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Creepshow (1982)
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Overview
User Rating:
Release Date:
12 November 1982 (USA) moreTagline:
The Most Fun You'll Ever Have... BEING SCARED! morePlot:
Inspired by the E.C. comics of the 1950s, George A.Romero and Stephen King bring five tales of terror to the screen. full summary | full synopsisAwards:
2 nominations moreNewsDesk:
(89 articles)
A Chilling Pair Of Clive Barker Premieres (From SoundOnSight. 2 July 2009, 12:12 AM, PDT)
Drawing on Your Nightmares: After Crypticon
(From Dread Central. 22 June 2009, 12:56 AM, PDT)
User Comments:
Creepshow, Sold Out! moreCast
(Cast overview, first billed only) more
Additional Details
Also Known As:
Cuentos de ultratumba (USA: Spanish title)Stephen King's Creepshow (International: English title) (long title)
more
Parents Guide:
View content advisory for parentsRuntime:
120 min | USA:130 min (approx.) (Original Workprint)Country:
USALanguage:
EnglishColour:
Colour (Technicolor)Aspect Ratio:
1.85 : 1 moreSound Mix:
DolbyCertification:
Iceland:16 | Canada:18A (Ontario) | Singapore:PG (cut) | Argentina:13 | Australia:M | Finland:K-18 | France:-12 | Netherlands:16 | Sweden:15 | UK:15 | USA:R | West Germany:18 | Norway:18 (video premiere) (1984) | Norway:(Banned) (video) (1986) | Norway:(Banned) (1983-2003) (cinema release)Fun Stuff
Trivia:
A sign leading to "Castle Rock" (Stephen King's trademark fictitious town) appears at the very end of the segment "The Lonesome Death of Jordy Verrill", among other signs. moreGoofs:
Revealing mistakes: In the segment "The Crate", when Henry "shoots" Billie, the hole in her forehead appears one frame AFTER the blood spray comes from the back of her head. moreQuotes:
Harry: Richard! I'm gonna get you! You hear me, Richard? YOU HEAR ME, RICHARD? I'm going to get you f...[a wave washes over his head, cutting him off abruptly]
Richard Vickers: You've gotta hold your breath there, Harry. You've gotta hold your breath!
more
Soundtrack:
Gaudeamus Igitur moreFAQ
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This was after Tales from the Crypt, however, Romero and King both where heavily influenced by these comics that they developed a movie that was sort of a satire/parody of Tales but in the same time a tribute to that comic book. In this movie there are four scary stories being told some written by Stephen King from his short stories and some written by Romero and SK. These stores, for that time, were pretty scary and freaked me out when they came in theaters. There are many great things about this movie that I enjoyed but there was, however, one huge things that I did not like about this movie. Regardless, it's about time for two horror geniuses to team up and do something good for a change.
First off, the movie itself is about a comic book similar to Tails and the four stories in the movie come directly from the Creepshow comic books. The reason why that this idea works in not only the principle of bringing a comic book to life but the way it was shot, edited and lit. The camera angles had very defined and geometrical angels, similar to those that you would see in a comic book. The lighting when something horrible happens turns red, or if somebody is screaming the background turns to a shattered red background, thereby giving each scene a more comic book-like feel to visual picture. It had choppy edits and quick cuts, which we all know that comic books have. So we have a visual perspective of a comic, the overall pattern and texture of a comic and now we have the quick stimulus of a comic.
Between each story there is a sub-story dealing with a young boy who finds the Creepshow comic book and how little by little he becomes more possessed by it. These intermissions also incorporate The Creep or our host for the evening. This character is by far the Crypt Keeper or the Vault Keeper to our mockup of Tales. Like the Crypt Keeper in the actual comic, he begins each segment with a scene setup and a conclusion, however he does not talk, he just blows around in the wind. With the beginning of each new story it starts out with a still scene of that story with heavy rotoscoping to make it look as if it is a comic book page, then fades out to a real-life still image and then begins. The same could be said about the ending. The clever technique gives the viewer a further illustration that this is a comic book come to life.
Though this movie strikes it rich on my scare-o-meter there is just one thing that took me out of the movie just a little. I know what they where going at when they decided this concept and I understand it was a good idea but it doesn't work when it gets put on film. The campy one-liners, the cheesy sub-story and the lame screams. Of course its predecessor did the same thing, I don't think that it works as well on film as it does on paper. I think it was a nice try though.
Overall I do believe that this is a horror/parody classic and that many horror fans, if not cult horror fans, would like this movie for what it is. I certainly enjoyed it, even now; I recommend this movie to anybody who loves the zombie king and the horror king. A movie worth buying a ticket for.