Despair (1978)

Director:

Rainer Werner Fassbinder

Writers:

Vladimir Nabokov (novel)
Tom Stoppard (writer)

Release Date:

20 September 1978 (France)

Genre:

Drama

Plot:

Germany in the early 1930s. Against the backdrop of the Nazis' rise, Hermann Hermann, a Russian émigré and chocolate magnate...

Plot Keywords:

Independent Film | Based On Novel

Awards:

3 wins & 1 nomination

Cast

Dirk Bogarde	...	Hermann Hermann
Andréa Ferréol	...	Lydia Hermann
Klaus Löwitsch	...	Felix Weber
Volker Spengler	...	Ardalion
Peter Kern	...	Müller
Alexander Allerson	...	Mayer
Gottfried John	...	Perebrodov
Hark Bohm	...	Doctor
Bernhard Wicki	...	Orlovius
Adrian Hoven	...	Inspector Schelling
Roger Fritz	...	Inspector Braun
Y Sa Lo	...	Elsie
Armin Meier	...	1st and 2nd Twin and Foreman
Ingrid Caven	...	Hotel receptionist
Voli Geiler	...	Madam

Also Known As:

Despair (France)
Despair - Eine Reise ins Licht

Runtime:

119 min

Country:

West Germany | France

Language:

English

Colour:

Colour (Eastmancolor)

Aspect Ratio:

1.66 : 1

Sound Mix:

Mono

Certification:

Iceland:L | West Germany:12 (f) | Argentina:16 | Finland:K-16 | Singapore:NC-16 | UK:15

Filming Locations:

Braunschweig, Lower Saxony, Germany

Company:

Bavaria Atelier

Trivia:

Trevor Howard was asked to play a major role.

Left me unmoved and uninvolved

Shot in English on a budget that nearly equaled the cost of his first fifteen films, Rainer Werner Fassbinder's Despair has wit and style yet its attempt to recreate the dark, comedic genius of Vladimir Nabokov left me unmoved and uninvolved. Based on Nabokov's novel Despair (apparently intended as a parody of Dostoevsky), and adapted for the screen by Tom Stoppard, the film describes the descent into madness of wealthy chocolate entrepreneur Hermann Herman (Dirk Bogarde). Set in Germany on the eve of the Third Reich, scenes of the Nazis assaulting Jewish-owned businesses are sprinkled throughout the film but to no apparent purpose. Herman has left his Russian home to live in Berlin and constantly fantasizes about the beauty of the Russian winters and whispers `Russia, which we have lost forever...' to his wife, Lydia (Andrea Ferreol). He is a thoroughly unsympathetic character: cold, calculating, and cynical and Mr. Bogarde's exaggerated mannerisms do not make him any easier to appreciate.

Much of the film takes place inside Herman's stately bourgeois home. Shots of the characters through glass partitions keep the viewer at a distance and the elegant interiors look like an abandoned mausoleum. Lydia's and Herman's relationship is unconvincing and Fassbinder's repeated descriptions of Lydia as an unintelligent sex object border on misogyny. "The flowers of your sensuality would wilt with intelligence," Herman tells his wife whom he always addresses with condescension. In addition to Lydia, we gradually meet other vivid supporting characters: Lydia's cousin, Ardalion; and Dr. Orlovious, an insurance salesman whom Herman mistakenly thinks is a psychiatrist and opens up to.

Herman is convinced that Felix Weber (Klaus Lowitch), a laborer, resembles him as closely as "two drops of blood." though the resemblance is tentative at best (a joke Nabokov wisely saved for his readers until the end of his novella). He has an odd compulsion to observe himself as a stranger and devises a plan to commit the perfect crime, exchanging identities with the worker as a means of escaping his existence. Felix, on the other hand, decides to humor the eccentric Herman with the thought of getting a job. In Despair, Fassbinder constructs a world in the process of falling apart where people march inexorably toward self-destruction and where the journey into light proves to be an illusion. In a world approaching madness, however, Hermann seems to fit perfectly -- no more, no less crazy than the insanity occurring around him.