| Rainer Grenkowitz | ... | Meier | |
| Nadja Engelbrecht | ... | Lore | |
| Alexander Hauff | ... | Kalle | |
| rest of cast listed alphabetically: | |||
| Curt Ackermann | ... | Colonel | |
| Charlotte Adami | ... | Mrs. Karpinski | |
| Thomas Bestvater | ... | Erwin | |
| Dagmar Biener | ... | Moni | |
| Clement De Wrobelewsky | ... | Fat Stasi | |
| René Grams | ... | Klausi | |
| Dieter Hildebrandt | ... | Waiter | |
| Johanna Karl-Lory | ... | Grandma Krause | |
| Joachim Kemmer | ... | Kretschmer | |
| Jürgen Klauß | ... | Comrade Liebmann | |
| Elke Knittel | ... | Customer | |
| Steffen Laube | ... | Second leather jacket | |
| Bernd Ludwig | ... | Kumpel | |
| Klaus Münster | ... | Border Guard | |
| Wolfgang Nusche | ... | Uncle Werner | |
| Horst Pinnow | ... | Kuno | |
| Eberhard Prüter | ... | Customs Officer | |
| Ilse Ranft | ... | Comrade Struntz | |
| Tamara Rohloff | ... | The Beauty | |
| Susanne Schiffmann-Grabe | ... | Ulla | |
| Edith Teichmann | ... | Aunt Inge | |
| Bernd Vollbrecht | ... | Leisure leather jacket | |
| Hans-Jürgen Wolf | ... | First leather jacket | |
Directed by | |||
| Peter Timm | |||
Writing credits(in alphabetical order) | ||
| Peter Timm | writer | |
Produced by | |||
| Hans Kades | .... | co-producer | |
| Alena Rimbach | .... | producer | |
| Herbert Rimbach | .... | executive producer | |
Original Music by | |||
| Peter Goldfuss | |||
Cinematography by | |||
| Klaus Eichhammer | |||
Film Editing by | |||
| Corinna Dietz | |||
| Petra Mantoudis | |||
Production Design by | |||
| Martin Dostal | |||
Costume Design by | |||
| Petra Kray | |||
Makeup Department | |||
| Eberhard Neufink | .... | makeup artist | |
| Ellen Weiß | .... | makeup artist | |
Production Management | |||
| Jörg Grossmann | .... | production manager | |
| Günther Russ | .... | production manager | |
Second Unit Director or Assistant Director | |||
| Volker Maria Arend | .... | assistant director | |
Art Department | |||
| Claus Beiser | .... | property master | |
| Edgar Hinz | .... | property master | |
| Heinz Klein | .... | stage props | |
Sound Department | |||
| James Corcoran | .... | assistant sound | |
| Hartmut Eichgrün | .... | sound mixer | |
| Jochen Schwarzat | .... | sound | |
Editorial Department | |||
| Angela Freyer | .... | assistant editor | |
| Pia Orlando | .... | assistant editor | |
| Lesja Zajac | .... | assistant editor | |
Other crew | |||
| Elke Kahlow | .... | script supervisor | |
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| Fifty Fifty | Go Trabi Go | Mann für jede Tonart, Ein | Putzfraueninsel, Die | Fledermaus, Die |
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| Full cast and crew | Company credits | IMDb Comedy section |
| IMDb West Germany section | Add this title to MyMovies |
An East German uses an inheritance to buy himself a West German passport. However he can't keep away from his East German friends. As with all the best comedies, the action builds up to an eventual crisis.
So it's a light comedy, with nothing bad or very good about it. In particular, the acting is good, but not outstanding. However the film is very political, preferring capitalist glitz to communist squalor. The best moment comes when the hero is asked whether he is West German or East German and he replies "gesamtdeutsch", which I would guess translates as "all-German". I left feeling what a total obscenity that stupid Wall was.
I should say that I only wrote this review because nobody else seems to have bothered. My German is still pretty basic and I expect I missed quite a lot.