| Videos |
| Scott Glenn | ... | Glaeken Trismegestus | |
| Alberta Watson | ... | Eva Cuza | |
| Jürgen Prochnow | ... | Captain Klaus Woermann | |
| Robert Prosky | ... | Father Mihail Fonescu | |
| Gabriel Byrne | ... | Major Kaempffer | |
| Ian McKellen | ... | Dr. Theodore Cuza | |
| William Morgan Sheppard | ... | Alexandru (as Morgan Sheppard) | |
| Royston Tickner | ... | Tomescu | |
| Phillip Joseph | ... | Sergeant Oster | |
| Michael Carter | ... | Molasar | |
| John Vine | ... | Lutz | |
| Jona Jones | ... | Otto | |
| Wolf Kahler | ... | S.S. Adjutant | |
| Rosalie Crutchley | ... | Josefia | |
| Frederick Warder | ... | Border Guard #1 | |
| Bruce Payne | ... | Border Guard #2 | |
| David Cardy | ... | Alexandru's Son | |
| John Eastham | ... | Alexandru's Second Son | |
| Philip Bloomfield | ... | Josefia's Son | |
| Yashaw Adem | ... | Carlos | |
| Stephen Whittaker | ... | S.S. Commando | |
| Lan Ruskin | ... | S.S. Commando | |
| Stephen Jenn | ... | S.S. Commando | |
| Benedick Blythe | ... | S.S. Commando | |
| Robin Langford | ... | S.S. Commando | |
| Renny Krupinski | ... | Wehrmacht Soldier | |
| Peter Guinness | ... | Wehrmacht Soldier | |
| Sean Baker | ... | Wehrmacht Soldier | |
| Timothy Block | ... | Wehrmacht Soldier |
Directed by | |||
| Michael Mann | |||
Writing credits | ||
| F. Paul Wilson | (novel) | |
| Michael Mann | (screenplay) | |
Produced by | |||
| Richard Brams | .... | associate producer | |
| Colin M. Brewer | .... | executive producer | |
| Theresa Curtin | .... | associate producer | |
| Gene Kirkwood | .... | producer | |
| Hawk Koch | .... | producer (as Howard W. Koch Jr.) | |
| Gavin MacFadyen | .... | associate producer | |
Original Music by | |||
| Christopher Franke | (as Tangerine Dream) | ||
| Edgar Froese | (as Tangerine Dream) | ||
| Johannes Schmölling | (as Tangerine Dream) | ||
Cinematography by | |||
| Alex Thomson | (director of photography) | ||
Film Editing by | |||
| Dov Hoenig | |||
| Chris Kelly | |||
| Tony Palmer | (uncredited) | ||
Production Design by | |||
| John Box | |||
Art Direction by | |||
| Alan Tomkins | |||
| Herbert Westbrook | |||
Set Decoration by | |||
| Michael Seirton | |||
Costume Design by | |||
| Anthony Mendleson | |||
Makeup Department | |||
| Jan Dorman | .... | hairdresser | |
| Graham Freeborn | .... | makeup artist | |
| Joyce James | .... | hairdresser | |
| Beryl Lerman | .... | makeup artist | |
| Nick Maley | .... | makeup designer | |
| Richard Mills | .... | makeup artist | |
| Barbara Ritchie | .... | hair stylist | |
Production Management | |||
| Patrick Clayton | .... | production supervisor | |
| Phil Sanderson | .... | post-production supervisor | |
Art Department | |||
| George Ball | .... | property master | |
| Peter Benson | .... | propman: floor | |
| Albert Blackshaw | .... | construction manager | |
| Denis Hopperton | .... | chargehand floor propman | |
| Geoff Langley | .... | assistant construction manager | |
| Kevin Phipps | .... | draughtsman | |
| Jill Quertier | .... | production buyer | |
| Lucy Richardson | .... | assistant art director | |
| Rosalind Shingleton | .... | draughtswoman | |
| Bill Stallion | .... | storyboard artist | |
| Leslie Tomkins | .... | art director: models | |
| Peter Wilkinson | .... | assistant construction manager | |
Sound Department | |||
| Campbell Askew | .... | footstep editor | |
| Robin Gregory | .... | sound mixer | |
| Peter Horrocks | .... | dialogue editor | |
| John Iles | .... | consultant: dolby sound | |
| Stephen Janisz | .... | assistant sound editor | |
| Bob Jones | .... | dubbing mixer | |
| Peter Pennell | .... | assistant sound editor | |
| Terry Sharratt | .... | boom operator | |
| Stephen Spencer | .... | assistant sound editor | |
| Jeremy Strachan | .... | assistant dialogue editor | |
| Graham Sutton | .... | assistant footsteps editor | |
| William Trent | .... | sound editor (as Bill Trent) | |
| Doug E. Turner | .... | sound re-recording mixer (as Doug Turner) | |
Special Effects by | |||
| Nick Allder | .... | special effects supervisor | |
| Alan Bryce | .... | special effects technician (as Allan Bryce) | |
| Kevin Herd | .... | special effects technician | |
| Garth Inns | .... | special effects | |
| John McGoldrick | .... | special effects technician | |
| Melvyn Pearson | .... | special effects | |
Visual Effects by | |||
| Robin Browne | .... | visual effects supervisor | |
| Roy Carnell | .... | matte camera operator | |
| Ron Crees | .... | matte cameraman | |
| Doug Ferris | .... | matte artist | |
| Roy Field | .... | optical effects | |
| Denis Fitzgibbons | .... | matte camera operator (as Denis Fitzgibbon) | |
| John Fletcher | .... | visual effects focus puller | |
| Stuart Galloway | .... | matte camera operator | |
| Denis Hall | .... | optical effects | |
| Jamie Harcourt | .... | optical camera operator | |
| Keith Holland | .... | matte camera operator | |
