| Photos (see all 4 | slideshow) |
| Keith Carradine | ... | Allen Devlin | |
| Kathleen Quinlan | ... | Chris Graham | |
| Richard Widmark | ... | Joe Steiner | |
| Michael Beck | ... | Mike Patterson | |
| Gerald Hiken | ... | Theo Grant | |
| Don Hood | ... | Phil Murphy | |
| Dameon Clarke | ... | Battered Child | |
| Martina Deignan | ... | Pauline | |
| Paul Drake | ... | John Davey | |
| Lawrence Lott | ... | Dr. Van Buren | |
| Kenneth Kimmins | ... | Dr. Kay (as Ken Kimmins) | |
| Murray Ord | ... | Harlan French | |
| Sheila Moore | ... | Dr. Alcott | |
| Jason Michas | ... | Mark | |
| Shana Lane-Block | ... | Kathy | |
| Pierre Lamielle | ... | Paul | |
| Dan Shea | ... | Comic | |
| Chris Christiansen | ... | Reporter | |
| Walter Marsh | ... | Dr. Sidney | |
| Danitza Kingsley | ... | 1st Rape Victim | |
| Gabrielle Rose | ... | Victim's Friend | |
| Jerry Wasserman | ... | Motel Clerk | |
| Don MacKay | ... | Dental surgeon | |
| Howard Storey | ... | 1st Man in Gym | |
| Bob Hughes | ... | 2nd Man in Gym | |
| Dave Sayer | ... | Younger Man | |
| Stephen E. Miller | ... | 3rd Man in Gym | |
| Lillian Carlson | ... | Mrs. Burns (as Lilian Carlson) | |
| Judith Goergetti | ... | Platic Surgeon | |
| Meredith Bain Woodward | ... | Forensic Technician (as Meredith Woodward) |
Directed by | |||
| Douglas Hickox | |||
Writing credits(in alphabetical order) | ||
| David Ambrose | screenplay | |
| David Ambrose | story | |
Produced by | |||
| Les Alexander | .... | producer | |
| Roger Gimbel | .... | producer | |
| Richard Parks | .... | producer | |
| Neil Rosenstein | .... | associate producer | |
| Richard Smith | .... | producer | |
Original Music by | |||
| Laurence Rosenthal | |||
Cinematography by | |||
| Tak Fujimoto | |||
Casting by | |||
| Marsha Kleinman | |||
| Kathleen Letterie | |||
Production Design by | |||
| Stewart Campbell | |||
Set Decoration by | |||
| Marti Wright | |||
Makeup Department | |||
| Donna Bis | .... | hair stylist | |
| Phyllis Newman | .... | makeup artist | |
| Michael Westmore | .... | special makeup designer (as Michael G. Westmore) | |
Production Management | |||
| Mary Eilts | .... | unit production manager | |
Second Unit Director or Assistant Director | |||
| Don Buchsbaum | .... | first assistant director | |
| Casey Grant | .... | third assistant director | |
| Matthew O'Connor | .... | second assistant director (as Matthew O'Conner) | |
Art Department | |||
| Lesley Beale | .... | assistant set decorator | |
| Gary Brolly | .... | construction coordinator | |
| Wayne McLaughlin | .... | property master | |
| Dan Sissons | .... | assistant props | |
Sound Department | |||
| Chris Jargo | .... | adr editor | |
| Clancy Livingston | .... | boom operator | |
| Rick Patton | .... | sound mixer | |
Special Effects by | |||
| John Thomas | .... | special effects | |
Stunts | |||
| Jacob Rupp | .... | stunt coordinator | |
| Jacob Rupp | .... | stunts: Devlin | |
| Betty Thomas | .... | stunts: Chris | |
Camera and Electrical Department | |||
| Douglas Craik | .... | second assistant camera (as Doug Craik) | |
| Theo Eglseder | .... | first assistant camera | |
| Les Erskine | .... | best boy | |
| Henri Fiks | .... | camera operator | |
| Einar Hanson | .... | generator operator | |
| Chris Helcermanas-Benge | .... | still photographer | |
| Dave Humphreys | .... | key grip | |
| James L. Hurford | .... | dolly grip (as Jim Hurford) | |
| Roger Huyghe | .... | lamp operator | |
| John Page | .... | steadicam operator | |
| Ben Rusi | .... | second grip | |
| Rick Stadder | .... | grip | |
| Ron Williams | .... | gaffer | |
Casting Department | |||
| Ingrid Fischer | .... | extras casting | |
| Trish Robinson | .... | additional casting | |
Costume and Wardrobe Department | |||
| Andrew Brown | .... | wardrobe supervisor | |
| Debbie Douglas | .... | seamstress | |
| Susan Molloy | .... | wardrobe assistant | |
Editorial Department | |||
