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Back in 1979, when this first came out, this could be seen coming down Main Street as a "Star Wars" cash-in. Even I could see that (being 14 at the time).At the time, it was being hailed by everyone whom had not seen it as a return to cerebral, thought-provoking space opera, with the same kind of reverberations as "2001". Now, let me tell you the truth about "The Black Hole".From a technical standpoint, the movie is impressive (moreso when you consider that Harrison and Peter Ellenshaw, virtuosos in matte paintings, did the background FX work). The ships all fly as they should, you can BARELY see the robots flying about on their strings and the wonder and mystery of what a black hole really is (physically as well as metaphorically) are explored satisfactorily.But if the FX are exemplary, the flesh and blood on display are not. Each actor supplies their own black hole; empty, dark voids where there once was talent but now serve only to suck away all the life and energy surrounding it. A shame, since actors like Forster, Mimieux, Schell, Perkins and even Roddy McDowell (in voice only) have all done good deeds on film prior and since. In the acting sense, at least, this movie matches "2001".But in the end, you see a movie like "The Black Hole" for the story itself. Is it worth watching? In that respect, I think so. What are the limits to which mankind can play God? Are the mysteries of the universe for Man to explore? Do black holes lead to anything? We are left to draw our own conclusions, but at least the ending here allows us to think seriously about what really is out there.Eight stars. Not a classic, but not that vacuous.
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