Young Frankenstein (1974)

User Rating:

8.0/10   

Director:

Mel Brooks

Writers:

Gene Wilder (story) and
Mel Brooks (story) ...

Release Date:

15 December 1974 (USA)

Genre:

Comedy | Sci-Fi

Tagline:

The scariest comedy of all time!

Plot:

Dr. Frankenstein's grandson, after years of living down the family reputation, inherits granddad's castle and repeats the experiments.

Plot Keywords:

Castle | Scientist | Hunchback | Housekeeper | Reanimation

Awards:

Nominated for 2 Oscars. Another 9 wins & 3 nominations

Cast

Gene Wilder	...	Dr. Frankenstein
Peter Boyle	...	The Monster
Marty Feldman	...	Igor
Cloris Leachman	...	Frau Blücher
Teri Garr	...	Inga
Kenneth Mars	...	Inspector Kemp
Richard Haydn	...	Herr Falkstein
Liam Dunn	...	Mr. Hilltop
Danny Goldman	...	Medical Student
Oscar Beregi Jr.	...	Sadistic Jailor (as Oscar Beregi)
Arthur Malet	...	Village Elder
Anne Beesley	...	Little Girl
Monte Landis	...	Gravedigger
Rusty Blitz	...	Gravedigger
John Madison	...	A Villager

Runtime:

106 min

Country:

USA

Language:

English | German

Colour:

Black and White

Aspect Ratio:

1.85 : 1

Sound Mix:

Mono (Westrex Recording System)

Certification:

UK:15 (re-rating) (1987) | Finland:K-16 (video rating) (1988) | Portugal:M/12 | Finland:K-16 (cinema release) (1975) | Canada:G (Quebec) | South Korea:15 | New Zealand:PG | Australia:PG | Canada:PG | Iceland:LH | Norway:16 | Singapore:PG | Spain:T | Sweden:15 | UK:AA (original rating) | UK:PG (video rating) | USA:PG | West Germany:12 | Netherlands:12

Filming Locations:

Mayfair Theatre - 214 Santa Monica Boulevard, Santa Monica, California, USA

Company:

Gruskoff/Venture Films

Trivia:

The Gasthaus, or guest house at the beginning of the riot scene is Gasthaus Gruskoff, named after producer Michael Gruskoff.

Goofs:

Revealing mistakes: When Igor, Inga, and Dr. Frankenstein go to catch the monster for the first time, they try to inject him with a sedative. Before she injects him, she squirts a little out the top to make sure no air is in the needle, but when she sticks him with the needle, she does not inject anything. In fact, when she pulls the needle back out, she squirts more sedative onto the ground.

Quotes:

Dr. Frederick Frankenstein: Please! Remain in your seats, I beg you! We are not children here, we are scientists! I assure you there is nothing to fear!

Movie Connections:

Referenced in The Final Curtain (2007)

Soundtrack:

Ah, Sweet Mystery of Life

EVERYTHING comes wonderfully to life in this dead-on Mel Brooks horror spoof – non-stop laughs from beginning to end!

Mel Brooks' parodies are like your favorite, worn-out couch. You know it's not the greatest in style, taste and quality, but it just feels so damn comfortable. Of late, most of Mel's spoofs have been off the mark, his work mellowing into predictability. In fact, you really have to go all the way back to 1974 to see Brooks at his sharpest. In that year we were awarded "Blazing Saddles" AND "Young Frankenstein."

Perhaps "Young Frankenstein" is not definitive Mel Brooks, although he directed it. Gene Wilder, who not only stars but co-wrote it with Mel, was the inspiration to make this movie. And it's his influence, I think, that brings the best out in Mel. When spoofing a historical era, movie genre or legendary tale, Brooks' satirical bag of tricks always included a hodgepodge of crude sight gags, burlesque schtick and stale Jewish jokes done at rapid-fire pace. The plot became an after-thought, working around the barrage of unsubtle humor. In targeting the classic ‘Frankenstein' series, however, Brooks worked in reverse, wisely focusing on plot, tone and atmosphere, then complementing them with clever, carefully constructed bits.

A rich staple of comedy pros from Brooks' fun factory (Mel graciously did not cast himself here) were employed to wring out the most laughs possible out of the fresh, inventive material. Gene Wilder plays the frizzy-haired, eruptive college professor Frederick Frankenstein (pronounced FRONK-en-STEEN), grandson of the infamous scientist, who gives in to the maniacal tendencies of his mad ancestor after inheriting the late Baron's Teutonic castle. His simmer-to-boil antics have seldom been put to better use, while only pop-eyed Marty Feldman, who gets to break the fourth wall as Igor (prounouced EYE-gor), the dim, oddball assistant, could milk a hump for all its worth. Kenneth Mars too gets a lot of mileage out of his one-armed, slush-mouthed inspector. In the film's most difficult role, Peter Boyle's appearance as the Monster is jarring at first, looking like a cross between Herman Munster and Uncle Fester. But he increasingly wins you over, earning even a little empathy along the way. His character is the most crucial for this parody to work right and he succeeds, figuring in a high percentage of the comedy highlights.

Representing the distaff side, Madeline Kahn is one cool cucumber, stealing focus whenever she's on camera as the placid, meticulous, hopelessly stuck-up fiancee Elizabeth; Cloris Leachman sinks her teeth into the role of the grotesque Frau Blücher, whose mere mention of her name sends horses into panic; and Teri Garr is delightful as a dinghy Deutschlander who assists Frankenstein in his wild experiments and other things.

An amalgamation of Universal's earliest and best ‘Frankenstein' movies ("Frankenstein," "Bride of Frankenstein" and "Son of Frankenstein," this spoof relies on close imitation and Brooks took painstaking methods to recreate the look and feel of James Whale's original sets, black-and-white photography and musical score. It pays off in spades.

Nearly 30 years later, this movie still leaves me in stitches. Wilder and Garr's revolving secret door bit is still priceless, as is Cloris Leachman's ‘ovaltine' routine and the Wilder/Boyle "Puttin' On the Ritz" tie-and-tail duet. Boyle and the unbilled Gene Hackman in the "Blind Hermit" scene ripped off from "Bride of Frankenstein" are uproarious, easily winning the award for sustained hilarity in a single sketch. Add Feldman's hump and Mars' troublesome mechanical arm and what you have is rib-tickling entertainment from start to finish. Madeline Kahn's post-coital, cigarette-smoking scene with ‘ol zipperneck' who leaves her in a sexual snit must go down in Hollywood annals as the funniest scene ever caught on camera. Certainly Jeanette MacDonald's puristic rendition of "Ah, Sweet Mystery of Life" will never have quite the same meaning again after you've heard Madeline's spin on it.

"Blazing Saddles" indeed has its insane moments but when it comes to toasting Mel Brooks in the years to come, "Young Frankenstein" should certainly stand front and center when representing this clown prince of comedy.