The Rats Are Coming! The Werewolves Are Here! (1972) User Reviews

I can see how this one slipped into the public domain!

[planktonrules · 2/10 · 6 March 2014]

The crazy title of this film would seem to indicate that it's a bad movie, but that doesn't even come close to describing this film and just how bad it is. The film reaches levels of amateurism that are hard to believe and you just have to see it to believe it. I'll try to describe its wretchedness as best I can. The acting appears about the same quality as local community theater. Not a big community and not a good theater mind you. The actors(?) over-emote wildly but that is not the big problem. The big problem is that they deliver their lines so rapidly that it makes your head spin and the director (Andy Milligan) SHOULD have told them all to slow down. The costumes and sets are just odd. But the oddest thing is the strange and disjoint plot. At times, it is enjoyable as a guilty pleasure (much like "Spider Baby") but much of the time it just seems like everyone is winging it!

The film begins with some nonsense involving some maniac lighting someone on fire. Exactly what's going on is vague and you hear from the demented family that the youngest son has once again run amok. Soon the youngest daughter who has been away at college arrives home with a new husband. Her father is not happy—apparently there are weird genetics abounding in the family and her duty is to work on some formula to correct it. At this point, it is obvious the youngest son is some sort of primordial weirdo—not really a werewolf. However, you soon see that one of the three sisters is just plain nuts and delights in tormenting and tearing apart animals. This is the part that angered me because they really did torment animals for the picture—and I think the animal that was literally ripped apart on the camera might have been a real animal. Normally I am not a big supporter of PETA, but here they really have reason to be angry! There's also a deformed guy who loves rats and sells them to this crazy sister—but none of it really made sense. It was more like watching a freak show as the actors hammed it up and tried to shock the viewer. The biggest shock for me, however, is that the film just rambled and seemed to have no point or direction. The only reason I am giving this one a 2 and not a 1 is that it did keep my attention—at least for a while. All the nutty antics were mildly interesting. But artistically, this film is just awful and pointless.

If you care (and really, you shouldn't), the nuttiest sister refers to her new pet rats by name—one of which is Ben and the other Willard—and are taken from the movie "Willard".

One of the better Andy Milligan movies I've seen

[capkronos · 4/10 · 12 May 2003]

Most people seem to hate this movie and basically anything associated with director Milligan. It's slow moving, has awful make-up and lighting and a huh (!?) chaotic ending, but some of the performances are actually pretty good, the overkill melodrama is hilarious and it's kind of interesting...for awhile.

In England, poor Gerald (Ian Innes) is in for a treat when he visits the family mansion of his new bride Diana (Jackie Skarvellis). Pa Mortimer (Douglas Phair) is a bedridden grouch, older sister Monica (Hope Stansbury) is a childish psycho, mom Phoebe (Joan Ogden) is a miserable mess and retarded brother Malcolm (Berwick Kaler) is kept chained-up in a secret room. Only the older brother seems normal. Something isn't right, as the son-in-law soon realizes, but his wife won't let him leave. Yes...they all turn out to be werewolves guarding the family secret.

The older insane daughter torments the chained up brother by insulting him and beating him with a belt in some outrageous out-of-place scenes. She also buys a cage full of flesh-eating rats from a grimy vendor and in a shocking, standout scene, nails a REAL rat on a board! The whole rat idea has no relevance to the plot and was added by the director to bulk up the running time and cash in on the success of WILLARD, so that (sort of) explains the title.

Nice title, crap movie.

[The_Void · 2/10 · 2 January 2007]

The thing that attracted me to this movie was, of course, the bizarre and over the top title, but to be honest I wish the movie had been given a more generic name. This is the fourth film I've seen by the talentless Andy Milligan, and it's the third completely awful one. It would seem the director has an obsession with rich families and inheritance, as this is yet another film with a similar theme to Blood Rites and its crappy remake Legacy of Blood. This time, there's a family curse involving werewolves thrown in, but this doesn't make things any more interesting as the terrible acting and production values are still there, and this really is an awfully boring film. The plot pacing is trite throughout, and the film was giving me an itchy fast-forward finger before the final credits finally rolled. The special effects are tacky and ineffective, and there's not a single decent gore scene in the entire movie. Add extremely poor sound into the mix, and you have a film that isn't only boring and similar to other crappy Andy Milligan films, but one that you can't even understand! Overall, I wouldn't be callous enough to recommend this dross to even my worst enemy and you should take that as a reason not to bother seeing it.

Andy's best movie, though admittedly that isn't saying much.

