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2 articles from 2009

22 December 2009 3:27 PM, PST | The Auteurs | See recent The Auteurs news »

"The Museum of Modern Art's retrospective of the French screenwriter, director, and actor Jacques Tati (born Jacques Tatischeff, 1907–1982) features newly struck, gloriously restored 35mm prints of his six feature films," brags the Museum, and well they should: "Monsieur Hulot's Holiday, Playtime, Mon Oncle, his long-dreamed-of colorized version of Jour de fête, the revelatory Traffic, and the little-seen Parade - along with three short sketch films." The series runs through January 2 and Jordan Hruska (T Magazine) notes that, architecturally, "MoMA is a perfect venue" for it, while Nicolas Rapold (Voice) notes that it follows "the huge Cinémathèque Française exhibition" and: "Besides a 1936 René Clément short with gangly Tati as a farm boy recruited for sparring (sports-based routines were initially his specialty), MoMA also shows the delightful Cours du soir (1966), shot during Playtime downtime, in which Tati presides at a night school for pratfalls and mime. It's quite an education, but then, »

4 December 2009 4:05 PM, PST | The Guardian - Film News | See recent The Guardian - Film News news »

Jacques Tati was a master of burlesque. Emilie Bickerton on a French revolutionary

If you told Jacques Tati that his flight was delayed, he'd say terrific – and settle down to watch what he considered "the best movie of the year": people passing by. Observation gave the director all the material he needed for the four films he made over three decades. Tati liked to call himself "the Don Quixote of cinema", which captures his combination of idealism, imagination and generosity. Monsieur Hulot, his charming, self-effacing but out-of-synch comic creation, is the character with whom he is most often, and fondly, associated. But Tati's work cannot be reduced to the man with the too-short trousers. His films – from the early burlesque of Jour de fête in 1949 to the highly stylised modernism of Play Time in 1967 – might not have an intellectual message, but they are delightful witnesses to the second half »

2 articles from 2009