Television director in the glory days of the BBC, who went on to make feature films
Alan Bridges, who has died aged 86, was a leading director during the glory days of the BBC, from the mid-60s to the early 70s. Today, whenever media pundits analyse the history of television drama, they wax lyrical about The Wednesday Play and its successor Play for Today, bemoaning the virtual disappearance of the single play.
By the time Bridges started working in the Wednesday Play slot, he was already one of the BBC's most experienced TV directors – he had directed excellent 10-part adaptations of two 19th-century classics, Great Expectations and Les Misérables (both in 1967) – but he relished the "right to fail" ethos at the BBC, enjoying working with exciting contemporary writers.
While continuing to have a distinguished television career into the 80s, adeptly moving from the popular to the experimental, from the modern to the classical,...
Alan Bridges, who has died aged 86, was a leading director during the glory days of the BBC, from the mid-60s to the early 70s. Today, whenever media pundits analyse the history of television drama, they wax lyrical about The Wednesday Play and its successor Play for Today, bemoaning the virtual disappearance of the single play.
By the time Bridges started working in the Wednesday Play slot, he was already one of the BBC's most experienced TV directors – he had directed excellent 10-part adaptations of two 19th-century classics, Great Expectations and Les Misérables (both in 1967) – but he relished the "right to fail" ethos at the BBC, enjoying working with exciting contemporary writers.
While continuing to have a distinguished television career into the 80s, adeptly moving from the popular to the experimental, from the modern to the classical,...
- 1/29/2014
- by Ronald Bergan
- The Guardian - Film News
The gifted film-maker, winner of the top prize at Cannes in 1973, did not always get the acclaim he deserved in his native Britain
The death of the British director Alan Bridges at the age of 86 is a great sadness. Bridges was a brilliant poet and cinematic satirist – in tones both mordant and melancholy – of the English class system of the early 20th century, and a director with a flair for psychology and interior crisis, as evidenced by movies like The Return of the Soldier (1982) and The Shooting Party (1985).
A film-maker to bear comparison with Joseph Losey and John Schlesinger, he was one of the few British directors to win the top prize at the Cannes film festival. Bridges earned that accolade with his wonderful 1973 movie The Hireling, when the award was called the Grand Prix – jointly, in fact, with Jerry Schatzberg's marvellous Scarecrow, another film only recently being rediscovered.
The death of the British director Alan Bridges at the age of 86 is a great sadness. Bridges was a brilliant poet and cinematic satirist – in tones both mordant and melancholy – of the English class system of the early 20th century, and a director with a flair for psychology and interior crisis, as evidenced by movies like The Return of the Soldier (1982) and The Shooting Party (1985).
A film-maker to bear comparison with Joseph Losey and John Schlesinger, he was one of the few British directors to win the top prize at the Cannes film festival. Bridges earned that accolade with his wonderful 1973 movie The Hireling, when the award was called the Grand Prix – jointly, in fact, with Jerry Schatzberg's marvellous Scarecrow, another film only recently being rediscovered.
- 1/24/2014
- by Peter Bradshaw
- The Guardian - Film News
Gene Hackman and Al Pacino are a winning combination in Jerry Schatzberg's blue-collar road movie from 1973
The 1973 Palme d'Or at Cannes was shared by two disparate, odd-couple road movies: Alan Bridges's The Hireling, in which chauffeur Robert Shaw drives rich widow Sarah Miles on visits to English cathedrals, and Jerry Schatzberg's Scarecrow, starring Gene Hackman (recently released violent convict) and Al Pacino (recently signed-off gentle merchant seaman) who meet in California and set out to hitchhike to Pittsburgh where they intend to open a car wash. Both films are largely forgotten now, but neither is without merit.
Scarecrow, an elliptical mixture of the tough (Pacino is raped on a prison farm) and the whimsical (the title tells us that scarecrows are successful because crows find them funny), is the best film in Schatzberg's small but interesting oeuvre. The magnificent cinematography by Vilmos Zsigmond has dusty images of...
The 1973 Palme d'Or at Cannes was shared by two disparate, odd-couple road movies: Alan Bridges's The Hireling, in which chauffeur Robert Shaw drives rich widow Sarah Miles on visits to English cathedrals, and Jerry Schatzberg's Scarecrow, starring Gene Hackman (recently released violent convict) and Al Pacino (recently signed-off gentle merchant seaman) who meet in California and set out to hitchhike to Pittsburgh where they intend to open a car wash. Both films are largely forgotten now, but neither is without merit.
Scarecrow, an elliptical mixture of the tough (Pacino is raped on a prison farm) and the whimsical (the title tells us that scarecrows are successful because crows find them funny), is the best film in Schatzberg's small but interesting oeuvre. The magnificent cinematography by Vilmos Zsigmond has dusty images of...
- 4/27/2013
- by Philip French
- The Guardian - Film News
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