Stop Making Sense (1984)

Director:

Jonathan Demme

Writers:

Jonathan Demme (writer)
Talking Heads (writer)

Release Date:

16 November 1984 (West Germany)

Genre:

Documentary | Music

Tagline:

Why stop making sense? Why a movie? Why a big suit? Where do the odd movements come from? What will the band do next?

Plot:

An innovative concert movie for the rock group The Talking Heads.

Plot Keywords:

Band | Concert | Musician | Concert Film | Stage

Awards:

2 wins

Cast

Bernie Worrell	...	Keyboards
Alex Weir	...	Guitar and Vocals
Steven Scales	...	Percussion (as Steve Scales)
Lynn Mabry	...	Backing Vocals
Ednah Holt	...	Backing Vocals (as Edna Holt)
Tina Weymouth	...	Bass, Percussion and Vocals
Jerry Harrison	...	Guitar, Keyboards and Vocals
Chris Frantz	...	Drums and Vocals
David Byrne	...	Vocals and Guitar

Runtime:

88 min

Country:

USA

Language:

English

Colour:

Colour

Aspect Ratio:

1.85 : 1

Sound Mix:

Dolby Digital (1999 re-release) | Stereo

Certification:

South Korea:15 | Australia:G | Finland:S | Sweden:Btl | UK:PG

Filming Locations:

Pantages Theater - 6233 Hollywood Blvd., Hollywood, Los Angeles, California, USA

Company:

Music Television (MTV)

Trivia:

David Byrne's staggering during the latter part of "Psycho Killer" was directly inspired by Fred Astaire in Royal Wedding (1951) during the song "I Left My Hat In Haiti".

Goofs:

Miscellaneous: Because the footage was edited together from three shows, there are numerous continuity errors. One mentioned on the commentary track of the DVD is the beach ball which is launched from the audience, but never falls.

Quotes:

David Byrne: I've got a tape I want to play.

Movie Connections:

References Star Wars (1977)

Soundtrack:

Take Me To The River

THE Great Concert Film

All concert films should be as innovative, energetic and just plain fun as Stop Making Sense. With Jonathan Demme as director, the concert has a weird and wonderful theatrical look, with David Byrne arriving onstage at the beginning, armed with an acoustic guitar. Gradually, the other members of the band join him and the stage sets become highly unusual. For visuals, nothing matches the odd behavior of Byrne and quirky but (for the most part) great songs of the Talking Heads better than Demme's approach to filming. The movie has such a terrific build up (at one point Byrne actually runs around the stage repeatedly) that you cannot help but move with it. I can't believe concert films that followed did not even attempt to match this film's innovativeness. A great movie, even if you've never heard of the Talking Heads.