| Photos (see all 5 | slideshow) | Videos |
| Warren Oates | ... | Bennie | |
| Isela Vega | ... | Elita | |
| Robert Webber | ... | Sappensly | |
| Gig Young | ... | Quill | |
| Helmut Dantine | ... | Max | |
| Emilio Fernández | ... | El Jefe (as Emilio Fernandez) | |
| Kris Kristofferson | ... | Biker | |
| Chano Urueta | ... | Manchot, the bartender | |
| Donnie Fritts | ... | John (as Donny Fritts) | |
| Jorge Russek | ... | Cueto | |
| Chalo González | ... | Chalo (as Chalo Gonzalez) | |
| Don Levy | ... | Frank | |
| Enrique Lucero | ... | Esteban | |
| Janine Maldonado | ... | Theresa | |
| Tamara Garina | ... | Grandmother Moreno | |
| Farnesio de Bernal | ... | Bernardo | |
| Ahui Camacho | ... | El Chavito | |
| Monica Miguel | ... | Dolores de Escomiglia | |
| Paco Pharrez | ... | El Carpintero (as Paco Pharres) | |
| Juan Manuel Díaz | ... | Paulo | |
| René Dupeyrón | ... | Angel (as Rene Dupeyron) | |
| Yolanda Ponce | ... | Yolo | |
| Juan Jose Palacios | ... | Juan | |
| Manolo | ... | Tourist Guide | |
| Nery Ruiz | ... | Maria (as Neri Ruiz) | |
| Roberto Dumont | ... | Chavo | |
| rest of cast listed alphabetically: | |||
| Richard Bright | ... | Bar Patron (uncredited) | |
| Conrad Hool | ... | El Jefe's guard (uncredited) | |
| Whitey Hughes | ... | Bar Patron (uncredited) | |
| Sharon Peckinpah | ... | Nun (uncredited) | |
| Garner Simmons | ... | Hacienda Guard (uncredited) | |
Directed by | |||
| Sam Peckinpah | |||
Writing credits | ||
| Frank Kowalski | (story) and | |
| Sam Peckinpah | (story) | |
| Sam Peckinpah | (screenplay) and | |
| Gordon T. Dawson | (screenplay) (as Gordon Dawson) | |
Produced by | |||
| Martin Baum | .... | producer | |
| Helmut Dantine | .... | executive producer | |
| Gordon T. Dawson | .... | associate producer (as Gordon Dawson) | |
Original Music by | |||
| Jerry Fielding | |||
Cinematography by | |||
| Álex Phillips Jr. | |||
Film Editing by | |||
| Dennis Dolan | (as Dennis E. Dolan) | ||
| Sergio Ortega | |||
| Robbe Roberts | |||
Casting by | |||
| Claudia Becker | |||
Art Direction by | |||
| Agustín Ituarte | |||
Makeup Department | |||
| Rosa Guerrero | .... | makeup artist | |
Production Management | |||
| William Davidson | .... | executive production manager (as William C. Davidson) | |
| Carlos Terron Garcia | .... | unit production manager | |
Second Unit Director or Assistant Director | |||
| William Davidson | .... | first assistant director (as William C. Davidson) | |
| Jesús Marín | .... | assistant director (as Jesus Marin) | |
Art Department | |||
| Enrique Estévez | .... | set dresser (as Enrique Estevez) | |
| Alf Pegley | .... | property master | |
Sound Department | |||
| Michael Colgan | .... | sound editor (as Mike Colgan) | |
| Harry W. Tetrick | .... | sound re-recording mixer | |
| Manuel Topete | .... | sound mixer | |
Special Effects by | |||
| Raul Falomir | .... | special effects | |
| Federico Farfán | .... | special effects (as Federico Farfan) | |
| León Ortega | .... | special effects (as Leon Ortega) | |
Stunts | |||
| Gary Combs | .... | stunt coordinator | |
| Duffy Hambleton | .... | stunt coordinator (as Duffy Hambledon) | |
| Whitey Hughes | .... | stunt coordinator | |
Costume and Wardrobe Department | |||
| Adolfo Ramírez | .... | wardrobe | |
Editorial Department | |||
| Garth Craven | .... | supervising editor | |
Music Department | |||
| Daniel Allan Carlin | .... | music editor (as Dan Carlin) | |
| Dan Carlin Sr. | .... | music editor (as Dan Carlin) | |
| Arturo Castro | .... | mexican music coordinator | |
| Greig McRitchie | .... | orchestrator (as Greg McRitchie) | |
| Lennie Niehaus | .... | orchestrator (as Leonard Niehaus) | |
Other crew | |||
| Katherine Haber | .... | production assistant: director | |
| Sharon Peckinpah | .... | dialogue director | |
| Jim Preminger | .... | production assistant | |
| Trudy von Trotha | .... | script supervisor | |
| Yannoulla Wakefield | .... | production coordinator | |
| Dan York | .... | production assistant | |
| 'Chema' Hernandez | .... | head wrangler: Mexico (uncredited) | |
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El Jefe is outraged to find that his daughter has fallen pregnant to a man who has upped and gone, after learning the identity of the rascal (Alfredo Garcia), he offers one million dollars to anyone who can bring him the head of the Lothario running man. On the trail are hit men Quill & Sappensly, Bennie & his prostitute girlfriend Elita, and some other Mexican bandit types, all of them are on a collision course that will bring far more than they all bargained for.
This was the one film where director Sam Peckinpah felt he had the most control, the one where we apparently get his own cut and not some chopped up piece of work from interfering executives, and viewing it now some 34 years after its release, it stands up well as a testament to the work of a great director. On the surface it looks trashy, we have homosexual hit men, grave robbing, potential rape, murders abound, prostitution, lower than the low characters, in short the film is awash with Peckinpah traits. Yet it would be a disservice to even think this film isn't rich in thematic texture, for the journey that Bennie, our main protagonist takes is one of meaning, he is a loser, but we find him on this quest to find not only fortune, but respect and love. It's a bloody trail for sure, but it has much depth and no little Peckinpah humour to push the film to it's bloody yet triumphant finale. Warren Oates is rewarded by Peckinpah for years of stirling work for him by getting the lead role of Bennie, and he grasps it with both hands to turn in a wonderful performance that splits sadness and vibrancy with deft of ease.
Bring Me The Head Of Alfredo Garcia has a harsh quality about it, be it the violence, or be it the sadness of the characters, but what isn't in doubt to me is that it's harshness is cloaked in Peckinpah splendour, 9/10.