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Directed by | |||
| David Cronenberg | |||
Writing credits | ||
| Jeffrey Boam | (screenplay) | |
| Stephen King | (novel) | |
Produced by | |||
| Jeffrey Chernov | .... | associate producer | |
| Debra Hill | .... | producer | |
| Dino De Laurentiis | .... | executive producer (uncredited) | |
Original Music by | |||
| Michael Kamen | |||
Cinematography by | |||
| Mark Irwin | |||
Film Editing by | |||
| Ronald Sanders | |||
Casting by | |||
| Deirdre Bowen | |||
| Janet Hirshenson | |||
| Jane Jenkins | |||
Production Design by | |||
| Carol Spier | |||
Art Direction by | |||
| Barbara Dunphy | |||
Set Decoration by | |||
| Tom Coulter | |||
Costume Design by | |||
| Olga Dimitrov | |||
Makeup Department | |||
| Jenny Arbour | .... | hair stylist | |
| Shonagh Jabour | .... | makeup artist | |
| Maureen Mestan | .... | hair assistant (uncredited) | |
Production Management | |||
| John M. Eckert | .... | production manager | |
Second Unit Director or Assistant Director | |||
| John Board | .... | first assistant director | |
| Otta Hanus | .... | second assistant director | |
| Lydia Wazana | .... | third assistant director | |
Art Department | |||
| Alfred | .... | draftsman | |
| Jon Bankson | .... | head carpenter (as John Bankson) | |
| Kirk Cheney | .... | head carpenter | |
| Janet Cormack | .... | scenic painter | |
| Jim Craig | .... | storyboard artist | |
| Joe Curtin | .... | construction manager | |
| Dan Davis | .... | assistant art director | |
| Gary Jack | .... | set dresser | |
| Nick Kosonic | .... | scenic painter | |
| Jo-Ann Ladenheim | .... | trainee art director | |
| Peter Lauterman | .... | property master | |
| Steve Meil | .... | scenic painter (as Steven Meil) | |
| Don Miloyevich | .... | assistant props | |
| Harry Pavelson | .... | scenic painter | |
| Tom Reid | .... | set dresser | |
| Myles Roth | .... | carpenter | |
| Robert Wiens | .... | carpenter | |
| Gareth Wilson | .... | set dresser | |
Sound Department | |||
| Bryan Day | .... | sound mixer | |
| Michael C. Gutierrez | .... | sound editor (as Michael Gutierrez) | |
| Duane Hartzell | .... | sound editor | |
| Devon Heffley Curry | .... | sound editorial coordinator (as Devon Heffley) | |
| Michael LaCroix | .... | boom operator (as Michael Lacroix) | |
| Gregg Landaker | .... | sound re-recording mixer | |
| Steve Maslow | .... | sound re-recording mixer | |
| David E. Stone | .... | sound editor (as David Stone) | |
| Kendrick Sweet | .... | sound editor (as Ken Sweet) | |
| Eric Tomlinson | .... | sound recording engineer | |
| Bill Varney | .... | sound re-recording mixer | |
| Caryl Wickman | .... | sound editor | |
| David Lewis Yewdall | .... | supervising sound editor (as David Yewdall) | |
| Don White | .... | adr recordist (uncredited) | |
Special Effects by | |||
| Calvin Joe Acord | .... | special effects foreman (as Calvin Acord) | |
| Jon G. Belyeu | .... | special effects coordinator (as Jon Belyeu) | |
| Derek Howard | .... | special effects | |
| Clark Johnson | .... | special effects | |
| Michael Kavanagh | .... | special effects | |
| Laird McMurray | .... | special effects | |
| Mark Molin | .... | special effects | |
| Michael Neumann | .... | special effects | |
| D. Harry Persad | .... | special effects | |
| Gianico Pretto | .... | special effects | |
| Sonan Sookad | .... | special effects | |
| David Zimmerman | .... | special effects | |
Visual Effects by | |||
| Michael Lennick | .... | video electronic effects | |
Stunts | |||
| Shane Cardwell | .... | stunts | |
| Peter Cox | .... | stunts | |
| Rick Forsayeth | .... | stunts (as Dick Forsayeth) | |
| Loren Janes | .... | stunts | |
| Carey Loftin | .... | stunt coordinator: milk truck stunt | |
| Dwayne McLean | .... | stunts | |
| Leslie Munro | .... | stunts | |
| David Rigby | .... | stunts | |
| Jérôme Tiberghien | .... | stunts (as Jerome Tiberghien) | |
| Greg Walker | .... | stunts | |
| Dick Warlock | .... | stunt coordinator | |
Camera and Electrical Department | |||
| Scotty Allan | .... | best boy (as Scotty Allen) | |
| Jock Brandis | .... | gaffer | |
| Ira Cohen | .... | electrician | |
| Christopher Dean | .... | grip | |
| John Herzog | .... | electrician | |
| David Hynes | .... | grip | |
| Maris H. Jansons | .... | key grip (as Maris Jansons) | |
| Robin Miller | .... | first assistant camera | |
| Donna Mobbs | .... | second assistant camera | |
| Gary Phipps | .... | generator operator | |
| Rick Porter | .... | still photographer | |
| Steve Shapiro | .... | photographer: Stillson | |
| Mark Silver | .... | grip | |
| John Stoneman | .... | underwater camera operator | |
| David J. Woods | .... | camera trainee (as David Woods) | |
| Christophe Bonnière | .... | focus puller: second unit (uncredited) | |
