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Directed by | |||
| Steven Spielberg | |||
Writing credits | ||
| Lawrence Kasdan | (screenplay) | |
| George Lucas | (story) and | |
| Philip Kaufman | (story) | |
Produced by | |||
| Howard G. Kazanjian | .... | executive producer (as Howard Kazanjian) | |
| George Lucas | .... | executive producer | |
| Frank Marshall | .... | producer | |
| Robert Watts | .... | associate producer | |
Original Music by | |||
| John Williams | |||
Cinematography by | |||
| Douglas Slocombe | (director of photography) | ||
Film Editing by | |||
| Michael Kahn | |||
| George Lucas | (uncredited) | ||
Casting by | |||
| Jane Feinberg | |||
| Mike Fenton | |||
| Mary Selway | |||
Production Design by | |||
| Norman Reynolds | |||
Art Direction by | |||
| Leslie Dilley | |||
Set Decoration by | |||
| Michael Ford | |||
Costume Design by | |||
| Deborah Nadoolman | |||
Makeup Department | |||
| Mike Lockey | .... | hairdresser | |
| Patricia McDermott | .... | chief hairdresser | |
| Richard Mills | .... | makeup artist (as Dickie Mills) | |
| Tom Smith | .... | key makeup artist | |
| Chris Walas | .... | special makeup effects: ILM (as Christopher Walas) | |
| Jim Gillespie | .... | key makeup artist (uncredited) | |
Second Unit Director or Assistant Director | |||
| Roy Button | .... | second assistant director | |
| Patrick Cadell | .... | second assistant director | |
| Louis G. Friedman | .... | second assistant director: Peru/Hawaii | |
| Carlos Gil | .... | first assistant director: second unit (as Carlos Gill) | |
| Michael Hook | .... | second assistant director: second unit | |
| Vincent Joliet | .... | first assistant director: France | |
| Naceur Ktari | .... | first assistant director: Tunisia | |
| Michael D. Moore | .... | second unit director (as Michael Moore) | |
| David Tomblin | .... | first assistant director | |
| Frank Marshall | .... | second unit director (uncredited) | |
| Julian Wall | .... | second second assistant director (uncredited) | |
Sound Department | |||
| Richard L. Anderson | .... | supervising sound effects editor | |
| Ben Burtt | .... | sound designer | |
| Roy Charman | .... | production sound | |
| John Dunn | .... | foley editor | |
| Stephen Hunter Flick | .... | sound effects editor (as Steve H. Flick) | |
| Peter Grives | .... | apprentice sound editor | |
| Howie Hammerman | .... | sound recording technician | |
| Gregg Landaker | .... | sound re-recordist | |
| Mark A. Mangini | .... | sound effects editor (as Mark Mangini) | |
| Steve Maslow | .... | sound re-recordist | |
| Andrew Patterson | .... | dialogue editor (as Andy Patterson) | |
| George Rice | .... | production sound maintenance | |
| John Salter | .... | sound boom operator | |
| Curt Schulkey | .... | supervising dialogue editor | |
| Gary Summers | .... | sound effects recordist | |
| Bill Varney | .... | sound re-recordist | |
| Eric Whitfield | .... | assistant dialogue editor | |
| Alan Howarth | .... | special sound effects (uncredited) | |
| John Roesch | .... | foley artist (uncredited) | |
| Lionel Strutt | .... | adr mixer (uncredited) | |
Special Effects by | |||
| Chris Condon | .... | special effects electrician | |
| Roy Coombes | .... | special effects carpenter | |
| Peter Dawson | .... | senior effects technician | |
| Yves De Bono | .... | special effects welder | |
| Rodney Fuller | .... | effects technician | |
| Ken Gittens | .... | effects assistant | |
| Terry Glass | .... | effects engineering | |
| Ray Hanson | .... | effects assistant | |
| Trevor Neighbour | .... | effects technician | |
| Terry Schubert | .... | effects technician | |
| Bill Warrington | .... | special effects equipment supervisor | |
| Kit West | .... | mechanical effects supervisor | |
| Michael Dawson | .... | special effects assistant (uncredited) | |
Visual Effects by | |||
| Peter Amundson | .... | assistant effects editor: ILM | |
| Charles Bailey | .... | model maker: ILM (as Charlie Bailey) | |
| Craig Barron | .... | matte photography assistant: ILM | |
| William Beck | .... | stage technician: ILM | |
| David Berry | .... | optical printer operator: ILM | |
| Patricia Blau | .... | production coordinator: ILM | |
| Mike Bolles | .... | design engineer: ILM | |
| Marty Brenneis | .... | electronics engineer: ILM | |
| Kris Brown | .... | computer engineering: ILM | |
| Conrad Buff IV | .... | visual effects editorial supervisor: ILM (as Conrad Buff) | |
| Laura Buff | .... | production accountant: ILM (as Laura Kaysen) | |
| Scott Caple | .... | animator: ILM | |
| Melissa Cargill | .... | electronics technician: ILM | |
| Wade Childress | .... | special projects: ILM | |
| Terry Chostner | .... | still photographer: ILM | |
