68
Metascore
11 reviews · Provided by Metacritic.com
- 88Chicago Sun-TimesRoger EbertChicago Sun-TimesRoger EbertThe middle 100 minutes of the movie are charming and moving and surprisingly interesting.
- 88The Associated PressBob ThomasThe Associated PressBob ThomasMiss Streisand excels in all departments. [21 Nov 1983]
- 80Washington PostRita KempleyWashington PostRita KempleyYentl is Streisand. Either you like her or you don't. And if a little Streisand means a lot, then a lot is what you've got. [09 Dec 1983, p.25]
- 63Miami HeraldBill CosfordMiami HeraldBill CosfordPerhaps because we see so few musicals at all, the Streisand model seems welcome on any terms. But there is also a great deal of warmth in the picture, and it has what one-man shows do when they are working right: It has conviction, and a sense of the artist's vision. This movie was not made by committee, and hence it is free in a way that few American films are. [09 Dec 1983, p.D12]
- 60The New York TimesJanet MaslinThe New York TimesJanet MaslinThe best thing about Yentl is its earnestness. It may resemble a vanity production from afar (or at close range, too, for that matter), but even at its kitschiest it seems to be heartfelt. That goes a long way, though not far enough, toward saving the film from its own built-in difficulties.
- 60EmpireEmpireNot to everyone's taste, but an earnest and hearfelt tale nonetheless.
- 60TV Guide MagazineTV Guide MagazineStreisand is actually quite credible in her role and she elicits beautifully shaded performances from a large cast, particularly Patinkin and Irving.
- 58Christian Science MonitorDavid SterrittChristian Science MonitorDavid SterrittThe movie keeps up for a while, then falls into a slump, dwelling too long on the tangled emotions in the heroin's tangled marriage. Since the musical numbers aren't especially lively, either, the energy level sags dangerously low. In its best scenes, though, Yentl entertains with its crisp performances and invigorates with its sturdy feminist perspective. [22 Dec 1983, p.19]
- 40Time OutTime OutThis lumbering, overwrought, and wildly self-indulgent adaptation of Isaac Bashevis Singer's frail short story is clearly cranked up with the full quotient of sincerity and conviction.