|
| Michael Gleason | .... | executive producer (94 episodes, 1982-1987) |
| Gareth Davies | .... | producer / co-executive producer (67 episodes, 1982-1986) |
| Kevin Inch | .... | producer / associate producer / ... (59 episodes, 1983-1986) |
| Jack Mongan | .... | associate producer (27 episodes, 1985-1987) |
| Robert C. Bailey | .... | associate producer (20 episodes, 1983-1985) |
| Lee David Zlotoff | .... | supervising producer (14 episodes, 1983) |
| Glenn Gordon Caron | .... | supervising producer (10 episodes, 1982-1983) |
| Richard De Roy | .... | supervising producer (10 episodes, 1984-1985) |
| Carol Vitale | .... | associate producer (6 episodes, 1982) |
| Jeff Melvoin | .... | supervising producer (6 episodes, 1986) |
| |
|
| Bernard Oseransky | .... | executive in charge of production / unit production manager (49 episodes, 1983-1987) |
| Robert Enrietto | .... | unit production manager (48 episodes, 1983-1986) |
| Abby Singer | .... | executive in charge of production / production consultant (18 episodes, 1982-1985) |
| John Slosser | .... | unit production manager (16 episodes, 1982-1983) |
| Daniel Franklin | .... | production supervisor (15 episodes, 1985-1986) |
| Ted Rich | .... | post-production supervisor (5 episodes, 1985-1987) |
| Dennis Lanning | .... | european production manager (3 episodes, 1984) |
| Ted Morley | .... | production manager: England (2 episodes, 1985) |
| |
|
| Irwin Marcus | .... | second assistant director / first assistant director (29 episodes, 1983-1986) |
| Sara Fischer | .... | second assistant director (28 episodes, 1985-1987) |
| Janet Davidson | .... | first assistant director / second assistant director (21 episodes, 1982-1984) |
| Paul Chavez | .... | second assistant director / first assistant director (20 episodes, 1984-1986) |
| Kevin Inch | .... | second unit director (19 episodes, 1984-1986) |
| Christopher Hibler | .... | first assistant director (18 episodes, 1982-1985) |
| Buck Edwards | .... | second assistant director (14 episodes, 1985-1986) |
| Peter Schindler | .... | first assistant director (10 episodes, 1984-1985) |
| Ron Kinwald | .... | second assistant director (8 episodes, 1983) |
| Peter Bogart | .... | first assistant director (4 episodes, 1982-1983) |
| Bruce Solow | .... | second assistant director (3 episodes, 1984) |
| Andrew Wood | .... | second assistant director: England (2 episodes, 1985) |
|
| Matthew Hintlian | .... | second assistant director: 1985 (unknown episodes) |
| Martin O'Malley | .... | first assistant director: second unit (unknown episodes) |
| John G. Phelan | .... | second assistant director (unknown episodes) |
| |
|
| Tom Ruff | .... | adr mixer (66 episodes, 1982-1985) |
| Norman Webster | .... | production sound mixer / sound mixer (39 episodes, 1983-1986) |
| Sam Horta | .... | sound editor (27 episodes, 1983-1985) |
| Ron Horwitz | .... | sound editor (25 episodes, 1984-1986) |
| Ron Clark | .... | sound editor (9 episodes, 1982-1983) |
| Kathy Durning | .... | sound editor (8 episodes, 1983-1984) |
| Jeff Clark | .... | sound effects / sound editor (3 episodes, 1983) |
| Pat Hayes | .... | production sound mixer (3 episodes, 1984) |
| Dale Johnston | .... | sound editor (2 episodes, 1982) |
| Allan R. Potter | .... | sound editor (2 episodes, 1982) |
| John Midgley | .... | production sound mixer (2 episodes, 1985) |
|
| John Asman | .... | sound re-recording mixer (unknown episodes) |
| Paul J. Diller | .... | sound effects editor (unknown episodes) |
| Michael Gollom | .... | sound effects editor (unknown episodes) |
| Eileen Horta | .... | supervising sound editor (unknown episodes) |
| Jeffrey A. Humphreys | .... | sound recordist (unknown episodes) |
| Scott D. Jackson | .... | foley editor (unknown episodes) |
| William Jacobs | .... | sound editor (unknown episodes) |
| Ken S. Polk | .... | sound re-recording mixer (unknown episodes) |
| Peter Reale | .... | sound re-recording mixer (unknown episodes) |
| |
|
| Dennis Matsuda | .... | camera operator (26 episodes, 1983-1985) |
| Jack Courtland | .... | camera operator (23 episodes, 1984-1986) |