Casting Department | |||
| Peter Lavender | .... | extras casting | |
Costume and Wardrobe Department | |||
| Denise Cronenberg | .... | wardrobe mistress (as Denise Woodley) | |
| Maureen Gurney | .... | wardrobe assistant | |
| Arthur Rowsell | .... | wardrobe master | |
Editorial Department | |||
| Tim Dunphy | .... | editor trainee | |
| Elaine Foreman | .... | assistant editor | |
| Michael Rea | .... | assistant editor | |
Music Department | |||
| James Guthrie | .... | musical effects engineer | |
| Michael Kamen | .... | music arranger | |
| Michael Kamen | .... | conductor (uncredited) | |
| Michael Kamen | .... | orchestrator (uncredited) | |
| John McClure | .... | music mixer (uncredited) | |
| Sidney Sax | .... | orchestra contractor (uncredited) | |
| Eric Tomlinson | .... | music mixer (uncredited) | |
Transportation Department | |||
| David Brown | .... | driver | |
| David Chudnovsky | .... | driver (as David Chud) | |
| Michael Curran | .... | transportation coordinator | |
| Alex Dawes | .... | driver | |
| Allen Kosonic | .... | driver captain (as Al Kosonic) | |
| Jerome McCann | .... | driver | |
| Izidore K. Musallam | .... | driver (as Izidore Musallam) | |
| Cactus Simser | .... | driver (as Cactus) | |
Other crew | |||
| Andreas Blackwell | .... | production assistant | |
| Randi Chernov | .... | assistant: Ms. Hill | |
| David Coatsworth | .... | location manager | |
| Jesse Cohoon | .... | craft service | |
| Richard Cosgrave | .... | horse wrangler (as Richard Cosgrove) | |
| Dino De Laurentiis | .... | presenter | |
| Prudence Emery | .... | publicist | |
| Tom Glass | .... | horse wrangler | |
| Jeremy F. Keable | .... | biomedical advisor | |
| Philippa King | .... | production coordinator | |
| Lyn Lucibello | .... | assistant accountant | |
| Carol McBride | .... | assistant: Mr. Cronenberg | |
| Heather McIntosh | .... | production accountant | |
| Carolyn McKenzie | .... | office assistant | |
| Susan Starre McKibbin | .... | assistant accountant (as Susan McKibbin) | |
| Andrea Poulis | .... | office assistant | |
| Gillian Richardson | .... | script supervisor | |
| John Scott | .... | horse wrangler | |
| Simon Clery | .... | security officer (uncredited) | |
| Richard Cornblum | .... | weapons handler (uncredited) | |
| Wayne Fitzgerald | .... | title designer (uncredited) | |
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| Full cast and crew | Company credits | External reviews |
| News articles | IMDb Horror section | IMDb USA section |
At this point in his career, Stephen King had the miraculous, almost Hitchcockian ability to allow a story to proceed from the most believable of circumstances, trickle like water delicately over tiny steps which, taken alone, did not seem too out of the ordinary, and then coalesce magnificently into masterpieces that defy categorization not horror, not science fiction, but truly something magical, if unnameable. Dead Zone is such a masterpiece.
Owing in no small part to the subtle yet compelling performance of Christopher Walken, who in the same year would star in one of my most beloved films of the genre, Brainstorm, Dead Zone may well be one of King's best. Almost certainly based to some extent on real-life psychic Peter Hurkos, Dead Zone shows the master, King, taking an already well known premise to a new and thrilling conclusion.
The theme developed here is a common one for King. An innocent victim, through no fault of his own, is thrown into a paranormal world that will lead to an ultimate test. The idea is classic literary tragedy at its best, and is represented with equal aplomb in King's contemporaneous work such as Firestarter and Christine.
Director David Cronenberg, smoking hot at the time with masterpieces of his own Scanners and Videodrome, delivers a film that resonates perfectly with King's book, with pacing and tone that capture what was best about King in this period. King himself was experiencing his golden age, with Cujo, Firestarter, Carrie and The Shining rounding out his catalog within a few years. In other words, this is the best of the best for some people who gave us some pretty good stuff.
The supporting cast is brilliant. Martin Sheen, Tom Skerritt, Anthony Zerbe, and the lovely Brooke Adams are all exceptional. Screenwriter Jeffrey Boam, who also penned such classics as Lost Boys, Lethal Weapon 2 and 3, and the Witches of Eastwick, crafted a brilliant treatment that works absolutely perfectly from start to finish. Michael Kamen's brilliant score is but one jewel in the crown of his many achievements, and was said to be so disturbing that overhearing him practicing it gave his neighbors nightmares.
I suppose I could try to think of more ways to say it, but there is no need. It can be summed up once and for all in a single sentence. Dead Zone is perfection.