| Photos (See all 78 | slideshow) | Videos (see all 6) |
| Diahnne Abbott | ... | Concession Girl (as Diahnne Abbot) | |
| Frank Adu | ... | Angry Black Man | |
| Victor Argo | ... | Melio (as Vic Argo) | |
| Gino Ardito | ... | Policeman at Rally | |
| Garth Avery | ... | Iris' Friend | |
| Peter Boyle | ... | Wizard | |
| Albert Brooks | ... | Tom | |
| Harry Cohn | ... | Cabbie in Bellmore | |
| Copper Cunningham | ... | Hooker in Cab | |
| Robert De Niro | ... | Travis Bickle (as Robert DeNiro) | |
| Brenda Dickson | ... | Soap Opera Woman | |
| Harry Fischler | ... | Dispatcher | |
| Jodie Foster | ... | Iris | |
| Nat Grant | ... | Stick-Up Man | |
| Leonard Harris | ... | Charles Palantine | |
| Richard Higgs | ... | Tall Secret Service Man | |
| Beau Kayser | ... | Soap Opera Man | |
| Harvey Keitel | ... | Sport | |
| Victor Magnotta | ... | Secret Service Photographer (as Vic Magnotta) | |
| Bob Maroff | ... | Mafioso (as Robert Maroff) | |
| Norman Matlock | ... | Charlie T | |
| Bill Minkin | ... | Tom's Assistant | |
| Murray Moston | ... | Iris' Timekeeper (as Murray Mosten) | |
| Harry Northup | ... | Doughboy | |
| Gene Palma | ... | Street Drummer | |
| Harlan Cary Poe | ... | Campaign Worker (as Carey Poe) | |
| Steven Prince | ... | Andy - Gun Salesman | |
| Peter Savage | ... | The John | |
| Martin Scorsese | ... | Passenger Watching Silhouette | |
| Cybill Shepherd | ... | Betsy | |
| Nicholas Shields | ... | Palantine's Aide (as Robert Shields) | |
| Ralph S. Singleton | ... | T.V. Interviewer (as Ralph Singleton) | |
| Joe Spinell | ... | Personnel Officer | |
| Maria Turner | ... | Angry Hooker on Street | |
| Robin Utt | ... | Campaign Worker | |
| rest of cast listed alphabetically: | |||
| Tommy Ardolino | ... | Boy on Sidewalk (uncredited) | |
| Joseph Bergmann | ... | Movie House Patron (uncredited) | |
| William Donovan | ... | Police Officer (uncredited) | |
| Jean Elliott | ... | Clerk at Sam Goody Store (uncredited) | |
| Annie Gagen | ... | Campaign Worker (uncredited) | |
| Trent Gough | ... | Political Rally Attendee (uncredited) | |
| Mary-Pat Green | ... | Campaign Aide (uncredited) | |
| James Mapes | ... | CIA Agent (uncredited) | |
| Debbi Morgan | ... | Girl at Columbus Circle (uncredited) | |
| Billie Perkins | ... | Friend of Iris (uncredited) | |
Directed by | |||
| Martin Scorsese | |||
Writing credits | ||
| Paul Schrader | (written by) | |
Produced by | |||
| Phillip M. Goldfarb | .... | associate producer | |
| Julia Phillips | .... | producer | |
| Michael Phillips | .... | producer | |
Original Music by | |||
| Bernard Herrmann | |||
Cinematography by | |||
| Michael Chapman | (director of photography) | ||
Film Editing by | |||
| Tom Rolf | |||
| Melvin Shapiro | |||
Casting by | |||
| Juliet Taylor | |||
Art Direction by | |||
| Charles Rosen | |||
Set Decoration by | |||
| Herbert F. Mulligan | (as Herbert Mulligan) | ||
Costume Design by | |||
| Ruth Morley | |||
Makeup Department | |||
| Irving Buchman | .... | makeup artist | |
| Mona Orr | .... | hairdresser | |
| Dick Smith | .... | special makeup | |
Production Management | |||
| Phillip M. Goldfarb | .... | production manager (uncredited) | |
Second Unit Director or Assistant Director | |||
| Robert P. Cohen | .... | dga trainee (as Robert Cohen) | |
| William Eustace | .... | second assistant director | |
| Peter R. Scoppa | .... | assistant director | |
| Ralph S. Singleton | .... | second assistant director (as Ralph Singleton) | |
Art Department | |||
| Leslie Bloom | .... | property master (as Les Bloom) | |
| Dave Goodonoff | .... | assistant property master (as Dave Goodnoff) | |
| David Nichols | .... | visual consultant | |
| Cosmo Sorice | .... | scenic artist | |
| Carter Stevens | .... | additional photography (uncredited) | |
Sound Department | |||
| Rick Alexander | .... | sound re-recording mixer (as Dick Alexander) | |
| Gordon Davidson | .... | sound effects editor | |
| James Fritch | .... | sound effects editor (as Jim Fritch) | |
| Sam Gemette | .... | sound effects editor | |
| David M. Horton | .... | sound effects editor (as David Hourton) | |
| Les Lazarowitz | .... | sound mixer | |
| Roger Pietschmann | .... | sound recorder (as Roger Pietschman) | |
| Vern Poore | .... | sound re-recording mixer | |
| Robert Rogow | .... | boom man | |
| Tex Rudloff | .... | sound re-recording supervisor | |
| Frank E. Warner | .... | supervising sound effects editor | |
| Mel Zelniker | .... | adr recordist (uncredited) | |
Special Effects by | |||
| Tony Parmelee | .... | special effects | |
