Jacques Tati (writer)
18 December 1974 (France) more
Two children go behind the scenes of a small circus. | add synopsis
Uneven final film from Jacques Tati alternates from good to deadly dull. While it contains some great bits, this is probably for Tati complete-ists only more (6 total)
| Jacques Tati | ... | Circus performer | |
| Karl Kossmayer | ... | Circus Performer | |
| Pierre Bramma | ... | Circus performer (as Bramma) | |
| Michèle Brabo | (as Michele Brabo) | ||
| Pia Colombo | ... | Circus performer | |
| Johnny Lonn | ... | Circus performer | |
| Bertilo | ... | Circus performer | |
| Jan Swahn | ... | Circus performer | |
| Bertil Berglund | ... | Circus performer | |
| Moniqa Sunnerberg | ... | Circus performer (as Monioa Sunnerberg) | |
| rest of cast listed alphabetically: | |||
| Norman and Ladd Hall | ... | Circus performers | |
| Janne 'Loffe' Carlsson | ... | Drummer (uncredited) | |
| Dominique Lavanant | ... | (uncredited) | |
| Michael Mansson | ... | Flamenco Dancer (uncredited) | |
| Jan Nygren | ... | Circus manager (voice) (uncredited) | |
| Janne Schaffer | ... | Guitar player (uncredited) | |
Directed by | |||
| Jacques Tati | |||
Writing credits(in alphabetical order) | ||
| Jacques Tati | writer | |
Produced by | |||
| Karl Haskel | .... | executive producer | |
| Michel Chauvin | .... | associate producer (uncredited) | |
Original Music by | |||
| Charles Dumont | |||
Cinematography by | |||
| Jean Badal | (director of photography) | ||
| Gunnar Fischer | (director of photography) | ||
Film Editing by | |||
| Aline Asséo | (as Aline Asseo) | ||
| Per Carleson | |||
| Siv Lundgren | |||
| Jonny Mair | |||
| Sophie Tatischeff | |||
Production Design by | |||
| Ulla Malmer-Lagerkvist | |||
Art Direction by | |||
| François Bronett | |||
Costume Design by | |||
| Mona Theresia Forsén | (as Mona Forsén) | ||
| Inger Pehrsson | |||
Production Management | |||
| Tomas Dyfverman | .... | unit manager | |
| Hans Eriksson | .... | unit manager | |
Second Unit Director or Assistant Director | |||
| Marie-France Siegler | .... | assistant director | |
Art Department | |||
| Rolf Larsson | .... | property master | |
Sound Department | |||
| Jean Nény | .... | sound mixer (as Jean Neny) | |
| Alain Curvelier | .... | sound (uncredited) | |
| Ed Pelster | .... | sound (uncredited) | |
Camera and Electrical Department | |||
| Jens Fischer | .... | camera operator | |
| Bengt Nordwall | .... | camera operator | |
Editorial Department | |||
| Claude Plouganou | .... | synchronization | |
Music Department | |||
| Janne 'Loffe' Carlsson | .... | composer: song "Tax Free" (as Jan Carlsson) | |
| Armand Migiani | .... | music arranger | |
Other crew | |||
| Christina Lundberg | .... | production secretary | |
| Yvonne Peyrad | .... | production secretary | |
| Elisabeth Wennberg | .... | production secretary | |
Brazil:84 min | Finland:89 min (1983) (24 fps)
1.33 : 1 more
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Those looking for the sustained genius of Jacques Tati need to look else where. This is a wildly uneven filmed record of a circus performance. Tati acts as master of ceremonies and performs some of his music hall routines, while other circus people do their things. We also watch as "off stage", but plainly in view, the performers get ready for their routines and prepare props and paintings. Its an uneven mix that swings from very clever (hockey team with string quartet or the magic tricks) to dull (some of Tati's bits and say the polka band). Its best to have the remote ready.
As I said at the start, those looking for the magic of the earlier Tati films are bound to be disappointed. That said there are some moments that are pure Tati such as some of the shots showing the audience filing in and being an audience, no one would dare show people being people other than Tati. There are some wonderful throw aways, the motorcycle helmets, the people trying to get into the right "studio" that play like deleted scenes from Playtime or M. Hulot's Holiday. They are small seconds long bits but they make wading through the dull spots worth it.
Probably the weakest of all the films Tati made, its still worth a look for those who need to get a fix of Jacques Tati. I'd recommend renting it rather than buying it simply because its probably not going to be something you'll watch again, or repeatedly.