IMDb > L'important c'est d'aimer (1975) > IMDb user reviews
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15 out of 18 people found the following review useful:
Love is pain., 3 August 2004
10/10
Author: audrius-darguzis from Vilnius, Lithuania.

A very simple, and (thus) extremely powerful film. And, sadly, underrated. It's a mind-opening experience. It doesn't say anything new or different on the subject, its simplicity and consistence shows loud and clear that...love is nothing but pain, but it's the only thing worth fighting (living; feeling pain) for; the only thing that sets you free. When Schneider's personage finds an earlier repulsive photograph dying in his desolated apartment you get to feel that now she cannot not love him... A very sincere, believable, touching film resembling real life and real love. Every actor's work is praise-worth, and worth the film's title. They knew what each of them were talking about. And no wonder Kinski took part in this. (The mood of this film is somehow similar to Last Tango in Paris.) You can almost feel wounded along with these 'people' that are being thrashed by love.

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14 out of 20 people found the following review useful:
Zulawski's masterpiece, 12 October 2001
10/10
Author: sdubos from Paris, France

Beautiful movie of three persons seeking to live, love and survive... Romy Schneider's performance is stunning as a porn actress desperately in love with a man who doesn't wish to live anymore, and resisting the seduction of a photograph. The picture is pretty "intellectual", but not boring. Soundtrack is fabulous...A great 70's melodrama. And what a pleasure to see Kinski!

Must see.

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6 out of 7 people found the following review useful:
Watch this underrated masterpiece of the 70s, 22 May 2007
10/10
Author: fagerard (fagerard@ulb.ac.be) from Brussels, Belgium

Romy Schneider was absolutely right to consider this film as her major professional achievement. Thanks to Christopher Franck's remarkable adaptation from his own awarded novel LA NUIT AMERICAINE (not to be mistaken with Truffaut's well-known DAY FOR NIGHT) and to Georges Delerue's haunting soundtrack, Zulawski is here at his paramount, because his usual romantic excesses perfectly fit this time the subject. As for the cast, all the actors have never been so right in the part they've been chosen for : from Fabio Testi to Jacques Dutronc, from Klaus Kinsky to Claude Dauphin, not to mention Michel Robin. The scene in the bar, just after the theatrical premiere of Shakespeare's RICHARD III, when the whole crew reads the articles dedicated to their play, almost looks like a mirror of Zulawski himself, as most of his works have been misunderstood, if not definitely "killed" by the critics. if you happen to belong to the happy few who sincerely praise L'IMPORTANT C'EST D'AIMER, try to see some day the films that writer Christopher Franck personally directed from other novels of his about the same bohemian milieu, specially JOSEPHA, featuring Miou Miou & Claude Brasseur.

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5 out of 10 people found the following review useful:
Ranks high in low points; perhaps supreme in post-La Dolce Vita emptiness. Romy a must-see., 17 February 2007
Author: b-jacobsons from United Kingdom

I'm not surprised to read here at IMDb that Romy called this her best work. She leads a cast of irresistible losers (Dutronc, Kinski, Testi) in the wholly believable debauchery that is so truly the amoral dilemma of the profession Maugham has called "THE show business". The physical electricity of these performers is such that I came away from it thirty years ago thinking that Miss Schneider was Brando's doppelganger. Or perhaps she WAS Brando! After all, they were never seen together, were they? If acting may be defined as the truthful response to fictional stimuli, then this film, which, by the way, must be screening daily in both Heaven and Hell, was perhaps shot in one cosmic take. These actors display - seamlessly - their bodies, their appetites, their loves, egos, ids and superegos. Never mind the sadness, life is for learning.

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11 out of 27 people found the following review useful:
Shouting, weeping, and all to no avail, 1 July 2002
Author: Bob Taylor (taylor9885@sympatico.ca) from Ottawa, Canada

This is a film for manic-depressives or people on amphetamines, maybe. I have rarely seen such frenetic activity outside of martial-arts pictures, yet the story is simple: a woman tires of her limp husband (Dutronc)and tries to start up with a much more masculine type (Testi). The milieu is the porn movie business which Schneider's character works in, interwoven with the classical theatre world she would like to belong to.

Romy Schneider got the Cesar award for her performance here; she pulls out all the stops to create this gifted but battered-by-life character. Pity that Zulawski couldn't craft a more balanced film around her.

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6 out of 54 people found the following review useful:
The most overrated French movie of all time ?, 15 January 2006
1/10
Author: dbdumonteil

This one is a strong contender!Romy Schneider was highly praised (and granted a Cesar) for her "harrowing" part but Zulawski is definitely a deeply boring terribly pretentious director.Outside Schneider,the casts includes zombie Dutronc who portrays a totally unconvincing character with suicidal tendencies and Fabio Testi,one of the worst Italian actors.

The plot is very trite but it is given a "meaningful" "intellectual" treatment whose purpose is to make the audience feel they have watched an "important" work.

Nadine Chevalier was Schneider's answer to those who thought she was still their Sissi.

I'm not an intellectual:I like Sissi best.

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