| Photos (see all 24 | slideshow) | Videos |
| Kurt Russell | ... | R.J. MacReady | |
| Wilford Brimley | ... | Dr. Blair (as A. Wilford Brimley) | |
| T.K. Carter | ... | Nauls | |
| David Clennon | ... | Palmer | |
| Keith David | ... | Childs | |
| Richard Dysart | ... | Dr. Copper | |
| Charles Hallahan | ... | Vance Norris | |
| Peter Maloney | ... | George Bennings | |
| Richard Masur | ... | Clark | |
| Donald Moffat | ... | Garry | |
| Joel Polis | ... | Fuchs | |
| Thomas G. Waites | ... | Windows (as Thomas Waites) | |
| Norbert Weisser | ... | Norwegian | |
| Larry J. Franco | ... | Norwegian Passenger with Rifle (as Larry Franco) | |
| Nate Irwin | ... | Helicopter Pilot | |
| William Zeman | ... | Pilot | |
| rest of cast listed alphabetically: | |||
| Adrienne Barbeau | ... | Computer Voice (voice) (uncredited) | |
| John Carpenter | ... | Norwegian (video footage) (uncredited) | |
| Jed | ... | Dog Thing (uncredited) | |
Directed by | |||
| John Carpenter | |||
Writing credits | ||
| John W. Campbell Jr. | (story "Who Goes There?") | |
| Bill Lancaster | (screenplay) | |
Produced by | |||
| Stuart Cohen | .... | co-producer | |
| David Foster | .... | producer | |
| Larry J. Franco | .... | associate producer (as Larry Franco) | |
| Wilbur Stark | .... | executive producer | |
| Lawrence Turman | .... | producer | |
Original Music by | |||
| Ennio Morricone | |||
Cinematography by | |||
| Dean Cundey | |||
Film Editing by | |||
| Todd C. Ramsay | (as Todd Ramsay) | ||
Casting by | |||
| Anita Dann | |||
Production Design by | |||
| John J. Lloyd | (as John L. Lloyd) | ||
Art Direction by | |||
| Henry Larrecq | |||
Set Decoration by | |||
| John M. Dwyer | (as John Dwyer) | ||
Production Management | |||
| Robert Latham Brown | .... | production manager | |
| Fitch Cady | .... | unit production manager: British Columbia | |
Art Department | |||
| Henry Alvarez | .... | sculptor | |
| Jim Callan | .... | painter (as James Callan) | |
| Michael R. Gannon | .... | assistant property master | |
| Richard A. Gonzales | .... | swing gang | |
| Graeme Murray | .... | set decorator: British Columbia | |
| Bob Nohles | .... | propmaker foreman | |
| Frank Parker | .... | property master: British Columbia | |
| Joseph R. Savko | .... | swing gang | |
| Barton M. Susman | .... | lead man (as Bart Susman) | |
| Milton Wilson | .... | swing gang | |
| John Zemansky | .... | property master | |
| Robert Misetich | .... | painter (uncredited) | |
Sound Department | |||
| John K. Adams | .... | foley supervisor | |
| Joseph F. Brennan | .... | boom operator (as Joe Brennan) | |
| Thomas Causey | .... | production sound | |
| Jack Gosden | .... | dialogue loop editor | |
| Warren Hamilton Jr. | .... | sound effects editor | |
| Duane Hensel | .... | sound effects assistant | |
| David Katz | .... | sound recordist | |
| Gregg Landaker | .... | sound re-recordist | |
| Ernesto Mas | .... | assistant sound editor | |
| Steve Maslow | .... | sound re-recordist | |
| Colin C. Mouat | .... | supervising sound editor | |
| John Post | .... | sound effects assistant | |
| Kendrick Sweet | .... | sound editor (as Kendrick P. Sweet) | |
| Bill Varney | .... | sound re-recordist | |
| David Lewis Yewdall | .... | supervising sound editor | |
| Alan Howarth | .... | special sound effects (uncredited) | |
Special Effects by | |||
| Roy Arbogast | .... | special effects | |
| Hal Bigger | .... | special effects foreman | |
| Michael Clifford | .... | special effects: British Columbia (as Michael A. Clifford) | |
| William Lee | .... | special effects assistant | |
| Hans Metz | .... | special effects assistant | |
| Hans Metz | .... | special effects technician | |
| Lee Routly | .... | special effects: British Columbia (as Leroy Routly) | |
| John K. Stirber | .... | special effects assistant (as John Stirber) | |
| Andrew Miller | .... | special effects (uncredited) | |
| Andrew Miller | .... | special mechanical effects (uncredited) | |