| Anthony Pistone | .... | gaffer (16 episodes, 1983-1985) |
| Robert A. Petzoldt III | .... | gaffer (9 episodes, 1985-1986) |
| Bill Whitman | .... | camera operator (9 episodes, 1986-1987) |
| Russell Nordstedt | .... | key grip (5 episodes, 1984-1985) |
| Larry J. Aube | .... | key grip (5 episodes, 1984) |
| Frank Keever | .... | key grip (5 episodes, 1985-1986) |
| Louis Conroy | .... | gaffer (3 episodes, 1984) |
| Paddy Keogh | .... | key grip (3 episodes, 1984) |
| Kenneth J. Withers | .... | camera operator (3 episodes, 1984) |
| Lloyd Barcroft | .... | key grip (2 episodes, 1985) |
| John Donoghue | .... | gaffer (2 episodes, 1985) |
| Ginger Gemmel | .... | camera operator (2 episodes, 1985) |
| Dennis McBride | .... | camera operator (2 episodes, 1985) |
|
| John Burnett | .... | first assistant camera: "a" camera, second unit, additional photography (unknown episodes, 1982-1987) |
| Vincent Contarino | .... | electrician (unknown episodes) |
| |
|
| Geri Windsor | .... | executive in charge of talent (68 episodes, 1982-1986) |
| Elliott Lewis | .... | executive script consultant / executive story editor (36 episodes, 1983-1986) |
| Abby Singer | .... | production consultant (35 episodes, 1983-1985) |
| John Wirth | .... | story editor / executive story editor (33 episodes, 1984-1986) |
| Jeff Melvoin | .... | executive story editor / story editor (31 episodes, 1983-1985) |
| Brad Kern | .... | story editor / executive story editor (27 episodes, 1984-1986) |
| Robert Butler | .... | executive consultant (17 episodes, 1982-1983) |
| Doris Chisholm | .... | script supervisor (16 episodes, 1984-1986) |
| Kerry Lenhart | .... | story editor (16 episodes, 1985-1986) |
| John J. Sakmar | .... | story editor (16 episodes, 1985-1986) |
| Richard De Roy | .... | executive script consultant (15 episodes, 1983-1984) |
| George Rutter | .... | script supervisor (12 episodes, 1984-1985) |
| Lee David Zlotoff | .... | executive story consultant (10 episodes, 1982-1983) |
| Brian Alan Lane | .... | story editor (7 episodes, 1984) |
| Victoria Gail Weisbart | .... | script supervisor (7 episodes, 1985-1987) |
| R.J. Stewart | .... | story editor (6 episodes, 1983) |
| Rick Mittleman | .... | executive script consultant / executive story consultant (6 episodes, 1986) |
| Jill Bender | .... | script supervisor (4 episodes, 1985-1986) |
| Lois Thurman | .... | script supervisor (3 episodes, 1983) |
| John Vaughan | .... | location auditor (3 episodes, 1984-1985) |
| Laerke Sigfred Pedersen | .... | script supervisor (3 episodes, 1984) |
| Joanna Yearsley | .... | script supervisor (3 episodes, 1984) |
| Paul Wolff | .... | executive story editor (2 episodes, 1983) |
|
| Larry Bloustein | .... | unit publicist (unknown episodes) |
| Jim Carberry | .... | location manager (unknown episodes) |
| Adam Hill | .... | shophand/set detail caster: CBS/MTM Studios (unknown episodes) |
| |
Quotes:
Kessler:
Who are you?
Remington Steele:
Just a happy go lucky tourist out to see a bit of the world.
Neff:
Is that why you've got five passports, from five different countries, in five different names?
Remington Steele:
Kept trying for a good picture.
more
I loved Remington Steele back in the 1980s and videotaped many of the shows. I recently found those tapes again and have been watching them more critically this time around. I still love most of the shows, but now I think I understand why. Where else can you find a show nowadays where the star of a show is a bright, independent-minded entrepreneurial woman who finds a bright, warm, sensitive, and gorgeous man that pursues her more for her mind than her body? Where else can you find a show nowadays where the female lead deals with feminist issues and doesn't allow herself to be sexually exploited or even to take issues of sex and commitment lightly without being naive or a prude? Looking back on it, there was more romantic comedy than mystery or drama in most of the shows, but the main characters were very appealing, as was their dilemma. I'd love to see more shows like it on the air today.