| Sam Comstock | .... | animation supervisor: ILM (as Samuel Comstock) | |
| Dick Dova | .... | stage technician: ILM | |
| Don Dow | .... | camera operator: ILM | |
| Loring Doyle | .... | animator: ILM | |
| Richard Edlund | .... | visual effects supervisor | |
| Judy Elkins | .... | animator: ILM | |
| John Ellis | .... | optical printer operator: ILM | |
| Chrissie England | .... | administration assistant: ILM | |
| Bob Finley III | .... | stage technician: ILM (as Bobby Finley III) | |
| Pat Fitzsimmons | .... | stage technician: ILM (as Patrick Fitzsimmons) | |
| Warren Franklin | .... | optical line-up: ILM | |
| Dietrich Friesen | .... | animation supervisor: ILM (as Deitrich Friesen) | |
| Michael Fulmer | .... | model maker: ILM (as Mike Fulmer) | |
| Steve Gawley | .... | model maker: ILM | |
| Tim Geideman | .... | laboratory technician: ILM | |
| Miki Herman | .... | production associate: ILM | |
| Edward Hirsh | .... | stage technician: ILM | |
| Paul Huston | .... | model maker: ILM | |
| Jerry Jeffress | .... | electronic systems designer: ILM | |
| Joe Johnston | .... | art director: visual effects, ILM | |
| Ed Jones | .... | laboratory technician: ILM | |
| David Kakita | .... | production accountant: ILM | |
| Sylvia Keulen | .... | animator: ILM | |
| Kim Knowlton | .... | animator: ILM | |
| Neil Krepela | .... | matte photography: ILM | |
| Shirley Lee | .... | production accountant: ILM | |
| Gary Leo | .... | electronics engineer: ILM | |
| Mike MacKenzie | .... | electronics engineer: ILM | |
| Alan Maley | .... | matte painting supervisor: ILM | |
| Scott Marshall | .... | animator: ILM | |
| Cristi McCarthy | .... | electronics technician: ILM | |
| Roberto McGrath | .... | still lab technician: ILM | |
| John McLeod | .... | stage technician: ILM (as John McCleod) | |
| Ted Moehnke | .... | supervising stage technician: ILM (as T.E. Moehnke) | |
| Thaine Morris | .... | pyrotechnics: ILM | |
| Duncan Myers | .... | laboratory technician: ILM | |
| Bill Neil | .... | camera operator: ILM | |
| Bruce Nicholson | .... | optical photography supervisor: ILM | |
| Kerry Nordquist | .... | still lab technician: ILM | |
| Ease Owyeung | .... | model maker: ILM | |
| Clint Palmer | .... | assistant cameraman: ILM | |
| Udo Pampel | .... | machinist: ILM | |
| Michael Pangrazio | .... | matte artist: ILM | |
| Lorne Peterson | .... | modelshop foreman: ILM | |
| Gary Platek | .... | cloud effects: ILM | |
| Bruce Richardson | .... | model maker: ILM | |
| Nilo Rodis-Jamero | .... | assistant art director: ILM | |
| Thomas Rosseter | .... | optical line-up: ILM (as Tom Rosseter) | |
| Wesley Seeds | .... | model maker: ILM | |
| Kenneth Smith | .... | optical printer operator: ILM | |
| Thomas G. Smith | .... | production supervisor: ILM (as Thomas Smith) | |
| Howard Stein | .... | assistant effects editor: ILM | |
| Peter Stolz | .... | stage technician: ILM | |
| Marc Thorpe | .... | model maker: ILM | |
| John T. Van Vliet | .... | animator: ILM (as John Van Vliet) | |
| Mark Vargo | .... | optical line-up: ILM | |
| Jim Veilleux | .... | effects cameraman: ILM | |
| Laurie Vermont | .... | production coordinator: ILM | |
| Garry Waller | .... | animator: ILM | |
| Gene Whiteman | .... | equipment engineering supervisor: ILM | |
| Bess Wiley | .... | electronics technician: ILM (as Bessie Wiley) | |
| Samuel Zolltheis | .... | model maker: ILM (as Sam Zolltheis) | |
| Chris Crowell | .... | digital compositor (restored version) (uncredited) | |
| Beth D'Amato | .... | digital paint and roto lead (restored version) (uncredited) | |
Stunts | |||
| Vic Armstrong | .... | stunts | |
| Peter Brace | .... | stunts | |
| Gerry Crampton | .... | stunts | |
| Peter Diamond | .... | stunt arranger | |
| Romo Gorrara | .... | stunts (as Romo Garrara) | |
| Martin Grace | .... | stunts | |
| Reg Harding | .... | stunts | |
| Billy Horrigan | .... | stunts | |
| Wendy Leech | .... | stunts (as Wendy Leach) | |
| Terry Leonard | .... | stunts | |
| Sergio Mioni | .... | stunts (as Sergio Mione) | |
| Glenn Randall Jr. | .... | stunt coordinator (as Glenn Randall) | |
| Rocky Taylor | .... | stunts | |
| Chuck Waters | .... | stunts | |
| Bill Weston | .... | stunts | |
| Paul Weston | .... | stunts | |
| Vic Armstrong | .... | stunt double: Mr. Ford/Indiana Jones double #1 (uncredited) | |
| Peter Diamond | .... | stunts (uncredited) | |
| Martin Grace | .... | stunt double: Indiana Jones #3 (uncredited) | |
| Richard Graydon | .... | stunts (uncredited) | |
| Wendy Leech | .... | stunt double: Karen Allen (uncredited) | |
| Terry Leonard | .... | stunt double: Indiana Jones #2 (uncredited) | |
Camera and Electrical Department | |||
