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House of Whipcord (1974)
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Overview
User Rating:
Release Date:
March 1975 (USA) moreTagline:
Many young girls have entered these gates--none have yet come out! morePlot:
An old man that lives in an old house conducts a correctional institute for girls. But he does not realize... more | add synopsisUser Comments:
Sadistic, dankly effective Brit chiller moreCast
(Cast overview, first billed only)| Barbara Markham | ... | Mrs. Wakehurst | |
| Patrick Barr | ... | Justice Bailey | |
| Ray Brooks | ... | Tony | |
| Ann Michelle | ... | Julia | |
| Sheila Keith | ... | Walker | |
| Dorothy Gordon | ... | Bates | |
| Robert Tayman | ... | Mark E. Desade | |
| Ivor Salter | ... | Jack | |
| Karan David | ... | Karen | |
| Celia Quicke | ... | Denise | |
| Ron Smerczak | ... | Ted | |
| Tony Sympson | ... | Henry | |
| Judy Robinson | ... | Claire | |
| Jane Hayward | ... | Estelle | |
| Celia Imrie | ... | Barbara |
Additional Details
Parents Guide:
Add content advisory for parentsRuntime:
USA:102 minCountry:
UKLanguage:
EnglishColour:
Colour (Eastmancolor)Aspect Ratio:
1.33 : 1 moreSound Mix:
MonoCertification:
Australia:R | Norway:18 (video premiere) | USA:R | UK:X (original rating) | UK:18 (video rating) | Norway:(Banned) (1977-2003) (cinema release)Fun Stuff
Trivia:
Peggy Cummins auditioned for the role of Mrs. Wakehurst, but didn't get the role because Pete Walker thought she looked too attractive and hence was wrong for the part. moreFAQ
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One of Britsploitation master Pete Walker's most infamous films, House of Whipcord is a highly disturbing project that may be too unpleasant for casual viewers to enjoy. The plot finds enigmatic writer Mark E. Desade (Robert Tayman) taking a beautiful, slightly dim French model in funky platform shoes (Penny Irving) home to meet Mum. She discovers too late that Mum is the deranged, moralistic Mrs. Wakehurst (Barbara Markham), and that the family mansion is really an unauthorized private prison for girls that Mum considers wicked sluts. What follows isn't as explicit as you might expect, but the proceedings are so horrifyingly cruel and oppressively bleak that it's often hard to watch.
The acting is top-notch all around, especially Sheila Keith as a whip-wielding barbarian guard. Pete Walker slowly wrings every bit of clammy tension out of the unsavory story. For instance, despite an attractive cast, interesting fashions, and potentially gorgeous locales, everything is presented in a damp grayish tone that makes you want to put on a sweater. He keeps things very unpredictable; when you least expect it, you're hit by an oh-my-God twist that leaves the situation even more hopeless. The pace is slow, there's some unobtrusively clever editing to be found, and the color looks appropriately filthy. This babes-behind-bars horror amalgam really is powerful, but don't make Anne-Marie's mistake: Know where you're heading before you set out.