| Photos (see all 19 | slideshow) | Videos (see all 2) |
| Dustin Hoffman | ... | Babe | |
| Laurence Olivier | ... | Szell | |
| Roy Scheider | ... | Doc | |
| William Devane | ... | Janeway | |
| Marthe Keller | ... | Elsa | |
| Fritz Weaver | ... | Professor Biesenthal | |
| Richard Bright | ... | Karl | |
| Marc Lawrence | ... | Erhard | |
| Allen Joseph | ... | Babe's Father | |
| Tito Goya | ... | Melendez | |
| Ben Dova | ... | Szell's Brother | |
| Lou Gilbert | ... | Rosenbaum | |
| Jacques Marin | ... | LeClerc | |
| James Wing Woo | ... | Chen | |
| Nicole Deslauriers | ... | Nicole | |
| Lotte Palfi Andor | ... | Old Lady on 47th Street (as Lotta Andor-Palfi) | |
| Lionel Pina | ... | Street Gang | |
| Church | ... | Street Gang | |
| Tricoche | ... | Street Gang | |
| Jaime Tirelli | ... | Street Gang | |
| Wilfredo Hernández | ... | Street Gang (as Wilfredo Hernandez) | |
| Harry Goz | ... | Jewelry Salesman | |
| Michael Vale | ... | Jewelry Salesman | |
| Fred Stuthman | ... | Jewelry Salesman | |
| Lee Steele | ... | Jewelry Salesman | |
| William Martel | ... | Bank Guard | |
| Glenn Robards | ... | Plainclothesman | |
| Ric Carrott | ... | Plainclothesman | |
| Alma Beltran | ... | Laundress | |
| Daniel Núñez | ... | Guard in Uruguay (as Daniel Nunez) | |
| Tony Pena | ... | Guard in Uruguay | |
| Chuy Franco | ... | Guard in Uruguay | |
| Billy Kearns | ... | Tourist Couple | |
| Sally Wilson | ... | Tourist Couple | |
| Tom Ellis | ... | T.V. Announcer | |
| Bryant Fraser | ... | Young Photographer | |
| George Dega | ... | Hotel Valet | |
| Gene Bori | ... | French Doctor | |
| Annette Claudier | ... | Nurse | |
| Roger Etienne | ... | Headwaiter | |
| Raymond Serra | ... | Truck Driver (as Ray Serra) | |
| John Garson | ... | Bystander | |
| Charlott Thyssen | ... | Bystander | |
| Estelle Omens | ... | Bystander | |
| Madge Kennedy | ... | Lady in Bank | |
| Jeff Palladini | ... | Young Babe | |
| Scott Price | ... | Young Doc | |
| rest of cast listed alphabetically: | |||
| Abebe Bikila | ... | Himself (archive footage) (uncredited) | |
| S.C. Dacy | ... | Innocent Bystander (uncredited) | |
| Shawn McAllister | ... | Mechanic (uncredited) | |
| Irving Metzman | ... | Accident Witness (uncredited) | |
| Louis Tanno | ... | (uncredited) | |
| Treat Williams | ... | Central Park Jogger (uncredited) | |
Directed by | |||
| John Schlesinger | |||
Writing credits | ||
| William Goldman | (screenplay) | |
| William Goldman | (novel) | |
Produced by | |||
| Sidney Beckerman | .... | producer | |
| Robert Evans | .... | producer | |
| George Justin | .... | associate producer | |
Original Music by | |||
| Michael Small | (music composed by) | ||
Cinematography by | |||
| Conrad L. Hall | (as Conrad Hall) | ||
Film Editing by | |||
| Jim Clark | |||
Casting by | |||
| Jane Feinberg | |||
| Mike Fenton | |||
Production Design by | |||
| Richard Macdonald | (as Richard MacDonald) | ||
Art Direction by | |||
| Jack De Shields | |||
Set Decoration by | |||
| George Gaines | |||
Costume Design by | |||
| Robert De Mora | (costumes) | ||
Makeup Department | |||
| Barbara Lorenz | .... | hair stylist | |
| Ben Nye | .... | make-up artist | |
| Dick Smith | .... | special make-up consultant | |
| Brad Wilder | .... | makeup artist (uncredited) | |
Production Management | |||
| Stephen F. Kesten | .... | unit production manager | |
| Lindsley Parsons Jr. | .... | executive production manager: Paramount (uncredited) | |
