| Photos (see all 4 | slideshow) |
| Dirk Bogarde | ... | Claude Langham | |
| Ellen Burstyn | ... | Sonia Langham | |
| John Gielgud | ... | Clive Langham | |
| David Warner | ... | Kevin Langham / Kevin Woodford | |
| Elaine Stritch | ... | Helen Wiener | |
| Cyril Luckham | ... | Doctor Mark Eddington | |
| Denis Lawson | ... | Dave Woodford (as Dennis Lawson) | |
| Kathryn Leigh Scott | ... | Miss Boon | |
| Milo Sperber | ... | Mr. Jenner | |
| Anna Wing | ... | Karen | |
| Peter Arne | ... | Nils | |
| Tanya Lopert | ... | Miss Lister | |
| Joseph Pittoors | ... | An Old Man | |
| Samson Fainsilber | ... | The Old Man |
Directed by | |||
| Alain Resnais | |||
Writing credits(in alphabetical order) | ||
| David Mercer | writer | |
Produced by | |||
| Philippe Dussart | .... | executive producer | |
| Lise Fayolle | .... | associate producer | |
| Yves Gasser | .... | producer | |
| Juergen Hellwig | .... | associate producer | |
| Klaus Hellwig | .... | producer | |
| Yves Peyrot | .... | producer | |
Original Music by | |||
| Miklós Rózsa | |||
Cinematography by | |||
| Ricardo Aronovich | |||
Film Editing by | |||
| Jean-Pierre Besnard | |||
| Albert Jurgenson | |||
Production Design by | |||
| Charles Merangel | |||
| Jacques Saulnier | |||
Art Direction by | |||
| Michel Breton | |||
| Jean-Claude Cabouret | |||
| Françoise Hardy | |||
| Daniel Pierre | |||
| Claude Serre | |||
Costume Design by | |||
| John Bates | |||
| Catherine Leterrier | |||
| Yves Saint-Laurent | |||
Makeup Department | |||
| Régine Havan | .... | makeup artist (as Régine Ha-Van) | |
| Victor Merinow | .... | makeup artist | |
| Michel Trigon | .... | hair stylist | |
| Marie-Hélène Yastchenkoff | .... | makeup artist | |
Production Management | |||
| Michel Choquet | .... | production manager | |
| Fernand Dubois | .... | unit manager | |
| Yvonne Freche | .... | unit manager (as Yvonne Frèche) | |
| Antoine Gannagé | .... | production manager | |
| Gérard Gaultier | .... | unit manager | |
| Jacqueline Louis | .... | unit manager | |
| Joëlle Picaud | .... | unit manager | |
| Roland Sabarv | .... | production manager | |
Second Unit Director or Assistant Director | |||
| Reynald Lampert | .... | second assistant director | |
| John Lvoff | .... | second assistant director | |
| Florence Malraux | .... | first assistant director | |
Sound Department | |||
| René Magnol | .... | sound | |
| Jacques Maumont | .... | sound | |
| Claude Plouganou | .... | sound editor | |
| Jean Schwarz | .... | electronic effects sounds | |
Music Department | |||
| Miklós Rózsa | .... | conductor | |
| Christopher Palmer | .... | orchestrator (uncredited) | |
Other crew | |||
| Marie-José Guissart | .... | continuity | |
| Reynald Lampert | .... | assistant to director | |
| Florence Malraux | .... | assistant to director | |
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| Cotton Mary | An American Haunting | The Jacket | The Road to Wellville | Candy |
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| Full cast and crew | Company credits | External reviews |
| IMDb Drama section | IMDb France section | Add this title to MyMovies |
In Providence, his only film in English Language, Resnais again approaches the most recurrent subject in his career: the memory. Here, he explores how one's feelings can affect it: the life of the writer reflects directly on his view of his son and the wife of this one, and their respective (supposed) lovers, which actually are a representation of the writer's alienation, guilt and self-depreciation. It shows how memory can be more painful than any pain of the flesh, and even worse than reality itself. Like everything i've seen from Resnais so far (Night and Fog, Hiroshima Mon Amour, Mon Oncle D'Amérique and one of my favorite films, Last Year in Marienbad), this one is a very deep and original masterpiece.