Close Encounters of the Third Kind (1977)

Director:

Steven Spielberg

Writer:

Steven Spielberg (written by)

Release Date:

16 November 1977 (USA)

Genre:

Adventure | Drama | Sci-Fi

Tagline:

Close Encounter of the First Kind - Sighting of a UFO. Close Encounter of the Second Kind - Physical Evidence. Close Encounter of the Third Kind - Contact. WE ARE NOT ALONE

Plot:

After an encounter with UFOs, a line worker feels undeniably drawn to an isolated area in the wilderness where something spectacular is about to happen.

Plot Keywords:

Vision | UFO | Desert | Military | Close Encounter Of The Third Kind

Awards:

Won Oscar. Another 11 wins & 30 nominations

Cast

Richard Dreyfuss	...	Roy Neary
François Truffaut	...	Claude Lacombe
Teri Garr	...	Ronnie Neary
Melinda Dillon	...	Jillian Guiler
Bob Balaban	...	David Laughlin
J. Patrick McNamara	...	Project Leader
Warren J. Kemmerling	...	Wild Bill (as Warren Kemmerling)
Roberts Blossom	...	Farmer
Philip Dodds	...	Jean Claude
Cary Guffey	...	Barry Guiler
Shawn Bishop	...	Brad Neary
Adrienne Campbell	...	Sylvia Neary
Justin Dreyfuss	...	Toby Neary
Lance Henriksen	...	Robert
Merrill Connally	...	Team Leader

Also Known As:

CE3K (USA) (informal short title)
The Close Encounter of the Third Kind (USA) (working title)
The Special Edition: Close Encounters of the Third Kind (USA) (reissue title)
Watch the Skies (USA) (working title)

Runtime:

132 min (special edition) | 137 min (director's cut) | 135 min (original version)

Country:

USA

Language:

English | French | Spanish | Hindi

Colour:

Colour (Metrocolor)

Aspect Ratio:

2.20 : 1

Sound Mix:

70 mm 6-Track (70 mm prints) | Dolby (35 mm prints)

Certification:

Spain:T | Netherlands:12 (original rating) | Netherlands:6 (re-rating) | South Korea:All | Brazil:Livre | South Africa:PG | West Germany:12 (f) | USA:TV-MA (TV rating) | Australia:PG | Canada:PG | Finland:K-12 | France:U | Iceland:L | Norway:12 | Portugal:M/12 (Qualidade) | Singapore:PG | Sweden:11 | UK:PG | USA:PG | UK:A (original rating) | Ireland:PG

Filming Locations:

Alabama, USA

Company:

Columbia Pictures Corporation

Trivia:

In the scene where Barry (Cary Guffey) says, "Toys!" as he looks out the window and spots the UFOs, Steven Spielberg actually pulled out a toy car behind the camera to cause Barry's unexpected one-take reaction.

Goofs:

Continuity: The size of the mother ship is incompatible in different shots. When it arrives it's behind the mountain and a lot bigger than the mountain. When it's in front of the mountain it's no longer bigger than the mountain but smaller or at best about the same.

Quotes:

Ronnie Neary: [the Neary children watch The Ten Commandants on TV] You know, that movie is four hours long.
Roy Neary: I said they'd only watch five.

Movie Connections:

Referenced in Moonraker (1979)

Soundtrack:

SHE'LL BE COMIN' 'ROUND THE MOUNTAIN

Transforming Fear to Wonder

An amazing film, one of my favorites. I watch this regularly, especially at times when the reality of life is overwhelming, just to refocus and regain some sense of perspective.

Everything in this film works toward one end: to transform the adult sense of fear back into the childlike sense of wonder at the world. From the very opening moments of the film, designed to create confusion and startlement, this movie creates a sensation of dread and foreboding. The dissonance of the soundtrack, the juxtaposition of images, they all are working to build into the viewer a feeling that something just isn't right, that something out of the ordinary is taking place, and underscoring this all with a sense that this is something to resist, to pull away from, to not allow it to affect one's "ordinary life."

But as the movie progresses, the tone begins to shift, and the true intent of the film begins to peek through. This isn't about being afraid of the unknown, but rather embracing it. Paying attention to the "subliminal images" in life, allowing them to lead you into something unknown and perhaps dangerous, only then can one be open to wonder and experience the world through the magical eyes of a child.

Dreyfuss' character takes us on this journey, met with resistance all along the way. His wife, his neighbors, his job, his community, all are working against him, and it's only when he's reached his craziest that he truly gives in and begins to stop trying to understand and instead embraces the experiences in store for him. The scientific community is seeking to understand, but without having any personal calling to be involved. Only Barry is truly able to throw himself into the strangeness that is taking place, and his enthusiasm is greeted by both the characters and the audience as somehow alien and threatening.

The ending of this film, when all the fear is finally stripped away and the sense of amazed wonder overtakes everyone on the screen and in the audience, brings about an amazing catharsis. Discarding all the "adult" sensibilities and being able to approach life once again with a sense of innocent amazement for the Strange hidden amongst the Ordinary, one can begin again to approach life from a fresh vantage point.

Powerful, mystifying, and rejuvenating. I highly recommend this film for anyone jaded with life and seeking a sense of renewal.