| Jan Wesley | .... | assistant editor | |
Music Department | |||
| Steven Bramson | .... | orchestrator (as Steve Bramson) | |
| Steve Livingston | .... | music editor | |
Transportation Department | |||
| George A. Grieve | .... | transportation coordinator (as George Grieve) | |
| Michael J. Murphy | .... | transportation (as Mike Murphy) | |
| Sylvia Nablo | .... | assistant transportation | |
Other crew | |||
| Paul Cameron | .... | production executive | |
| Candice Field | .... | script supervisor | |
| Mary Guilfoyle | .... | location manager | |
| Gerri Kuhn | .... | craft service | |
| Gerri Kuhn | .... | first aid | |
| Andrew McLean | .... | production assistant | |
| Valerie McNicol | .... | assistant coordinator | |
| Lisa Meechan | .... | production coordinator | |
| Wendy Mentiply | .... | assistant auditor | |
| Karen Stewart | .... | production coordinator | |
| James R. Westwell | .... | location auditor (as Jim Westwell) | |
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| The Living and the Dead | Non si sevizia un paperino | Night Sins | The Shining | The Dead Zone |
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| Full cast and crew | Company credits | IMDb Horror section |
| IMDb USA section | Add this title to MyMovies |
Well here's another fine example to state why you shouldn't always judge movies on their appearance and production values. I almost deliberately missed out on this "gem" of the 1980's because it's a made-for-TV movie, and those usually stand for no blood, politically correct story lines, derivative plots and an annoying overload of sentimentality. "Blackout" immediately bursts through this clichéd image of the TV-movie with an exceptionally tense and atmospheric opening sequence. The story opens with the disturbing discovery of 3 dead bodies, a mother and her two children, nightmarishly exhibited as if they were celebrating the youngest one's birthday. The elderly cop Steiner promptly becomes obsessed with finding the killer, which undoubtedly is the husband and father. Almost at the same time of the discovery and a couple of States further, a man survives a horrible car accident, albeit with a total loss of memory and in desperate need for plastic surgery. His memory doesn't return, but he starts a new life under the name Allen Devlin and marries the nurse who treated him. Six years later, the meanwhile retired Steiner is still looking for the killer and receives an anonymous letter with a picture of Devlin and his new family. Is he the vanished killer who doesn't remember his past? Or is someone trying to sabotage his newly found happiness? "Blackout" is a truly effective and suspenseful thriller. There are very few possibilities of whom the killer may be, yet the intelligently written script keeps you guessing and doubting till the very last twist. Even with the quite large number familiar themes, like amnesia and love-triangles, the plot feels original and the suspense feels genuine. As expected, there aren't any vile murders shown on screen and the use of blood and make-up effects is kept to a minimum. Hey, it's a TV-movie, remember, and the emphasis lies on tension. Naturally a lot of credit must go to director Douglas Hickox, who's clearly one class above the average TV-movie director. Hickox previously directed the Vincent Price horror classic "Theater of Blood" and the historical drama "Zulu Down", so he definitely knows how build up an ambiance and how to guide his cast in the required direction. Speaking of which, the cast is excellent with Richard Widmark, Keith Carradine and Michael Beck. "Blackout" comes with my highest possible recommendation and, for once, one the IMDb's recommendations is spot-on as well. The site encourages you to watch "The Pledge" (starring Jack Nicholson), which also revolves on a retired copper continuing to obsessively hunt down the culprit of a long-forgotten crime.