[reptilicus · 29 March 2001]

I first met Andy Milligan in 1985 and told him how much I enjoyed his movies. I remember how he actually blushed when I asked for his autograph. This 1972 movie is his best . . .but I am the first to admit that is small compliment. The Mooney family has no end of problems. Pa Mooney claims to be 199 years old, daughter Monica (Hope Stansbury) is a sadist, son Malcolm is a halfwit and the whole family are werewolves! There is enough plot here for two movies! The eldest daughter in the family (Jackie Skarvellis) returns home from medical school with a new husband, which Pa Mooney heartily disapproves of, but she is the last hope that they can overcome the ancient curse. Will she succeed? Remember, this is an Andy Milligan film we are talking about! Clearly Hope Stansbury is the best actress in the picture. A Milligan perennial, she turns up in several of his pictures. Andy always denied it but I suspect it is he playing Mr. Macawber, the one armed, disfigured shopowner who sells Ms. Stansbury the rats which serve to pad out the picture by 11 minutes (11 l-o-n-g minutes!). Notice during one scene in Mr. Macawber's shop if you look at the background you will see several cardboard boxes labeled "Hires Root Beer". A great movie? No. A fun movie? Yes, definitely. I miss you Andy.

Another Milligan mess.

[BA_Harrison · 1/10 · 17 June 2017]

Andy Milligan's unforgettably titled The Rats Are Coming! The Werewolves Are Here! is listed in my trusty The Official Splatter Movie Guide by John McCarty, although its inclusion puzzles me, for it features next to no gore. What it does have are interminable scenes of terrible dialogue, dreadful acting, poor sound quality and the general level of technical ineptitude that I have come to expect from exploitation legend Milligan.

The godawful story sees a young married couple arrive in England to visit wife Diana's family, the Mooney's, who harbour a dreadful secret: they are all werewolves. Even with the worst of films, I try to find some sort of positive, but this one has me beaten: I can't find anything good to say about it. Not one thing. In fact, so excruciatingly amateurish and incredibly dull is this film that, even if it had buckets of bargain basement blood and guts, I can't see it being much easier to bear.

I rate The Rats Are Coming! The Werewolves Are Here! a pitiful 1/10, although I wish I could give the film 0/10 for including a repulsive scene of unnecessary animal cruelty, the stabbing and nailing of a live mouse.

Thw Milligan Masterpiece

[Tromafreak · 5/10 · 19 January 2009]

That's right, that'll fix everything, just add scenes involving rats, now it's a good movie! Why would someone want to ruin a perfectly good 72 minute British horror movie about werewolf stuff, with 20 minutes dedicated to rats, just so it can be a 92 minute movie about werewolf stuff? OK, fine, there was never anything perfectly good about The Rats Are Coming, The Werewolves are here, we're looking at bad Acting (like it matters) worse lighting, an extremely not well thought out plot, with a poor choice of sub plot thrown in at the last minute. On the other hand, this movie gets pretty interesting, and would be considered underrated by some. Hell, I'll just say it, I dig this movie. Set in 1899, concerning an eccentric British family of bickering werewolf people in their castle. The 180 year old bed-ridden Patriarch, with his immortality experiments and what not, the sadistic middle daughter, Monica, who torments her half werewolf, half retarded brother Malcolm, and a couple older siblings. The bickering werewolf people are soon joined by the estranged, youngest daughter, Diana and her new husband, Gerald. Gerald is warned by the family members, repeatedly to leave, In fact, Monica is so displeased by the new guests, she brings rats into the situation, hence, the ridiculous title. There is a secret in the Mooney household, and as time goes by, it becomes less clear who can be trusted, but, I guess nothing overly special happens, like gore, although, we're treated to a nice little twist, which always counts for something in the horror genre. Ultimately, this isn't near as bad as it seems during the first viewing, could even pass for original, if your standards are low enough. For quality British Horror, check out Vampyres, and Psychomania, and for (slightly) better werewolves, check out Werewolves On Wheels. The Rats Are Coming, The Werewolves are here is reserved Only for those of us who have a thing for rare British Horror, as well as unusual/interesting Z-grade. The moral of the story? Inviting rats into a movie about werewolf stuff will never be a good idea, yet, awkward references to incest will always be hilarious. 7/10

it's a carnival werewolf!!

[trashgang · 3/10 · 11 December 2008]

After watching Bloodthirsty Butchers I was afraid to watch this one, not for the horror but being horrified that it is another turkey. luckely it was better but still worse, the acting is better but still, yes you can guess it. Again there is a lot of talking in this flick and what the hell the rats are doing was not clear until I did my research. The movie was too short and the producer wanted some extra scene's, and that became the rat man with his, euh, rats. Nothing to do with the movie so you know it, the whole movie is a turkey. It's only in the last 10 minutes that the werewolfs arrive. Or is it carnival, man the make up is so stupid.It's all predictable what is going to happen, so no fear at all, no suspense and still Andy Milligan (the director) has his following, and still sells DVD's, this flick is a bit hard to catch and as always not that cheap.

