| Photos (see all 12 | slideshow) | Videos |
| Griffin Dunne | ... | Paul Hackett | |
| Rosanna Arquette | ... | Marcy Franklin | |
| Verna Bloom | ... | June | |
| Tommy Chong | ... | Pepe (as Thomas Chong) | |
| Linda Fiorentino | ... | Kiki Bridges | |
| Teri Garr | ... | Julie | |
| John Heard | ... | Thomas 'Tom' Schorr | |
| Cheech Marin | ... | Neil | |
| Catherine O'Hara | ... | Gail | |
| Dick Miller | ... | Diner Waiter (Pete) | |
| Will Patton | ... | Horst | |
| Robert Plunket | ... | Street Pickup | |
| Bronson Pinchot | ... | Lloyd | |
| Rocco Sisto | ... | Coffee Shop Cashier | |
| Larry Block | ... | Taxi Driver | |
| Victor Argo | ... | Diner Cashier | |
| Murray Moston | ... | Subway Attendant | |
| John P. Codiglia | ... | Transit Cop | |
| Clarke Evans | ... | Neighbor #1 | |
| Victor Bumbalo | ... | Neighbor #2 | |
| Joel Jason | ... | Biker #1 | |
| Rand Carr | ... | Biker #2 | |
| Clarence Felder | ... | Club Berlin Bouncer | |
| Henry Judd Baker | ... | Jett (as Henry Baker) | |
| Margo Winkler | ... | Woman with Gun | |
| Victor Magnotta | ... | Dead Man | |
| Robin Johnson | ... | Punk Girl | |
| Stephen Lim | ... | Club Berlin Bartender (as Stephen J. Lim) | |
| Frank Aquilino | ... | Angry Mob Member | |
| Maree Catalano | ... | Angry Mob Member | |
| Paula Raflo | ... | Angry Mob Member | |
| Rockets Redglare | ... | Angry Mob Member | |
| rest of cast listed alphabetically: | |||
| Charles Scorsese | ... | Club Berlin Patron (uncredited) | |
| Martin Scorsese | ... | Club Berlin Searchlight Operator (uncredited) | |
Directed by | |||
| Martin Scorsese | |||
Writing credits | ||
| Joseph Minion | (written by) | |
Produced by | |||
| Robert F. Colesberry | .... | producer | |
| Griffin Dunne | .... | producer | |
| Amy Robinson | .... | producer | |
| Deborah Schindler | .... | associate producer | |
Original Music by | |||
| Howard Shore | |||
Cinematography by | |||
| Michael Ballhaus | |||
Film Editing by | |||
| Thelma Schoonmaker | |||
Casting by | |||
| Mary Colquhoun | |||
Production Design by | |||
| Jeffrey Townsend | |||
Art Direction by | |||
| Stephen J. Lineweaver | |||
Set Decoration by | |||
| Leslie A. Pope | (as Leslie Pope) | ||
Costume Design by | |||
| Rita Ryack | |||
Makeup Department | |||
| Medusah | .... | hair stylist | |
| Valli O'Reilly | .... | makeup artist (as Valli) | |
Production Management | |||
| Michael Nozik | .... | production manager | |
Second Unit Director or Assistant Director | |||
| Sarah M. Brim | .... | second assistant director | |
| Christopher Griffin | .... | second assistant director | |
| Stephen Lim | .... | first assistant director (as Stephen J. Lim) | |
| Tomaz Remec | .... | dga trainee | |
| Jeffrey Townsend | .... | second unit director (uncredited) | |
Art Department | |||
| David Allen | .... | set dresser | |
| Tommy Allen | .... | property master (as Tom Allen) | |
| Joel A. Blumenau | .... | set dresser (as Joel Aaron Blumenau) | |
| Nora Chavooshian | .... | sculptor | |
| Anthony Dunne | .... | set builder (as Tony Dunne) | |
| Leigh Kyle | .... | assistant art director | |
| Anamarie Michnevich | .... | assistant property master | |
| Timothy Main | .... | carpenter (uncredited) | |
Sound Department | |||
| Michael Berenbaum | .... | apprentice sound editor | |
| Louis Bertini | .... | assistant sound editor | |
| Marko A. Costanzo | .... | foley artist | |
| Tom Fleischman | .... | sound re-recording mixer | |
| Keith Gardner | .... | boom operator | |
| Chat Gunter | .... | sound mixer | |
| Michael Jacobi | .... | sound editor | |
| Neil L. Kaufman | .... | sound editor (as Neil Kaufman) | |
| Skip Lievsay | .... | supervising sound editor | |
| Marissa Littlefield | .... | assistant sound editor | |
| Barbara Minor | .... | assistant sound editor | |
| Magdaline Volaitis | .... | sound editor | |
| Dick Vorisek | .... | sound re-recording mixer | |