Visual Effects by | |||
| James Belohovek | .... | animator: animation effects sequence | |
| James Hagedorn | .... | opticals: main title sequence | |
| Peter Kuran | .... | visual effects designer: main title sequence | |
| George Lockwood | .... | opticals: main title sequence | |
| Bill Taylor | .... | matte photographer | |
| Susan Turner | .... | miniature supervisor: main title sequence (as Susan K. Turner) | |
| Albert Whitlock | .... | special visual effects | |
| Jim Danforth | .... | matte artist (uncredited) | |
| Henry Schoessler | .... | visual effects (uncredited) | |
Stunts | |||
| Tony Cecere | .... | stunts | |
| Kent Hays | .... | stunts | |
| Larry Holt | .... | stunts | |
| Melvin Jones | .... | stunts | |
| Eric Mansker | .... | stunts | |
| Denver Mattson | .... | stunts | |
| Clint Rowe | .... | stunts | |
| Ken Strain | .... | stunts | |
| Rock A. Walker | .... | stunts (as Rock Walker) | |
| Dick Warlock | .... | stunt coordinator | |
| Jerry Wills | .... | stunts | |
| Dick Warlock | .... | stunt double: Kurt Russell (uncredited) | |
Animation Department | |||
| Jim Aupperle | .... | animator: animation effects sequence (as James Aupperle) | |
| Randall William Cook | .... | dimensional animation effects creator: animation effects sequence | |
| Ernest D. Farino | .... | animator: animation effects sequence | |
| Katherine Kean | .... | animator: main title sequence | |
| Carl Surges | .... | animator: animation effects sequence | |
| Keith Tucker | .... | animator: main title sequence | |
Costume and Wardrobe Department | |||
| Ronald I. Caplan | .... | costume supervisor | |
| Trish Keating | .... | costume supervisor: British Columbia | |
| Gilbert Loe | .... | costume supervisor | |
Editorial Department | |||
| Kimberly Ray | .... | assistant editor (as Kim Ray) | |
| Jan Wesley | .... | assistant editor | |
Music Department | |||
| Craig Harris | .... | musician: synthesizer | |
| Cliff Kohlweck | .... | music editor | |
Transportation Department | |||
| Dan Anglin | .... | transportation captain | |
| Bob Cornell | .... | transportation captain | |
| George Lawson | .... | driver | |
| Alois Stranan | .... | transportation captain: British Columbia | |
Other crew | |||
| Candy Artmont | .... | script supervisor (as Candy Marcellino) | |
| Yervant Babasin | .... | craft service | |
| Ellen Benjamin | .... | assistant: John Carpenter | |
| Debbie Collier | .... | production secretary | |
| James T. Colovin | .... | assistant dog trainer | |
| Rocky Corsini | .... | craft service | |
| Gunnar Ferdinandsen | .... | technician | |
| Shelby Hetherington | .... | cook: British Columbia | |
| Spencer Hyde | .... | craft service: British Columbia | |
| Nate Irwin | .... | helicopter pilot: British Columbia | |
| Karen Kalton | .... | production secretary: British Columbia | |
| Susan King | .... | assistant auditor: British Columbia | |
| Robert Knoechel | .... | auditor: British Columbia | |
| Ron Macinnes | .... | production assistant | |
| Karen Miller | .... | production accountant | |
| Maynard M. Miller | .... | technical advisor: Juneau (as Dr. Maynard M. Miller) | |
| Robin Mounsey | .... | technical advisor: British Columbia | |
| Lawrence Perry | .... | helicopter pilot: British Columbia | |
| Clint Rowe | .... | dog trainer (as Clint E. Rowe) | |
| Clint Rowe | .... | owner: Norweigan dog (as Clint E. Rowe) | |
| Peter J. Silbermann | .... | publicity coordinator (as Peter Silbermann) | |
| Ken Strain | .... | helicopter pilot: British Columbia | |
| Tana Tocher | .... | cook: British Columbia | |
| Linda Von | .... | assistant: Stuart Cohen | |
| Robert Weatherwax | .... | animal trainer (as Bob Weatherwax) | |
| Christine Wilson | .... | script supervisor: British Columbia | |
| Craig Miller | .... | marketing consultant (uncredited) | |
| Raymond Stella | .... | body double for hypodermics (uncredited) | |
Thanks | |||
