| Photos (see all 11 | slideshow) |
| Michael Angelis | ... | Chrissie Todd (5 episodes, 1982) | |
| Bernard Hill | ... | Yosser Hughes (5 episodes, 1982) | |
| Alan Igbon | ... | Loggo Lomond (5 episodes, 1982) | |
| Peter Kerrigan | ... | George Malone (5 episodes, 1982) | |
| Gary Bleasdale | ... | Kevin Dean (3 episodes, 1982) | |
| Tom Georgeson | ... | Dixie Dean (3 episodes, 1982) | |
| Tamana Bleasdale | ... | Anne Marie Hughes (3 episodes, 1982) | |
| Jamie Bleasdale | ... | Dustin Hughes (3 episodes, 1982) | |
| Timothy Bleasdale | ... | Jason Hughes (3 episodes, 1982) | |
| Shay Gorman | ... | Malloy (3 episodes, 1982) |
Series Directed by | |||
| Philip Saville | (5 episodes, 1982) | ||
Series Writing credits | ||
| Alan Bleasdale | (5 episodes, 1982) | |
Series Produced by | |||
| Michael Wearing | .... | producer (5 episodes, 1982) | |
Series Original Music by | |||
| Ilona Sekacz | (5 episodes, 1982) | ||
Series Cinematography by | |||
| Ian Churchill | (1 episode, 1982) | ||
| John Kenway | (1 episode, 1982) | ||
Series Film Editing by | |||
| Greg Miller | (1 episode, 1982) | ||
Series Production Design by | |||
| Ian Ashurst | (5 episodes, 1982) | ||
Series Costume Design by | |||
| Al Barnett | (5 episodes, 1982) | ||
Series Makeup Department | |||
| Maggie Thomas | .... | makeup artist (5 episodes, 1982) | |
Series Production Management | |||
| David Attwood | .... | production manager (5 episodes, 1982) | |
| Andrew Smith | .... | production manager (4 episodes, 1982) | |
Series Art Department | |||
| Leslie Hope-Stone | .... | graphic designer (1 episode, 1982) | |
| Mike Preece | .... | properties buyer (1 episode, 1982) | |
| John Plush | .... | design assistant (unknown episodes) | |
Series Sound Department | |||
| Ramon Bailey | .... | sound (4 episodes, 1982) | |
| Dave Baumber | .... | dubbing mixer (4 episodes, 1982) | |
Series Stunts | |||
| Bill Weston | .... | stunt arranger (4 episodes, 1982) | |
Series Camera and Electrical Department | |||
| Dick Bentley | .... | lighting technician (4 episodes, 1982) | |
| Keith Salmon | .... | camera operator (4 episodes, 1982) | |
| Paul Woolston | .... | camera operator (2 episodes, 1982) | |
Series Costume and Wardrobe Department | |||
| Colin Bailey | .... | costume assistant (unknown episodes) | |
| George Collins | .... | dresser (unknown episodes) | |
| Rachel Selby | .... | dresser (unknown episodes) | |
Series Editorial Department | |||
| Mike Bloore | .... | video-tape editor (4 episodes, 1982) | |
Series Other crew | |||
| Paul Braithwaite | .... | assistant floor manager (5 episodes, 1982) | |
| Roger Gregory | .... | script editor (5 episodes, 1982) | |
| Carol Parks | .... | production associate (5 episodes, 1982) | |
| Francine Brown | .... | production assistant (4 episodes, 1982) | |
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| My Left Foot: The Story of Christy Brown | Priest | Brassed Off | Wisconsin Death Trip | Liam |
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| External reviews | News articles | IMDb TV section |
| IMDb Drama section | IMDb UK section | Add this title to MyMovies |
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Boys from the Black Stuff is more than just a story. It's a snapshot of a special time in a special place. Liverpool in the 1980's could be a bleak and despairing place, with only the common threads of unemployment and humour keeping spirits alive. The story centres on the struggle of a ragged band of workers trying to make ends meet. On the way we see scams, subterfuge, corruption and the ongoing battle between the workers and the 'sniffers' (welfare benefit fraud investigators).
The locations are superb, painting a grisly accurate portrait of the time, with much of the filming done in Liverpool 8.
The language and dialogue also help capture the spirit of the time, with idiomatic 'scouse' used without apology.
Perhaps the best summary of the whole series is encapsulated in a line from the opening scenes in the first episode. Whilst establishing the number of dependents a claimant has, he is told that his grown up children who are 'on the dole' don't count. His response: "Nobody on the dole counts,love".
Recently released on dvd, this series is a documented history of the sharp end of 'Thatcher's Millions' - watch it if you can.