| John Palmer | .... | matte cameraman | |
| Keith Thomas | .... | visual effects focus puller | |
| John Turner | .... | matte camera operator (as John Turner-Grant) | |
| Wally Veevers | .... | visual effects supervisor | |
| Ken Worringham | .... | optical camera operator | |
| Keith Holland | .... | visual effects camera operator (uncredited) | |
Stunts | |||
| Andy Bradford | .... | stunts | |
| Jim Dowdall | .... | stunts | |
| Tracey Eddon | .... | stunts | |
| Nick Hobbs | .... | stunts | |
| Alf Joint | .... | stunt coordinator | |
| Doug Robinson | .... | stunts | |
| Paddy Ryan | .... | stunts | |
Camera and Electrical Department | |||
| Kenneth Atherfold | .... | camera grip (as Ken Atherfold) | |
| Graham Attwood | .... | still photographer | |
| Dave Clarke | .... | supervising electrician (as David Clarke) | |
| Wick Finch | .... | electrician | |
| Anthony Gaudioz | .... | focus puller (as Tony Gaudioz) | |
| Bill Geddes | .... | camera grip | |
| John Golding | .... | second camera operator | |
| Arthur Lavis | .... | unit cinematographer | |
| Shaun O'Dell | .... | camera operator | |
| Shane O'Neill | .... | clapper loader | |
| Steve Parker | .... | assistant camera | |
| Peter Robinson | .... | focus puller | |
| Andrew Shields | .... | video playback operator | |
| Gary Spratling | .... | clapper loader | |
| John Ward | .... | Steadicam operator | |
| Micky Wilson | .... | electrician | |
Animation Department | |||
| Ann Ducommun | .... | assistant animator | |
Casting Department | |||
| Noel Davis | .... | casting: U.K. | |
| Nancy Klopper | .... | casting: USA | |
| Bonnie Timmermann | .... | casting: USA | |
Costume and Wardrobe Department | |||
| Rosemary Burrows | .... | costume supervisor | |
| June Kirby | .... | wardrobe assistant | |
| Ken Lawton | .... | wardrobe master | |
Editorial Department | |||
| Chris Kelly | .... | associate editor (as Christopher Kelly) | |
| Steve Maguire | .... | second assistant editor | |
| Tony Palmer | .... | second assistant editor | |
| Pamela Power | .... | additional editor | |
| Phil Sanderson | .... | first assistant editor | |
| Andy Stears | .... | assistant optical editor | |
| Adam Unger | .... | second assistant editor | |
Music Department | |||
| Bob Badami | .... | music editor | |
| Gordon Greenaway | .... | assistant music editor | |
| Laurie Anderson | .... | score mixer (uncredited) | |
Other crew | |||
| Julie Adams | .... | dialogue coach | |
| Enki Bilal | .... | illustrator: demon | |
| John Carr | .... | laser effects | |
| Bryan Coates | .... | location manager | |
| Vicki Deason | .... | production assistant (as Vicki Manning) | |
| Ann Edwards | .... | continuity | |
| Ken Goddard | .... | laser effects | |
| Denise Horsham | .... | creature crew | |
| Aneuryn Jones | .... | animal supplier: North Wales | |
| Bob Keen | .... | creature crew | |
| Doreen Landry | .... | unit publicist | |
| Nick Maley | .... | creature designer | |
| Nick Maley | .... | prosthetics designer | |
| Andrew Mollo | .... | historical consultant | |
| Josephine Olive-O'Neill | .... | assistant production accountant (as Josephine O'Neill) | |
| Christine Overs | .... | creature crew | |
| Richard Padbury | .... | creature crew | |
| Basil Somner | .... | location manager | |
| John Bernard Wall | .... | production accountant | |
| Kevin Westley | .... | set runner | |
| David White | .... | creature crew | |
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The Keep is weird. It has extraordinary visuals and some powerful sequences, but a bit too much of the action is tricky to follow because the scripting is muddled and some of the dialogue is delivered in an inexpressive and unclear manner. The film is based on a book by F. Paul Wilson, which is one of my all-time favourite novels.
The action revolves around a forbidding Romanian fortress set in a hillside. It is occupied by German soldiers during WWII, but the soldiers are foolish enough to disturb some of the glowing crosses embedded into the walls. From within the keep, an ancient and powerful evil force is unleashed, and only a mysterious drifter called Glaeken (Scott Glenn) knows what it is and how to destroy it.
The scene in which the evil is released is brilliant. Two soldiers venture into the inner depths of the keep, and one is mutilated by the unseen power. Another terrifc scene involves old cripple Ian McKellen being given a new lease of youth by the evil force. There's also a beautiful and erotic love scene between Glenn and Alberta Watson. Other aspects of the film aren't so good. As mentioned, there's a lack of clarity in the story telling. Also, the final conflict between Glenn and the evil force is hasty and under-developed. The pace of the film suffers from a slow and rather uninspiring opening half-hour. However, genreally speaking, The Keep is worth watching, especially if you're a fan of the book.