| Stan Winston | .... | special thanks | |
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| Full cast and crew | Company credits | External reviews |
| News articles | IMDb top 250 movies | IMDb Horror section |
| IMDb USA section | Add this title to MyMovies |
Just to put things in perspective for you before I get into my thoughts on this film, I am only 20 years old and have grown up in the era of CGI, blue screen effects...and this movie was made around the same time i was born.
With that said, WOW, I only recently saw John Carpenter's version of 'The Thing', and what a masterpiece it truly is. I have long since been a fan of John Carpenter, in particular his works from the late 70's and 80's. In 'The Thing' John Carpenter has truly crafted a paranoia inducing, perhaps gut wrenching classic.
The movie is an update of the classic 'The Thing From Outer Space', but only like it's predecessor, this film is in full color, and the characters of this film have much more to worry about than an alien veggie
The film centers around a group of Arctic Researchers you encounter an alien lifeform capable of taking the form of anything it comes into contact with, and out of for that matter. Kurt Russell stars as R.J. MacReady, an alcoholic Vietnam Vet, thrust into the role of leader of a group of relatively cold and callous men all of whom are readily plunging into manic paranoia and somewhat madness once they realize that they are up against a creature that can take any form, be any one of them.
John Carpenter, more than in any other of his films, manages to create a truly believable and incredible atmosphere. When watching this film you truly get the sense of the dark,sinister, desolate surroundings, you feel and realize that these characters have no where to go...never for one second do you not believe they are stuck on a polar ice cap. Also, this film has perhaps one of the greatest endings to any film of it's genre, or any genre for that matter. I'm not going to give it away here, but to say that it will leave you wondering would be an understatement.
Kurt Russell is superb as MacReady....truly conveying the emotions of a man thrust into a situation of unimaginable horror, forced to lead a group of men who cannot trust that the man next to them is not the creature that has driven them to the brink of paranoia and emotional meltdown.
I don't care if this movie is 20 years old by now, the special effects in this movie are gut wrenching, mind blowing, and absolutely awesome. They blow away any CGI pixel based crap out there today. The 'Thing' itself is a truly horrifying and disturbing creation...unlike any alien you have ever seen in a movie before. Those who have a low tolerance for gore and blood had best prepare themselves for watching this movie.
This movie does what any good horror/sci fi movie should do, it really thrusts you into it's character's world. It leaves you wondering, what would you do, who could you trust if anyone you knew could be the creature waiting to feed on you, and take you over as well. The images, and ideals of this movie stayed with me long after i first saw it, and today as i write this review send a chill up my spine.
It is a true shame this movie is only now getting the proper recognition it deserves. A box office flop when released, now more then ever when movies are paper thin with plot, and one dimensional in effects, this film can be appreciated as a true masterpiece of sci/fi and horror.
If possible, get the Collector's Edition DVD, and enjoy it in anamorphic widescreen..the way it is truly meant to be seen. Marvel at the incredible scenery, the taught direction, the excellent atmosphere, the sweat inducing, gag reflex activating, and everything else that makes this movie great.
Watch it with the lights out, with a group of close friends...maybe even with a dog around...if you don't what i'm talking about...you will afterwards.
Don't let a classic pass you bye