Dead & Buried (1981)

Director:

Gary Sherman

Writers:

Ronald Shusett (screenplay) &
Dan O'Bannon (screenplay) ...

Release Date:

29 May 1981 (USA)

Genre:

Horror | Mystery

Tagline:

The writers of alien... ...bring a new terror to earth.

Plot:

A suspense horror film set in a small coastal town where, after a series of gory murders commited by mobs of townspeople against visiting tourists, the corpses begin to come back to life.

Plot Keywords:

Sheriff | Murder | Undertaker | Killing | Corpse

Awards:

2 nominations

Cast

James Farentino	...	Sheriff Dan Gillis
Melody Anderson	...	Janet Gillis
Jack Albertson	...	William G. Dobbs
Dennis Redfield	...	Ron
Nancy Locke	...	Linda (as Nancy Locke Hauser)
Lisa Blount	...	Girl on the Beach / Lisa
Robert Englund	...	Harry
Bill Quinn	...	Ernie
Michael Currie	...	Herman
Christopher Allport	...	George Le Moyne / Freddie
Joseph G. Medalis	...	Doctor (as Joe Medalis)
Macon McCalman	...	Ben
Lisa Marie	...	Hitchhiker
Estelle Omens	...	Betty
Barry Corbin	...	Phil

Also Known As:

Dead and Buried (UK)

Runtime:

94 min

Country:

USA

Language:

English

Colour:

Colour (Technicolor)

Aspect Ratio:

1.85 : 1

Sound Mix:

Mono

Certification:

Singapore:M18 | Finland:K-16 (heavily cut) | Finland:K-18 (DVD rating) | Canada:13+ (Quebec) | Germany:16 (re-rating) (2007) | Sweden:15 | Australia:R | Finland:(Banned) | France:-16 | UK:18 | USA:R | West Germany:18 | Norway:18 (video) (1984) | Norway:(Banned) (video) (1986) | Norway:(Banned) (1981-2003) (cinema release)

Filming Locations:

Mendocino, California, USA

Company:

Barclays Mercantile Industrial Finance

Trivia:

The film suffered a lot of interference from PSO International, the third financer who bought out the second financer, Aspen (who in turn had bought Guinness, the original financer). PSO wanted to emphasize gore over comedy, the latter of which Gary Sherman's directors' cut had concentrated on. As a result, numerous scenes were cut or shortened, and two scenes of graphic violence were tacked on at PSO's request: the killing of the drunk fisherman (Ed Bakey) and the acid death of Doc (Joe Medalis). The death of the fisherman (which was originally an off-screen kill in the first cut) was done by Stan Winston, but they could not get Winston back to off the doctor (which was not in the first cut at all, as he was supposed to be dead already), so another FX team was used on that one sub-par effect.

Goofs:

Continuity: When the young female hitchhiker is taken from the truck, she is thrown onto the muddy ground. Her face is covered in mud, before the rock is smashed onto her face. Later when we see the videos of Dobb's "murders and creations" the young female hitchhiker is being held down on the hood of the truck, and her face is clean before they smash the rock down on her face.

Quotes:

Dobbs: You can try to kill me, Dan. But you can't. You can only make me dead.

Movie Connections:

Referenced in Kill Bill: Vol. 1 (2003)

One of the "best" of the "worst"...

It didn't occur to me until my later years, when I became an avid 'credit reader,' to make the connection between DEAD AND BURIED and two other low-budget gems that totally blew my mind: the earlier, gorier (but not by much) DEATH LINE, released in the U.S. under the appetizing title RAW MEAT, and a nasty-but-nifty little cop thriller called VICE SQUAD, which has the distinction of sporting quite possibly the smarmiest, most memorably evil performance that Wings Hauser ever gave in his entire career.

The gore ante has been upped so much at the movies nowadays, that you literally have to take the top of somebody's head off to get a rise out of the audience, (see HANNIBAL). But there was a time, either when we were more naive, or when lower budgets demanded it, that directors of low-budget horror fare knew that if you were going for the gross-out, you had to make it effective to scare the bejesus out of moviegoers. Gary Sherman was one of the few talented directors who knew this, and he went to town on my nerves with this, which I saw for the first time on video many years ago.

Some of the plot points maybe as murky as the atmospheric photography is at times, but one thing is certainly made clear: TV-friendly character actor-turned-spooky-town M.E. Jack Albertson is definitely up to no good. Travelers and transients who are innocently passing through the little, picturesque seacoast town where he plies his trade, are being found horribly murdered, only to be resurrected...as townies! Voodoo is somehow involved, as are some of the most violently graphic dispatchings commended to film for that time period.

James Farentino and Melody Anderson, known mostly for TV movie appearances (and in Melody's case, FLASH...aaaa-aaahhh!) do serviceable jobs as the town sheriff and his wife, who become more embroiled in the mystery than they'd like, and Robert Englund joins the proceedings, usually making his formidably creepy presence more than welcome, (until he came into his own as Freddy). But this is definitely Albertson's baby, and he relishes breaking out of his casting niche after all those episodes of CHICO AND THE MAN. Good thing, too, since it was one of his last performances. Sadly, as it is with most talented character actors, he was never recognized for his stage work as much as what he left on film, but his D&B role is a nice antithesis to the kindly Grandpa George in WILLY WONKA.

Also: Dan O'Bannon wouldn't be able to catch the lightning-in-a-bottle he captured with ALIEN again, until his severed-tongue-in-cheek rendering of RETURN OF THE LIVING DEAD, his playfully amped-up homage to George Romero's masterpiece.

FOOTNOTE: D&B's releasing woes had nothing to do with its low-budget status. The original releasing company, Vestron, went belly-up and had to file for Chapter 11 more than once, leaving movies like this in limbo until the legal problems could be satisfactorily settled. It took a while for the video release, but it was worth the wait.

Oh, and no matter how mind-boggling the gore gets, you'll still want to watch it twice, just to see how you missed being clued in on the head-spinning climax!