Camera and Electrical Department | |||
| Alec Hirschfeld | .... | assistant cameraman (as Alec Hirshfeld) | |
| Bill Johnson | .... | assistant cameraman | |
| Richard Quinlan | .... | gaffer | |
| Ed Quinn | .... | grip (as Edward Quinn) | |
| Fred Schuler | .... | camera operator | |
| Steve Shapiro | .... | special photography | |
| Robert Ward | .... | key grip | |
| William Ward | .... | best boy (as Billy Ward) | |
| Josh Weiner | .... | still photographer | |
| Ron Zarilla | .... | assistant cameraman | |
| Michael Zingale | .... | camera: second unit | |
| Sandy Brooke | .... | assistant camera (uncredited) | |
| Paul Kimatian | .... | still photographer (uncredited) | |
Casting Department | |||
| Sylvia Fay | .... | atmosphere casting (as Sylvia Faye) | |
Costume and Wardrobe Department | |||
| Al Craine | .... | wardrobe | |
Editorial Department | |||
| Marcia Lucas | .... | supervising film editor | |
| George Trirogoff | .... | assistant editor | |
| Billy Weber | .... | assistant editor (as William Weber) | |
| Steven Spielberg | .... | supervising editor (uncredited) | |
Music Department | |||
| Shinichi Yamazaki | .... | music editor | |
| Dave Blume | .... | musical director (uncredited) | |
| Jack Hayes | .... | conductor (uncredited) | |
| Jack Hayes | .... | orchestrator (uncredited) | |
| Bernard Herrmann | .... | musical director (uncredited) | |
| Uan Rasey | .... | musician: trumpet soloist (uncredited) | |
| Dan Wallin | .... | music engineer (uncredited) | |
Transportation Department | |||
| Raymond Hartwick | .... | transportation coordinator (as Ray Hartwick) | |
Other crew | |||
| Keith Addis | .... | assistant to producers | |
| Marion Billings | .... | special publicity | |
| Kay Chapin | .... | script supervisor | |
| Pat Dodos | .... | secretary to the producers | |
| Connie Foster | .... | double: Jodie Foster | |
| Amy Holden Jones | .... | assistant to director (as Amy Jones) | |
| Eugene Iemola | .... | production assistant | |
| Howard Newman | .... | publicist | |
| Dan Perri | .... | title design | |
| Noni Rock | .... | production office coordinator | |
| Renate Rupp | .... | secretary to the producers | |
| Chris Soldo | .... | production assistant | |
| Gary Springer | .... | production assistant | |
| Sandra Weintraub | .... | creative consultant | |
| Dan Coplan | .... | location security (uncredited) | |
Thanks | |||
| Julia Cameron | .... | special thanks | |
| Loretta Cubberley | .... | special thanks | |
| Richard B. Goodwin | .... | special thanks (as Richard Goodwin) | |
| Jack Hayes | .... | special thanks | |
| Bernard Herrmann | .... | our gratitude and respect to: June 29, 1911 - December 24, 1975 | |
| Linda Kopcyk | .... | special thanks | |
| Kris Kristofferson | .... | special thanks | |
| Charlie McCarthy | .... | special thanks | |
| Jerry Orange | .... | special thanks | |
| Hank Phillippi | .... | special thanks | |
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| City of God | Munich | The Departed | Freeway | The Case of the Scorpion's Tail |
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| Full cast and crew | Company credits | External reviews |
| News articles | IMDb top 250 movies | IMDb Drama section |
| IMDb USA section |
The impact that "Taxi Driver" had in its day hasn't diminished, on the contrary, it has acquired a relevance of Shakesperean proportions. Travis's loneliness is a hyper representation of the same loneliness most humans have experienced at different times in different measures. It is always associated with a nightmare and Martin Scorsese delivers it like a nightmare. Travis, possessed by Robert De Niro at the zenith of his powers, cruises in his taxi enveloped in Bernard Herrman and we, well, we're the passengers and everything looks terrifying and familiar at the same time. Paul Schrader sensational screenplay comes to life with the jolting force of a rude awakening. Like it happens, more often than not, with masterpieces, it signed in a rather direct way the lives of the ones who live it in a movie theater and the ones who made it. Scorsese being the giant that he is, survived it and will continue startling us I'm sure but I also bet that for years everything he did was compared to this movie. De Niro and his "You looking at me" became such an iconic phrase that even he himself ended up impersonating it. Jodie Foster awoke the insane devotion of a real life would be killer and New York, the greatest city in the world was shown with its underbelly up. A work of art, a superlative reminder of what film could actually give us and very rarely does.