| Photos (See all 12 | slideshow) |
| David Arkin | ... | Norman | |
| Barbara Baxley | ... | Lady Pearl | |
| Ned Beatty | ... | Delbert Reese | |
| Karen Black | ... | Connie White | |
| Ronee Blakley | ... | Barbara Jean | |
| Timothy Brown | ... | Tommy Brown | |
| Keith Carradine | ... | Tom Frank | |
| Geraldine Chaplin | ... | Opal | |
| Robert DoQui | ... | Wade (as Robert Doqui) | |
| Shelley Duvall | ... | L. A. Joan | |
| Allen Garfield | ... | Barnett | |
| Henry Gibson | ... | Haven Hamilton | |
| Scott Glenn | ... | Pfc. Glenn Kelly | |
| Jeff Goldblum | ... | Tricycle Man | |
| Barbara Harris | ... | Albuquerque | |
| David Hayward | ... | Kenny Fraiser | |
| Michael Murphy | ... | John Triplette | |
| Allan F. Nicholls | ... | Bill (as Allan Nicholls) | |
| Dave Peel | ... | Bud Hamilton | |
| Cristina Raines | ... | Mary | |
| Bert Remsen | ... | Star | |
| Lily Tomlin | ... | Linnea Reese | |
| Gwen Welles | ... | Sueleen Gay | |
| Keenan Wynn | ... | Mr. Green | |
| James Dan Calvert | ... | Jimmy Reese | |
| Donna Denton | ... | Donna Reese | |
| Merle Kilgore | ... | Trout | |
| Carol McGinnis | ... | Jewel | |
| Sheila Bailey | ... | Smokey Mountain Laurel | |
| Patti Bryant | ... | Smokey Mountain Laurel | |
| Richard Baskin | ... | Frog | |
| Jonnie Barnett | ... | Himself | |
| Vassar Clements | ... | Himself | |
| Misty Mountain Boys | ... | Themselves | |
| Sue Barton | ... | Herself | |
| Elliott Gould | ... | Himself | |
| Julie Christie | ... | Herself | |
| rest of cast listed alphabetically: | |||
| Steve Earle | ... | Concert-goer (uncredited) | |
| Bill Jenkins | ... | Announcer at Airfield (uncredited) | |
| Thomas Hal Phillips | ... | Hal Phillip Walker (uncredited) | |
| Patrick Reynolds | ... | Grand Ole Opry Performer (uncredited) | |
| Gailard Sartain | ... | Man at Lunch Counter (uncredited) | |
| Howard K. Smith | ... | Howard K. Smith (uncredited) | |
| Joan Tewkesbury | ... | Tom's Lover / Kenny's Mother (uncredited) (voice) | |
Directed by | |||
| Robert Altman | |||
Writing credits | ||
| Joan Tewkesbury | (written by) | |
Original Music by | |||
| Arlene Barnett | |||
| Jonnie Barnett | |||
| Karen Black | |||
| Ronee Blakley | |||
| Gary Busey | |||
| Juan Grizzle | |||
| Allan F. Nicholls | |||
| Dave Peel | |||
| Joe Raposo | |||
Cinematography by | |||
| Paul Lohmann | (director of photography) | ||
Film Editing by | |||
| Dennis M. Hill | (as Dennis Hill) | ||
| Sidney Levin | |||
Set Decoration by | |||
| Robert M. Anderson | (uncredited) | ||
Makeup Department | |||
| Marvin C. Thompson | .... | makeup artist (as Tommy Thompson) | |
| Ann Wadlington | .... | hair stylist | |
Second Unit Director or Assistant Director | |||
| Alan Rudolph | .... | assistant director | |
| Tommy Thompson | .... | assistant director | |
Art Department | |||
| Robert M. Anderson | .... | property master (as Bob Anderson) | |
Sound Department | |||
| Randy Kelley | .... | assistant sound editor | |
| Chris McLaughlin | .... | sound | |
| Richard Portman | .... | sound re-recording mixer | |
| William A. Sawyer | .... | sound editor | |
| James E. Webb | .... | sound (as Jim Webb) | |
| Richard Oswald | .... | sound effects editor (uncredited) | |
| Donald C. Rogers | .... | technical director of sound (uncredited) | |
| Fred Schultz | .... | multi-track dailies transfer operator (uncredited) | |
| Dan Wallin | .... | sound re-recording mixer (uncredited) | |
Camera and Electrical Department | |||
| Randy Glass | .... | electrical gaffer | |
| Edmond L. Koons | .... | camera operator (as Ed Koons) | |
| Eddie Lara | .... | grip | |
| J. Michael Marlett | .... | electrical gaffer (as Mike Marlett) | |
| Harry Rez | .... | grip | |
| Robert Reed Altman | .... | second assistant camera (uncredited) | |
Costume and Wardrobe Department | |||
| Jules Melillo | .... | wardrobe | |
Editorial Department | |||
| Tony Lombardo | .... | assistant editor | |
| Tom Walls | .... | assistant editor | |
| Mark Eggenweiler | .... | assistant editor (uncredited) | |
| Maysie Hoy | .... | assistant editor (uncredited) | |
Music Department | |||
| Richard Baskin | .... | music arranger | |
| Richard Baskin | .... | music supervisor | |
| Gene Eichelberger | .... | music recordist | |
| Johnny Rosen | .... | music recordist | |
| Daniel J. Johnson | .... | assistant music editor (uncredited) | |
| Ken Johnson | .... | music editor (uncredited) | |
| Dan Wallin | .... | score mixer (uncredited) | |
Transportation Department | |||
| Gene Clinesmith | .... | driver (uncredited) | |
Other crew | |||
| Stephen Altman | .... | production assistant (as Steve Altman) | |
| Jac Cashin | .... | assistant to producer | |
| Elaine Di Bello Bradish | .... | production secretary (as Elaine Bradish) | |
| Angel Dominguez | .... | production assistant | |
| Mark Eggenweiler | .... | production assistant | |
| Roger Frappier | .... | production assistant | |
| Ron Hecht | .... | production assistant | |
| J. Allen Highfill | .... | production assistant (as Allan Highfill) | |
| Maysie Hoy | .... | production assistant | |
| Joyce King | .... | script supervisor | |
| Kelly Marshall | .... | production coordinator | |
| Dan Perri | .... | title designer | |
| Thomas Hal Phillips | .... | political campaign | |
| Noreen Beasley | .... | assistant: Dan Perri (uncredited) | |
| Lary Crews | .... | production assistant (uncredited) | |
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| I'm Not There. | The Five Senses | Short Cuts | The Quiet American | Across the Universe |
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| Full cast and crew | Company credits | External reviews |
| News articles | IMDb Drama section | IMDb USA section |
After having seen this film for the third time - the first was in film school many years ago - I'm struck by the amount of action going on within many of the shots. Mention is frequently made of Altman's use of overlapping dialogue in the sound but what struck me this time around is how often two or more characters, acting out different lines of the story are captured within the same shot - giving this film much of its sense of verisimilitude, a fantastic control of pace while feeling natural. Unarguably, much of its naturalism comes from the lens and cinematographic choices but part of it also stems from the choices made available in the cutting room, which give it an excellent pace and rhythm.
Add to that some wonderful performances, especially by Henry Gibson and Ronee Blakely, and you have a quintessential American Independent film that speaks about America in terms that no marketing agency of the current generation would ever tolerate.