Stunts | |||
| Jordan H. Fischer | .... | stunts | |
| Harry Madsen | .... | stunt coordinator | |
| Shawn O'Neil | .... | stunts | |
| Shawn O'Neil | .... | stunt driver (uncredited) | |
Camera and Electrical Department | |||
| Florian Ballhaus | .... | second assistant camera | |
| Jan Sebastian Ballhaus | .... | second assistant camera (as Sebastian Ballhaus) | |
| Arthur Blum | .... | key grip | |
| Stefan Czapsky | .... | gaffer | |
| David M. Dunlap | .... | first assistant camera | |
| Anthony Dunne | .... | grip (as Tony Dunne) | |
| Morris Flam | .... | best boy | |
| Charlie Marroquin | .... | grip | |
| Larry McConkey | .... | Steadicam operator | |
| Michael Papadapolous | .... | electrician | |
| Susan Starr | .... | second assistant camera | |
| Michael Trim | .... | electrician | |
| Barry Wetcher | .... | still photographer | |
| Gilles Fortier | .... | best boy (uncredited) | |
Costume and Wardrobe Department | |||
| Paulette Aller | .... | wardrobe assistant (as Paulette Aller Shelton) | |
| Barbara Shulman Breslin | .... | assistant to costume designer | |
| John A. Dunn | .... | assistant to costume designer (as John Dunn) | |
| Charles Scorsese | .... | wardrobe assistant | |
| Deirdre N. Williams | .... | wardrobe supervisor (as Deirdre Williams) | |
Editorial Department | |||
| Molly Bernstein | .... | editing intern | |
| Arthur Blum | .... | editing intern | |
| James Y. Kwei | .... | second assistant editor (as James Kwei) | |
| Victoria Martin | .... | first assistant editor | |
Music Department | |||
| Thomas S. Drescher | .... | music editor (as Thomas Drescher) | |
Transportation Department | |||
| Joseph Fanning | .... | transportation captain (as Joe Fanning) | |
Thanks | |||
| Dan DeCarlo | .... | special thanks (as Dan De Carlo) | |
| Tom Fleischman | .... | special thanks | |
| Antonio Sodda | .... | special thanks | |
| Nancy Sullivan | .... | special thanks | |
| Todd M. Thaler | .... | special thanks (as Todd Thaler) | |
| Robert Warshavsky | .... | special thanks | |
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I saw this when this first came out about 19 (!) years ago, and it became my favorite movie of 1985, and probably my favorite Scorsese film ("Goodfellas" is right there with it). However it always seemed that I was the only one who felt that way. It was no sensation at the box office (even by art film standards), it was ignored by all the awards as far as I remember, and no DVD release.
Until now. First off, I am happy to report that the new DVD release looks and sounds great. It feels like the film came out last year.
Now, years down the road, you really appreciate how accomplished "After Hours" is in the wake of 100s of inferior indie releases that ape the urban paranoia and "downtown" sensibility that this seems to effortlessly catch. The film is pitch perfect:you sense a filmmaker in complete command, but the film is always off balance (as intended). The plot seems to flow randomly and the movie always defies your expectations, yet it's as tightly assembled as a jigsaw puzzle.
It's easy to catch the Scorsese style of shooting and editing, really starting to roll here (before taking off in "The Color of Money" and "Goodfellas"), as the engine of the movie. You have to remind yourself that every other director was not trying to make movies this way at this point (1985), and that you are watching the inventor, not just the best practitioner.
But don't overlook the cast's contributions. Perfectly cast down to the smallest roles (yes, I mean you Dick Miller), few things are more enjoyable than watching an able cast take the ball and run with it. Obviously having a blast, they not only jump into their parts, but they have no hesitation at being unlikable and annoying. Particularly Griffin Dunne, the perfect Everyman, who becomes more and more of a jerk as the night wears on.