The Browning Version is, of course, a one-act stage play so finely crafted as to render it actor-proof; a director need only drill the actors until the lines are second nature and train them not to bump into the furniture then he can go home secure in the knowledge that Rattigan will do the rest. Having said that I was frightened as a child by Michael Redgrave's definitive performance as Andrew Crocker-Harris in Puffin Asquith's equally definitive film version and though I have since seen and enjoyed some dozen or so stage productions I have yet to see any actor inhabit the same galaxy as Redgrave in this role nor, I am afraid, does Ian Holm, fine actor that he is, fare any better here. In fact when I come to think of it - and I own and play often the DVD of the Redgrave version - Puffin Asquith was blessed with a more or less dream cast in the shape of Jean Kent, Nigel Patrick and Wilfrid Hyde-White so that Judi Dench, Michael Kitchen and John Woodvine in this television adaptation are left dead in the water by comparison. On the other hand, like the man said, the play's the thing, and this play is a thing of beauty as masterpieces often are.
3 Reviews
Inferior to the Michael Redgrave film, very good all the same
TheLittleSongbird16 August 2016
Terence Rattigan has very quickly become one of my favourite playwrights, his dialogue is so intelligent, witty and meaty, his characterisation so dynamic, complex and real and the storytelling so beautifully constructed.
'The Browning Version' is an example of Rattigan at his best. Also think extremely highly of 'The Winslow Boy' and 'Separate Tables. Rattigan is also at his best when laying bare deep emotional and psychological strains in his principal characters within a skillful dramatic framework, of which 'The Browning Version' is the epitome of.
While the Michael Redgrave film is to me vastly superior and the best version of this brilliant play as well as one of the finest film versions or adaptations of any of Rattigan's plays, this 1985 version is very good all the same. The photography is somewhat of the time in picture quality but still beautifully shot and the suitably confined one-set and costumes are very handsomely produced.
Like the fabulous 1976 adaptation of 'The Winslow Boy', with Eric Porter and Alan Badel, 'The Browning Version' occasionally falls into stodginess, pacing is tighter in the Michael Redgrave film, but mostly it's deliberate but compelling. Rattigan's superb writing, dynamic between the characters and consummate attention to very complex characterisation shines through wonderfully here and really keeps things afloat.
As do the performances. Ian Holm is a stern and moving Crocker-Harris, his suffering wonderfully nuanced, and Steven Mackintosh is entertaining and appealing as Taplow, even with a not-particularly-great but somewhat amusing impersonation of Crocker-Harris which is acknowledged actually in the writing. Michael Kitchen has never looked so young and plays the role with charm and one truly admires him towards the end in his standing up to Mrs Crocker-Harris.
Personally was less keen on Judi Dench. She is a favourite of mine, but her performance is a bit too broad and like it belongs somewhere else, also even for a character intended to be like it she has never been more cold and unlikeable and it was somewhat of a turn-off to be honest.
Overall, very good but the Redgrave film captures the essence of the play much more. 8/10 Bethany Cox
'The Browning Version' is an example of Rattigan at his best. Also think extremely highly of 'The Winslow Boy' and 'Separate Tables. Rattigan is also at his best when laying bare deep emotional and psychological strains in his principal characters within a skillful dramatic framework, of which 'The Browning Version' is the epitome of.
While the Michael Redgrave film is to me vastly superior and the best version of this brilliant play as well as one of the finest film versions or adaptations of any of Rattigan's plays, this 1985 version is very good all the same. The photography is somewhat of the time in picture quality but still beautifully shot and the suitably confined one-set and costumes are very handsomely produced.
Like the fabulous 1976 adaptation of 'The Winslow Boy', with Eric Porter and Alan Badel, 'The Browning Version' occasionally falls into stodginess, pacing is tighter in the Michael Redgrave film, but mostly it's deliberate but compelling. Rattigan's superb writing, dynamic between the characters and consummate attention to very complex characterisation shines through wonderfully here and really keeps things afloat.
As do the performances. Ian Holm is a stern and moving Crocker-Harris, his suffering wonderfully nuanced, and Steven Mackintosh is entertaining and appealing as Taplow, even with a not-particularly-great but somewhat amusing impersonation of Crocker-Harris which is acknowledged actually in the writing. Michael Kitchen has never looked so young and plays the role with charm and one truly admires him towards the end in his standing up to Mrs Crocker-Harris.
Personally was less keen on Judi Dench. She is a favourite of mine, but her performance is a bit too broad and like it belongs somewhere else, also even for a character intended to be like it she has never been more cold and unlikeable and it was somewhat of a turn-off to be honest.
Overall, very good but the Redgrave film captures the essence of the play much more. 8/10 Bethany Cox
Only for Ian Holm fans
HotToastyRag14 February 2021
This taped live performance of Terrance Rattigan's play stars Ian Holm and Judi Dench. Ian is the unhappy professor who's put his career first at the expense of everything else. When he finds out he's being let go, he finds his life in shambles. His wife Judi is having an affair with his colleague, Michael Kitchen. A student he fought hard to help, Steven Mackintosh, was merely trying to butter him up instead of harboring real respect for him. And his home, leased in parcel with his job at the school, is being rented out from right under his nose.
If you're an Ian Holm fan, go ahead and get your hands on a copy of this performance. If you're not, really, you don't have to watch it. It's very obviously "a play" and can get more than a touch wordy and dry. It's fun to see Judi Dench young and acting flirtatious, but this is Ian's show. He has all the drama, all the heartache, and a big crying meltdown. Now you want to see it, right?
If you're an Ian Holm fan, go ahead and get your hands on a copy of this performance. If you're not, really, you don't have to watch it. It's very obviously "a play" and can get more than a touch wordy and dry. It's fun to see Judi Dench young and acting flirtatious, but this is Ian's show. He has all the drama, all the heartache, and a big crying meltdown. Now you want to see it, right?
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