Second Unit Director or Assistant Director | |||
| Everett Creach | .... | second unit director | |
| Burtt Harris | .... | assistant director | |
| Hawk Koch | .... | assistant director (as Howard W. Koch Jr.) | |
| William Saint John | .... | second assistant director | |
Art Department | |||
| Bill MacSems | .... | property master | |
Sound Department | |||
| David M. Ronne | .... | sound mixer (as David Ronne) | |
| Edward L. Sandlin | .... | sound editor | |
| Fred Stafford | .... | sound editor (as Freddie Stafford) | |
| John Wilkinson | .... | re-recording mixer (as John K. Wilkinson) | |
| Robert Rogow | .... | boom operator (uncredited) | |
Special Effects by | |||
| Richard E. Johnson | .... | special effects | |
| Charles Spurgeon | .... | special effects | |
Stunts | |||
| Everett Creach | .... | stunt coordinator | |
| Rock A. Walker | .... | stunt driver (uncredired) | |
| Jerry Brutsche | .... | stunt driver (uncredited) | |
| Frank Orsatti | .... | stunts (uncredited) | |
| Jerry Summers | .... | stunt driver (uncredited) | |
Camera and Electrical Department | |||
| Holly Bower | .... | stills | |
| Garrett Brown | .... | special photography | |
| Earl L. Clark | .... | assistant camera (as Earl Clark) | |
| Charles Langham | .... | best boy | |
| Rick Martens | .... | gaffer (as Richard Martens) | |
| Nick McLean | .... | camera operator | |
| Robert Moore | .... | key grip (as Robert C. Moore) | |
| Peter Sorel | .... | stills | |
Casting Department | |||
| Juliet Taylor | .... | casting: New York | |
Costume and Wardrobe Department | |||
| Robert M. Moore | .... | wardrobe | |
| Bernie Pollack | .... | wardrobe | |
Editorial Department | |||
| Arthur Schmidt | .... | associate editor | |
| Dennis Wooley | .... | assistant editor | |
Music Department | |||
| Jack Hayes | .... | orchestrations | |
| Patrick Moore | .... | music editor | |
| Michael Small | .... | music conducted by | |
Transportation Department | |||
| Kelly Aldrich | .... | driver: John Schlesinger (uncredited) | |
Other crew | |||
| Cathy Chazan | .... | assistant: Mr. Evans | |
| Michael Childers | .... | assistant to producers | |
| Giancarlo Giannini | .... | voice dubbing: : Dustin Hoffman | |
| Mark Griffiths | .... | coordinator: AFI | |
| Roland Meledandri | .... | clothes: Roy Scheider | |
| Dan Perri | .... | title design | |
| Nicholas Sgarro | .... | script supervisor (as Nick Sgarro) | |
| Karen Hale Wookey | .... | script supervisor (uncredited) | |
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| Live Free or Die Hard | Munich | Kite | Confessions of a Dangerous Mind | King of New York |
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Quite apart from the infamous torture scene, which I found extremely difficult to watch without howling in horror (actually that's a lie, I DID howl) this film is FULL of nervous tension that occasionally boils over - the way it's been done is masterful. The bouncing-ball scene in the darkened building should be utterly prosaic, but it really isn't - the way it's choreographed and shot brings such an air of menace and trepidation you'll be biting your nails off. There's much of a similar vein in 'Marathon Man', and although the storyline is sometimes almost buried through the relentless suffocating tension, it's extremely watchable (with a cushion to hide behind at certain points) and one of the greatest non-Hitchcock thrillers I've ever seen. Don't hesitate!