The Offence (1972)

Director:

Sidney Lumet

Writers:

John Hopkins (play)
John Hopkins (screenplay)

Release Date:

11 May 1973 (USA)

Genre:

Crime | Thriller | Drama

Tagline:

After 20 years what Detective-Sergeant Johnson has seen and done is destroying him.

Plot:

A burned-out British police detective finally snaps while interrogating a suspected child molester.

Plot Keywords:

Child Molester | Deep Focus | Fight The System | Rage | Police Inspector

Awards:

Nominated for BAFTA Film Award.

Cast

Sean Connery	...	Detective Sergeant Johnson
Trevor Howard	...	Lieutenant Cartwright, Detective Superintendant
Vivien Merchant	...	Maureen Johnson
Ian Bannen	...	Kenneth Baxter
Peter Bowles	...	Detective Inspector Cameron
Derek Newark	...	Frank Jessard
Ronald Radd	...	Lawson
John Hallam	...	Panton
Richard Moore	...	Garrett
Anthony Sagar	...	Hill
Maxine Gordon	...	Janie Edmonds, the Raped Girl
Hilda Fenemore	...	Woman on Common
Rhoda Lewis	...	Woman at School
Cynthia Lund	...	Child at School
Howard Goorney	...	Lambert

Also Known As:

Something Like the Truth

Runtime:

112 min

Country:

USA | UK

Language:

English

Colour:

Colour

Sound Mix:

Mono

Certification:

UK:15 (DVD rating) | UK:X (original rating) | France:U | UK:18 (video rating) | Finland:K-16 (uncut) (1989) | Finland:K-16 (cut) (1973) | Iceland:16 | Australia:M | Norway:18 (1973) | Sweden:15 | USA:R | West Germany:16

Filming Locations:

Arncliffe, Wildridings, Bracknell, Berkshire, England, UK

Company:

Tantallon

Trivia:

The movie took just one month to film, at a low cost of $1 million. Despite this and excellent notices, it failed to make any profit for nine years, and went unreleased in several countries including the major market of France.

Movie Connections:

Featured in Inside 'Diamonds Are Forever' (2000) (V)

A great film.

The writer of this moving and disturbing film, John Hopkins, once said that to understand the nature of human evil one must first look inwards at oneself. Therein lie the answers. With 'The Offence', Hopkins took this philosophy to the limit and created a stunning portrayal of latent evil emerging from the wrecked personality of a good man.

Sean Connery's plays a cop who has seen too much of the dark side of human nature. The relentlessly brutal horrors of his job have eroded his human decency to the point where his own perverse subconscious urges are lured to the surface. Connery's failure to articulate his own tortured feelings leads to frustration and hostility as he becomes alienated him from his wife and colleagues. To his horror he realises that the only person who truly understands his pain is a suspected child molester (played with slippery relish by the late great Ian Bannen). Eventually, Connery's growing emotional dependency on Bannen leads to violent catharsis and death.

Sidney Lumet has never quite made a film like this before or since. Although he is on familiar ground - cops under intolerable pressure - the dream-like cinematic textures achieved here are reminiscent (though not imitative) of Welles and Tarkovsky.

The film is an acting tour de force: Connery and Bannen give the performances of their lives. Vivien Merchant and Trevor Howard are also compelling in vital supporting roles. Harrison Birtwhistle's sophisticated musical score supports the characters and scenes perfectly.

'The Offence' is one of the few films which accurately captures the bleak, estranged architecture of the many English New Towns that sprang up in the 50's and 60's. Lumet's eye for these soul-sucking landscapes is brilliant - better than that of most English directors. Originally conceived as 'workers paradises' by over zealous town-planners, these would-be concrete utopias rapidly became focal points of social malaise. It is fitting that Connery's troubled character should live and work in such desolation.

The story is not only emotionally complex but has an ambitious, multi-layered, time-shifted narrative structure that echoes the fractured memory of Connery's character. Lumet takes all these elements and shapes them into an unforgettable portrait of human frailty.