Keep track of everything you watch; tell your friends.
If your account is linked with Facebook and you have turned on sharing, this will show up in your activity feed. If not, you can turn on sharing
here
.
As corruption grows in 1950s LA, three policemen - the straight-laced, the brutal, and the sleazy - investigate a series of murders with their own brand of justice.
A Russian teenager living in London who dies during childbirth leaves clues to a midwife in her journal that could tie her child to a rape involving a violent Russian mob family.
A law firm brings in its "fixer" to remedy the situation after a lawyer has a breakdown while representing a chemical company that he knows is guilty in a multi-billion dollar class action suit.
Director:
Tony Gilroy
Stars:
George Clooney,
Tilda Swinton,
Tom Wilkinson
Two Boston area detectives investigate a little girl's kidnapping, which ultimately turns into a crisis both professionally and personally. Based on the Dennis Lehane novel.
JJ 'Jake' Gittes is a private detective who seems to specialize in matrimonial cases. He is hired by Evelyn Mulwray when she suspects her husband Hollis, builder of the city's water supply system, of having an affair. Gittes does what he does best and photographs him with a young girl but in the ensuing scandal, it seems he was hired by an impersonator and not the real Mrs. Mulwray. When Mr. Mulwray is found dead, Jake is plunged into a complex web of deceit involving murder, incest and municipal corruption all related to the city's water supply. Written by
garykmcd
The original script was over 180 pages. See more »
Goofs
When Jake first goes to Mr. Mulwray's office and lets himself in to search it (at 20 minutes), he looks through the desk's drawers. Upon opening the third drawer (the drawer before the empty one), a magnifying glass is visible (as is the red toiletries box he will remove). The camera cuts to his face, and when it returns to the drawer, the magnifying glass is suddenly covered by a booklet reading "Alexandria- Los Angeles". It was not there originally, but after appearing, it remains until the drawer is closed. See more »
Quotes
[first lines]
Jake Gittes:
All right, Curly. Enough's enough. You can't eat the Venetian blinds. I just had them installed on Wednesday.
See more »
If it wasn't for the fact that most of the cast would have been too young or not born yet, this movie could have been made in the 1930's or 1940's. It reminds one of the film noirs that Hollywood used to make during that time period. It is a superb example of film making, certainly among the 20 best movies I have ever seen.
Jack Nicholson is private detective Jake Gitties, who can be as hard-boiled as Humphrey Bogart's Phil Marlowe. But Gitties is different: He is intelligent, dresses well and has associates whom work with him. Gitties is hired by Evelyn Mulwray (Faye Dunaway) to investigate into an extra-martial affair she believes her husband is having. However, the investigation leads into bigger things involving the water supply of Los Angeles, which is in the middle of a drought. A series of double-crosses, murders and plot twists all lead into a climatic showdown in Chinatown which has a surprising conclusion.
If the saying `They don't make them like they used to' was ever more true, it was with this movie. Sex is only suggested between the Nicholson and Dunaway characters, yet it is convincing enough. And although Faye Dunaway is a beautiful woman, we never see frontal nudity of her (Directors today would do just the opposite). Some of the plot twists also would not be possibly made today, especially the ending (Which, if you haven't seen the movie, I cannot reveal).
Nicholson is a tour de force in his role as Gitties, but the rest of the supporting cast (Including John Huston as Mulwray's deceptive father) is equally superb. As to how Nicholson could loose the Best Actor Oscar to Art Carney in Harry and Toto is beyond me. Faye Dunaway was also nominated for Best Actress, only to loose to Ellen Burstyn for Alice Doesn't Live Here Anymore. Fortunately, Nicholson and Duanway have both won Oscars since. In addition, the film itself received nominations for Best Picture and Best Director for Roman Polanski (Who has a cameo in the movie as the knife-welding thug who cuts Nicholson's nose), but those Oscars would be lost to The Godfather, Part II. The only Oscar won was for Robert Towne's screenplay, which is today considered the model for film writing. After watching the movie, one will know why. From the stellar performances to the sharp direction to the superb screenplay, this is a cinema treasure.
65 of 88 people found this review helpful.
Was this review helpful to you?
If it wasn't for the fact that most of the cast would have been too young or not born yet, this movie could have been made in the 1930's or 1940's. It reminds one of the film noirs that Hollywood used to make during that time period. It is a superb example of film making, certainly among the 20 best movies I have ever seen.
Jack Nicholson is private detective Jake Gitties, who can be as hard-boiled as Humphrey Bogart's Phil Marlowe. But Gitties is different: He is intelligent, dresses well and has associates whom work with him. Gitties is hired by Evelyn Mulwray (Faye Dunaway) to investigate into an extra-martial affair she believes her husband is having. However, the investigation leads into bigger things involving the water supply of Los Angeles, which is in the middle of a drought. A series of double-crosses, murders and plot twists all lead into a climatic showdown in Chinatown which has a surprising conclusion.
If the saying `They don't make them like they used to' was ever more true, it was with this movie. Sex is only suggested between the Nicholson and Dunaway characters, yet it is convincing enough. And although Faye Dunaway is a beautiful woman, we never see frontal nudity of her (Directors today would do just the opposite). Some of the plot twists also would not be possibly made today, especially the ending (Which, if you haven't seen the movie, I cannot reveal).
Nicholson is a tour de force in his role as Gitties, but the rest of the supporting cast (Including John Huston as Mulwray's deceptive father) is equally superb. As to how Nicholson could loose the Best Actor Oscar to Art Carney in Harry and Toto is beyond me. Faye Dunaway was also nominated for Best Actress, only to loose to Ellen Burstyn for Alice Doesn't Live Here Anymore. Fortunately, Nicholson and Duanway have both won Oscars since. In addition, the film itself received nominations for Best Picture and Best Director for Roman Polanski (Who has a cameo in the movie as the knife-welding thug who cuts Nicholson's nose), but those Oscars would be lost to The Godfather, Part II. The only Oscar won was for Robert Towne's screenplay, which is today considered the model for film writing. After watching the movie, one will know why. From the stellar performances to the sharp direction to the superb screenplay, this is a cinema treasure.