A young boy and his friends face off against a mysterious grave robber known only as the Tall Man, who keeps a mysterious arsenal of terrible weapons with him.
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A reporter and a psychic race to close the Gates of Hell after the suicide of a clergyman caused them to open, allowing the dead to rise from the grave.
Director:
Lucio Fulci
Stars:
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Catriona MacColl,
Carlo De Mejo
A young woman inherits an old hotel in Louisiana where after a series of supernatural 'accidents', she learns that the building was built over one of the entrances to Hell.
Director:
Lucio Fulci
Stars:
Catriona MacColl,
David Warbeck,
Cinzia Monreale
A newcomer to a fancy ballet academy gradually comes to realize that the staff of the school are actually a coven of witches bent on chaos and destruction.
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Director:
Lucio Fulci
Stars:
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A group of people are trapped in a large movie theater in West Berlin that is infected by ravenous demons who proceed to kill and posses the humans one-by-one, thereby multiplying their numbers.
Director:
Lamberto Bava
Stars:
Urbano Barberini,
Natasha Hovey,
Karl Zinny
Mike, a young teenage boy who has just lost his parents, is afraid to lose his brother. This fear causes him to follow his brother to a funeral, where Mike witnesses the Tall Man lift a coffin on his own. Mike decides to investigate and discovers a horrible world where the Tall Man, along with his flying spheres, shrink the to half their normal size and reanimate them as slaves. It is then up to Mike, his brother, and Reggie the ice cream man to stop the Tall man. Written by
Chris Nickerson <cnicker@bgnet.bgsu.edu>
The spheres were designed by craftsman Willard Green who charged the production a little over $1,100 for his services. Sadly, he died just after production completed at the end of 1977, and never saw his work on the big screen. See more »
Goofs
When the Tall Man falls in the pit and grabs onto the sides, the ground around the pit moves. See more »
Quotes
The Tall Man:
You play a good game boy, but the game is finished, now you die.
See more »
Crazy Credits
The cable TV version has a extra text in the credits that reads "enter the Tall Man's Mausoleum if you dare at www.phantasm.com" See more »
A teenage boy (Michael Baldwin) stumbles upon a plot by a very tall mortuary worker (Angus Scrimm) to steal dead bodies and turn them into midget slaves for an alien world. With the help of his brother (Bill Thornberry), the boy hopes to cut the tall man down to size.
Many years later, Don Coscarelli is now seen as a master of horror and Angus Scrimm somewhat of a horror icon (though to a lesser degree than, say, Robert Englund). While the plot I have outlined above may sound silly, the actual execution of this idea makes it clear why this film has really lodged itself in horror history and spawned numerous sequels (all starring Scrimm).
This film captures the feeling of the late 1970s and early 1980s horror with the young boy stumbling upon a plot of large, sinister proportions. Horror geared towards the youth of a generation who have parents who may not believe them (or in this case, an older brother). I really like this theme, much like "The Goonies", "The Monster Squad" and "Lost Boys" -- a kid's film without being childish.
"Phantasm" has become known for the silver balls, and believe me -- when Angus Scrimm puts one of his balls in your face, you won't be happy about it. A bloody mess is all you will get! I really enjoyed the effect of this (remember, this is 1979 when effects still took some creativity).
Now, some things I did not understand. For example, why are the midgets bleeding macaroni and cheese instead of blood? And more importantly, why does the tall man have to transform into a woman to stab people in the cemetery? If he is super strong and has those silver balls, he really does not have to be very sneaky about the whole ordeal, does he?
Some of the acting is cheesy -- people deliver their lines in a way that sounds forced, and Jody (the older brother) looks like he belongs behind the wheel of the General Lee. And Michael spends half the film looking like a girl. (I have met the entire cast, and I can assure you that Baldwin grew out of this phase.)
But, seriously, check this film out. Roughly in the same time period as "Halloween", you are left with a similar feeling. Only this one is more light-hearted and "feel good" and less "the embodiment of evil". I suppose it depends on your personal taste or your mood for the day. Myself, I like a little bit of the unusual thrown in to a movie just to keep me guessing.
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A teenage boy (Michael Baldwin) stumbles upon a plot by a very tall mortuary worker (Angus Scrimm) to steal dead bodies and turn them into midget slaves for an alien world. With the help of his brother (Bill Thornberry), the boy hopes to cut the tall man down to size.
Many years later, Don Coscarelli is now seen as a master of horror and Angus Scrimm somewhat of a horror icon (though to a lesser degree than, say, Robert Englund). While the plot I have outlined above may sound silly, the actual execution of this idea makes it clear why this film has really lodged itself in horror history and spawned numerous sequels (all starring Scrimm).
This film captures the feeling of the late 1970s and early 1980s horror with the young boy stumbling upon a plot of large, sinister proportions. Horror geared towards the youth of a generation who have parents who may not believe them (or in this case, an older brother). I really like this theme, much like "The Goonies", "The Monster Squad" and "Lost Boys" -- a kid's film without being childish.
"Phantasm" has become known for the silver balls, and believe me -- when Angus Scrimm puts one of his balls in your face, you won't be happy about it. A bloody mess is all you will get! I really enjoyed the effect of this (remember, this is 1979 when effects still took some creativity).
Now, some things I did not understand. For example, why are the midgets bleeding macaroni and cheese instead of blood? And more importantly, why does the tall man have to transform into a woman to stab people in the cemetery? If he is super strong and has those silver balls, he really does not have to be very sneaky about the whole ordeal, does he?
Some of the acting is cheesy -- people deliver their lines in a way that sounds forced, and Jody (the older brother) looks like he belongs behind the wheel of the General Lee. And Michael spends half the film looking like a girl. (I have met the entire cast, and I can assure you that Baldwin grew out of this phase.)
But, seriously, check this film out. Roughly in the same time period as "Halloween", you are left with a similar feeling. Only this one is more light-hearted and "feel good" and less "the embodiment of evil". I suppose it depends on your personal taste or your mood for the day. Myself, I like a little bit of the unusual thrown in to a movie just to keep me guessing.