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An American Werewolf in London (1981)
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Overview
Release Date:
21 August 1981 (USA) moreTagline:
John Landis - the director of Animal House brings you a different kind of animal. morePlot:
Two American tourists in England are attacked by a werewolf that none of the locals will admit exists. full summary | full synopsis (warning! may contain spoilers)Awards:
Won Oscar. Another 2 wins & 2 nominations moreNewsDesk:
(8 articles)
Brutal Massacre NY, La Screenings Set! (From Icons of Fright. 3 July 2008, 8:32 AM, PDT)
"In Sickness And In Health" (From The AV Club. 26 June 2008, 9:43 PM, PDT)
User Comments:
One of my favorite films moreCast
(Cast overview, first billed only)| David Naughton | ... | David Kessler | |
| Jenny Agutter | ... | Nurse Alex Price | |
| Griffin Dunne | ... | Jack Goodman | |
| John Woodvine | ... | Dr. J. S. Hirsch | |
| Lila Kaye | ... | Barmaid | |
| Joe Belcher | ... | Truck Driver | |
| David Schofield | ... | Dart Player | |
| Brian Glover | ... | Chess Player | |
| Rik Mayall | ... | 2nd Chess Player | |
| Sean Baker | ... | 2nd Dart Player | |
| Paddy Ryan | ... | First Werewolf | |
| Anne-Marie Davies | ... | Nurse Susan Gallagher | |
| Frank Oz | ... | Mr. Collins / Miss Piggy | |
| Don McKillop | ... | Inspector Villiers | |
| Paul Kember | ... | Sergeant McManus |
Additional Details
Parents Guide:
View content advisory for parentsRuntime:
97 min | Sweden:92 min (heavily cut)Country:
UKLanguage:
EnglishColour:
Colour (Technicolor)Aspect Ratio:
1.85 : 1 moreCertification:
UK:X (theatrical rating) | Singapore:R21 | Canada:R (Manitoba/Nova Scotia/Ontario) | Australia:MA (DVD rating) | Canada:13+ (Québec) | Argentina:18 | Australia:M | Chile:18 | Finland:K-18 | France:-12 | Norway:18 | Sweden:15 | UK:18 | USA:R | West Germany:16 | Peru:18 | Brazil:18 | Iceland:16MOVIEmeter: 
Fun Stuff
Trivia:
The wolves used in the London Zoo scene were kept privately by Roger Palmer in the UK and appeared in several TV programmes and in adverts. Roger went on to found the UK Wolf Conservation Trust which keeps wolves to this day. moreGoofs:
Continuity: Likewise, despite it being implied by the TV ad for the Sunday paper that the killings take place Saturday night/Sunday morning, the small boy in the zoo is in his school uniform, supposedly on a Sunday. This is assuming anyone would really be cruel enough to make their child wear school uniform on a day out to the zoo. moreQuotes:
Dart Player: You made me miss.Jack: Sorry.
Dart Player: I've never missed that board before.
more
Soundtrack:
BAD MOON RISING moreFAQ
What's with the naked dead guy?more
more
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While backpacking through Europe, two friends, David Kessler (David Naughton) and Jack Goodman (Griffin Dunne), find themselves out on England's moors, despite advice to avoid them. When a wild animal attacks them, one of them dies, and the other just might be turning into a monster.
Director John Landis' "pet project"--he had to sit on the script for 10 years before he had enough clout from other films for this one to be greenlighted--is an excellent, seamless melding of comedy and horror, with a surprising amount of brutality and one of the most wonderfully dark, abrupt conclusions ever made.
John Irving once said that he loves to put comedy and tragedy in close conjunction because each can make the other more effective. That's just the effect that the combination has in An American Werewolf In London. Both the comedy and the horror in the film are fully committed to, unlike many attempts to merge the two. If "the whole is greater than the sum of its parts" is ever true, this is an example. The comic bits wouldn't be nearly as delightful if they didn't supervene on the disturbing, and the horror wouldn't have near the impact if they didn't arrive in the context where you half-expect the next moment to be just as lighthearted and amusing. Both the initial "animal attack" and the apocalyptic ending are perfect examples of this.
Aside from that exquisite unusualness, An American Werewolf In London has many other superb characteristics. The cast is perfect. Naughton, who also starred in the seriously underrated Desire, The Vampire (aka I, Desire) (1982), carries the film with ease. The cinematography is excellent. The shots of the countryside (actually filmed in Wales) are actually both beautiful and very eerie at the same time. The make-up effects are awesome, and the transformation effects are unsurpassed. The music, which is primarily a number of different "moon" related pop songs, is also perfect, partially because of the bizarre contrasts in mood that the music creates, which echoes the comedy/tragedy juxtaposition. Unlike many other films, every scene in this one is a something I'd like to spend years exploring. The settings, the characters, the scenarios are all so fascinating.
This film is a 10 out of 10 even with one hand tied behind its back. If you enjoy it, and you're open minded about newer horror film styles, the "sequel", An American Werewolf in Paris, is also worth a watch.