphy | |||
Writing credits | ||
| Craig Harrison | (novel) | |
| Bill Baer | (written by) & | |
| Bruno Lawrence | (written by) & | |
| Sam Pillsbury | (written by) | |
Produced by | |||
| Sam Pillsbury | .... | producer | |
| Don Reynolds | .... | producer | |
Original Music by | |||
| John Charles | |||
Cinematography by | |||
| James Bartle | |||
Film Editing by | |||
| Michael Horton | |||
Production Design by | |||
| Josephine Ford | |||
Art Direction by | |||
| Rick Kofoed | |||
Costume Design by | |||
| Michael Kane | |||
Makeup Department | |||
| Jill Mills | .... | hair stylist | |
| Jill Mills | .... | makeup artist | |
Production Management | |||
| Margaret Hilliard | .... | production manager | |
Second Unit Director or Assistant Director | |||
| John Kaiser | .... | second assistant director | |
| Lee Tamahori | .... | first assistant director | |
| Sue Turtill | .... | third assistant director | |
Art Department | |||
| Richard Arlidge | .... | carpenter | |
| Jeanelle Aston | .... | set dresser | |
| Lee Baker | .... | carpenter | |
| Brian Beberford | .... | carpenter | |
| Neville Gee | .... | set dresser | |
| Matthew Gordon | .... | carpenter | |
| Dave Green | .... | set painter | |
| Warren Hoy | .... | property buyer | |
| Neil Kirkland | .... | model maker | |
| David Mahon | .... | assistant set painter | |
| John Miles | .... | construction manager | |
| Tim Minnell | .... | carpenter | |
| Richard Morrison | .... | carpenter | |
| Alan O'Neil | .... | carpenter | |
| Margaret Purkis | .... | assistant props buyer | |
| Paul Radford | .... | scenic artist | |
| Mark Robins | .... | stand-by props | |
| William Ryan | .... | carpenter | |
| Bob Schmidt | .... | carpenter | |
| Kim Sinclair | .... | set designer | |
| Brian St. John | .... | art department runner | |
| John Williams | .... | set dresser | |
| Michael Worrall | .... | model maker | |
Sound Department | |||
| Stephen Buckland | .... | sound trainee | |
| Chris Burt | .... | sound assistant | |
| Gary Clark | .... | sound | |
| Gethin Creagh | .... | sound mixer | |
| Finola Dwyer | .... | sound editor | |
| Anny Lowery | .... | assistant editor | |
| Garth Maxwell | .... | assistant sound editor | |
| John McKay | .... | sound editor | |
| Robin Murphy | .... | assistant sound editor | |
| Martin Oswin | .... | sound mixer | |
| Hammond Peek | .... | sound recordist | |
| Grant Stuart | .... | boom operator | |
| John Van Der Ryden | .... | sound | |
| Mike Westgate | .... | sound mixer | |
| Mike Westgate | .... | sound recordist | |
Special Effects by | |||
| Phil Addenbrook | .... | special effects general hand | |
| Ken Durey | .... | special effects supervisor | |
| Bruce Tooley | .... | special effects assistant | |
Stunts | |||
| Ray Wilson | .... | stunt driving coordinator | |
Camera and Electrical Department | |||
| Rourke Crawford-Flett | .... | grip | |
| Geoff Jamieson | .... | key grip | |
| Brett Jarman | .... | best boy | |
| Paul Leach | .... | camera operator | |
| Nick Mayo | .... | clapper loader | |
| Brett Mills | .... | gaffer | |
| Dave Slade | .... | camera assistant | |
| Pip Tocker | .... | electrician | |
| Ian Turtill | .... | focus puller | |
Editorial Department | |||
| Anny Lowery | .... | assistant editor | |
Music Department | |||
| Dave Fraser | .... | music producer | |
Other crew | |||
| Midge Bentley | .... | production secretary | |
| Chris Carr | .... | secretary to producer | |
| Louise Fry | .... | location assistant | |
| Victoria Hardy | .... | production assistant | |
| Evan Jenkins | .... | unit nurse | |
| Elaine Miskell | .... | production assistant | |
| Andy Pope | .... | security officer | |
| Linda Ray | .... | continuity | |
| Leo Reynolds | .... | mechanical engineer | |
| Campbell Stevenson | .... | production accountant | |
| Kate White | .... | location manager | |
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This was one of the best movies I've seen in a long time. Instead of being yet another it's-the-end-of-the-world-so-let's-kill-everyone-left movie it beautifully illustrates human hope, self-realization and sacrifice.
We begin with Zac in his depressed, selfish self. On day one, we get a taste of how Zac must have treated the world when people were in it. Now that the people are gone a happier Zac moves through the Kubler-Ross stages, to the audience's amusement. Eventually he meets another person, a woman - Joanne. Joanne is the embodiment of nurturing, femininity and compromise, herself having been alone as long as Zac.
Once they find each other, Joanne and Zac form an alliance that quickly becomes romantic, quirky and easy. Then the third player arrives, Api, who seems far better prepared for living after the world has gone empty.
Two men and one woman - from the moment they all meet it's strained with only Joanne bridging the distance. Jealousy and suspicion begin, there are poignant examples of human frailty and attempts to reach out to each other, except with Zac. Zac knows something that neither Joanne or Api could possibly know and eventually, he has to tell them.
The tension of the living situation builds and hits an apex when Zac finally tells the truth, the horrifying secret that is not only the answer to how the people vanished, but to what is about to happen. The ending, Zac's decision to change who he was, to love Joanne and Api enough to put himself aside turns weirdly mystical in the final scenes.
Overall, the story is an allegory of what we do to ourselves, how we can overcome our tendencies for base, selfish behavior and learn to love. It's one movie I walked away from thinking about so much more then when I began it.