Edit
Storyline
Based on a play about the lives of women residing in a black apartment building in 1950s Chicago, by Christine Houston, Marla Gibbs, who first shot to stardom for playing the sarcastic housekeeper to Louise & George Jefferson, Florence Johnston, in "The Jeffersons," got her own series. In this sitcom, she starred as Mary Jenkins, a tart-tongued, sharp housewife, who enjoyed a great deal of gossip, and often spoke of what she'd believed, not-so-good results. 227 was also about the many African-Americans who resided in a Washington, D.C. apartment building, among the many of her residents were Lester Jenkins, Mary's husband who was a construction worker, Brenda Jenkins, a teenaged daughter of Mary's & Lester's, whose very scholarly, when at times, she overdoes things and apologizes, Pearl Shay, an annoying, yet open-minded neighbor, who believes in gossip, the same topic Mary believes in, and Rose Halloway, a best friend of Mary's who show sympathy to the neighbors, who in turn, had a ... Written by
Gary Richard Collins II (gcollinsii@aol.com)
Plot Summary
|
Add Synopsis
Edit
Did You Know?
Trivia
If
Marla Gibbs was unavailable to star in
227, then, it would've debuted the season after 1985, if
The Jeffersons would've been on the air. When the show was unexpectedly cancelled in 1985,
Norman Lear allowed Gibbs to star in the show.
See more »
Quotes
Sandra:
By this summer, I can buy anything I want. I wonder if the Washington Redskins are for sale.
See more »
Connections
Referenced in
TV in Black: The First Fifty Years (2004)
stills
See more »
I don't understand all the 'rave' reviews for this show. This was the most standard of sitcoms. There was nothing new or innovative about it at all. Sure, it might provide a few chuckles, but even that would be stretching it. It's basically just like any other bad sitcom: sophomoric writing, rehashed plots from other bad sitcoms, poor performances (including the horrid Helen Thomas). Though Jackee' Harry did supply a few laughs, overall the show didn't add anything new to the medium.