| Paul Beeson | .... | additional photography | |
| Alan Brady | .... | gaffer: Peru/Hawaii | |
| Wally Byatt | .... | operating cameraman: second unit | |
| Albert Clark | .... | still photographer | |
| Jerry Dunkley | .... | operating cameraman: second unit (as Gerry Dunkley) | |
| Martin Evans | .... | gaffer | |
| Jim Kane | .... | dolly grip: second unit | |
| Red Lawrence | .... | head rigger | |
| Colin Manning | .... | dolly grip | |
| Eamonn O'Keeffe | .... | second assistant cameraman: second unit | |
| Danny Shelmerdine | .... | second assistant cameraman | |
| Chris Tanner | .... | assistant cameraman: second unit | |
| Robin Vidgeon | .... | assistant cameraman | |
| Chic Waterson | .... | operating cameraman | |
| David Worley | .... | operating cameraman: second unit | |
| Wick Finch | .... | electrician (uncredited) | |
| Ronnie Herschman | .... | electrician (uncredited) | |
| Bruce Hill | .... | ultra high speed photography (uncredited) | |
| Paul Kenward | .... | clapper loader (uncredited) | |
| Ray Meehan | .... | best boy (uncredited) | |
Costume and Wardrobe Department | |||
| Ian Hickinbotham | .... | wardrobe assistant | |
| Sue Wain | .... | wardrobe assistant | |
| Rita Wakely | .... | wardrobe supervisor | |
Editorial Department | |||
| Duwayne Dunham | .... | assistant film editor: ILM | |
| Bruce Green | .... | assistant film editor | |
| Bob McMillian | .... | color timer (as Robert McMillian) | |
| Brian Ralph | .... | negative cutter | |
| Phil Sanderson | .... | assistant film editor | |
| Colin Wilson | .... | assistant film editor | |
| Julie Kahn Zunder | .... | apprentice film editor | |
Music Department | |||
| The London Symphony Orchestra | .... | music performed by | |
| Herbert W. Spencer | .... | orchestrator | |
| Eric Tomlinson | .... | music recordist | |
| Kenneth Wannberg | .... | supervising music editor | |
| Tommy Johnson | .... | musician: tuba (uncredited) | |
| Lionel Newman | .... | music supervisor (uncredited) | |
Transportation Department | |||
| Harry Ueshiro | .... | transportation captain: Peru/Hawaii | |
| John Ott | .... | camera car driver (uncredited) | |
| Terry Pritchard | .... | driver: cast (uncredited) | |
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| Indiana Jones and the Temple of Doom | Indiana Jones and the Last Crusade | Indiana Jones and the Kingdom of the Crystal Skull | Captain America: The First Avenger | Federal Agents vs. Underworld, Inc. |
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There are only so many films in history that I can watch again and again, gaining new appreciation for, one of them is this film. I went from the movies to VHS, and finally to DVD. The availability and quality of this film keep raising the bar of what I can get from it.
I read someone posted that this is the king of B movies or something of that sort, while I honestly think in some scenes like when Indy is running from the Hovitos and he rises over the hill, the film had a really strange documentary feeling, like if a comic actually came to life and like in the Twilight Zone, you were stuck in it. It is great to see this film, now that I edit and produce small independent films, and have worked in post production in Los Angeles. I honestly think almost every scene in this film is better than what's coming out today in sci-fi/adventure. I might pull back that comment in regards to some nice visuals in Riddick, and maybe the new Star Wars: Revenge of the Sith, but I'm not certain.
The amount of time and effort put into the comedy, adventure, and depth of each character dazzles me because I really can't tell it was filmed the same year Fame was. It really has a unique look to it. The key lighting in the piece is amazing, almost everything looks like it was perfectly worked out.
My only complaint is the attempt to visualize the opening of the Ark, as most of the other scenes don't deal with the supernatural except maybe a burning crate with a nazi symbol on it. George should redo that last scene in my opinion, and tighten it up, because I really think it wasn't coming together, however when I was a child it was so amazing and scary realistic. It's all perspective, but my point it that now in this modern filming era, the acting and film production is holding tight to this day.
I forward you to just enjoy this film and look for things like formulas on chalkboards, skeletons in classrooms, proper patches on Nazi gear, gun accuracy. Research the film's era and background, and it only gets better. That's the ability that Spielberg and Lucas have, attention to detail and clever twists on most of their bodies of work.
Watch this film again, it's worth it, I promise you.