| Photos (see all 2 | slideshow) |
| Dirk Bogarde | ... | Hermann Hermann | |
| Andréa Ferréol | ... | Lydia Hermann | |
| Klaus Löwitsch | ... | Felix Weber | |
| Volker Spengler | ... | Ardalion | |
| Peter Kern | ... | Müller | |
| Alexander Allerson | ... | Mayer | |
| Gottfried John | ... | Perebrodov | |
| Hark Bohm | ... | Doctor | |
| Bernhard Wicki | ... | Orlovius | |
| Adrian Hoven | ... | Inspector Schelling | |
| Roger Fritz | ... | Inspector Braun | |
| Y Sa Lo | ... | Elsie | |
| Armin Meier | ... | 1st and 2nd Twin and Foreman | |
| Ingrid Caven | ... | Hotel receptionist | |
| Voli Geiler | ... | Madam | |
| Hans Zander | ... | Müller's brother | |
| Isolde Barth | ... | Woman | |
| Harry Baer | ... | Porter | |
| Gitty Djamal | ... | Woman in pension | |
| rest of cast listed alphabetically: | |||
| Lilo Pempeit | ... | Müller - secretary (as Lieselotte Eder) | |
Directed by | |||
| Rainer Werner Fassbinder | |||
Writing credits(in alphabetical order) | ||
| Vladimir Nabokov | novel "Otchayaniye" | |
| Tom Stoppard | writer | |
Produced by | |||
| Lutz Hengst | .... | executive producer | |
| Peter Märthesheimer | .... | producer | |
| Edward R. Pressman | .... | executive producer | |
Original Music by | |||
| Peer Raben | |||
Cinematography by | |||
| Michael Ballhaus | |||
Film Editing by | |||
| Rainer Werner Fassbinder | (as Franz Walsch) | ||
| Juliane Lorenz | |||
Production Design by | |||
| Rolf Zehetbauer | |||
Set Decoration by | |||
| Jochen Schumacher | |||
| Herbert Strabel | |||
Costume Design by | |||
| Dagmar Schauberger | |||
Makeup Department | |||
| Peter Knöpfle | .... | makeup artist | |
| Anni Nöbauer | .... | makeup artist | |
Production Management | |||
| Wulf Gasthaus | .... | unit manager | |
| Dieter Minx | .... | production manager | |
| Lutz Winter | .... | unit manager | |
| Don French | .... | unit manager (uncredited) | |
Second Unit Director or Assistant Director | |||
| Harry Baer | .... | assistant director | |
| Stefan Zürcher | .... | assistant director | |
Art Department | |||
| Klaus Meyenberg | .... | props | |
| Ulrich Wendt | .... | props (as Uli Wendt) | |
Sound Department | |||
| Milan Bor | .... | sound mixer | |
| John Stevenson | .... | assistant sound | |
| Jim Willis | .... | sound | |
Camera and Electrical Department | |||
| Michael J. Jacobs | .... | special still photographer | |
| Otto Kirchhoff | .... | camera operator | |
| Horst Knechtel | .... | assistant camera | |
| Karl-Heinz Vogelmann | .... | still photographer (as Karlheinz Vogelmann) | |
Costume and Wardrobe Department | |||
| Karin Geuer | .... | wardrobe | |
| Georg Kuhn | .... | wardrobe | |
Editorial Department | |||
| Christine Fritz | .... | assistant editor | |
Other crew | |||
| Patricia Johnson | .... | unit publicist | |
| Osman Ragheb | .... | dialogue coach | |
| Elke Vogt | .... | script supervisor | |
Thanks | |||
| Antonin Artaud | .... | dedicatee | |
| Vincent van Gogh | .... | dedicatee | |
| Unica Zürn | .... | dedicatee | |
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| Full cast and crew | Company credits | External reviews |
| IMDb Drama section | IMDb France section | Add this title to MyMovies |
This is one classic I was in no mood for at the time of watching it. In the right mood, I suppose even the most boring, confusing and pretentious films can appear lively and spirited.
Hermann is a Russian living in Germany with his completely idiotic Russian wife whose only talent is letting him bang her. Whereas even this right isnt exclusive since she is also carrying on with her red-headed bohemian slob of a cousin. Here is the weird part -Hermann keeps seeing himself everywhere, in particular watching he and his wife having sex. He mistakes this for out of body experiences, or split personality and does nothing to help himself out of it, instead entertaining and even encouraging it. Soon he begins to see his own face in other people. He befreinds a tramp who he believes is his look-alike and convinces him to be his body double to create an alibi while he is committing a crime. He dresses him up in his clothes, puts his papers in his pocket and gives him a shave -then he shoots and kills him. Hermann runs away with the understanding he has staged his own death. Obvious to everyone else is that it wasnt him at all, as his passport photo and the dead mans face don't even remotely resemble each other.
To be perfectly honest I tuned out of the dialogue after this point and only occasionally glanced at the screen. Despair was not improving, resulting in a complete waste of time. From what I saw it only gets weirder but perhaps with concentration it might begin to fall together. I like bizarre films, and even pretentious ones sometimes. Despair was just too damn over-dramatised or something. I just felt like the guy was digging his own grave and then constantly bitching about it like it was someone elses fault.
Yes, the acting was good, but sorry, the characters sucked.