The Rats Are Coming! The Werewolves Are Here! is quite a hoot if you're tolerant enough...

[tavm · 5/10 · 3 July 2018]

In continuing to review werewolf movies in chronological order, I'm now at 1972 and this: a movie written, photographed, directed, and featured in two roles by one Andy Milligan. There are both rats and werewolves, all right, but it's mostly a dysfunctional family drama between siblings and the elderly father in charge of them all. Like I said, Milligan plays two roles: one who sells rats to one sister Monica, and another who sells a gun to other sister Diana. Dialogue is mostly exposition that one wouldn't keep saying in real life and it's constantly said quickly most of the time except for those two scenes involving Milligan. He's not a good director or writer but I'll say this about him-I was never bored, that's for sure! So on that note, give The Rats Are Coming! The Werewolves Are Here! a chance if you're curious enough...

The Rats Are coming! The Filmmaker is trying too hard!

[neeleyfrn-51816 · 1/10 · 13 April 2022]

...and the toilet is overflowing!

Oh! Lord! This film is crap!

There is, however a way to make this film enjoyable: Turn off the sound and read a book,

That bad...

Delightfully bizarre

[goldenarrow-99823 · 5/10 · 29 March 2018]

What a delightfully bizarre film.

When reading the trivia on Amazon Prime attached to this I was amused and delighted to see that the director made his film, then was told it was too short at just 72 minutes. This led to the addition of the rats, adding 20 mins to the running time (and making what was already a strange viewing experience slightly stranger).

I'm not going to list the elements that weren't perfect, because that's not the point of this kind of film, instead I'll stick to what I enjoyed or found amusing:

The sisters Monica & Melanie (or whatever) are both very easy on the eye.

The shop owner who sells the rats, Mr Micawber, is simply brilliant. Like a cross between Igor the hunchback and Edward from The League Of Gentlemen.

I love how the poor unfortunate chained brother, when being taunted by Monica, stops his roaring when older sister intervenes to admonish the cruelty. Then resumes it once she's finished speaking.

Pop is a sly old dog, he soon changes his curmudgeonly manner towards the new husband. Now it suits him.

Atmosphere is here, artistry is coming

[gortry · 7/10 · 27 February 2012]

The tedious condescension of the other reviews notwithstanding, this film passes a number of screen tests that many a more mainstream big budget flick fails: does it have a horror film's one essential, i.e., atmosphere? In spades, although an original score would have helped sustain it better; do the characters dispatch their difficult roles convincingly or do they camp it up in a desire to wink at the audience to let us know that they don't take such an over-the-top scenario seriously? Very convincingly indeed. Mad Monica comes across as especially terrifying, and madness is always one of the hardest personas to bring off. (The actor playing the rather subdued character of Gerald is, perhaps an exception here, but the fault may reside with the part itself, which is the only "normal" voice in the action and suffers from some degree of underwriting.) And finally, the trump question of all dramaturgy: do you find yourself wanting to know how "Rats" ends and what becomes of its characters. Emphatically yes!

A morbidly interesting curio.....

[horrorfilmx · 19 April 2006]

I'm not going to try to pretend that this (or any other Andy Milligan movie I've seen) is actually a good movie, but I can't help feeling there's a good movie buried somewhere in this mess, trying to fight its way out. The dialogue, while soap operatic, is reasonably intelligent, with none of the overt howlers that make (for example) Ed Wood's movies so laughably amusing. Some of the performances are pretty good. The principle locations are quite good. And there are moments of (twisted) imagination. But countering these assets are debits too numerous to mention. The technical standards are pathetic. Even granting that is was shot in 16mm reversal nearly forty years ago the picture is grungy and badly lit. The sound is so bad that you frequently can't understand what the characters are saying. The costumes were apparently whatever Milligan could get his hands on. The editing is poor, the make-up is poor, and (perhaps most unforgivable of all) for a horror movie the shock scenes are very badly handled. I'm glad I satisfied my curiosity by checking this movie out, but I don't think I could sit through it again.

And if that really was a live rat being nailed to a board, then that's the part that's TRULY unforgivable.

THE RATS ARE COMING

[BandSAboutMovies · 6/10 · 20 April 2023]

Andy Milligan was a maniac who made movies filled with maniacs. By all reports, he was in the same constant bad mood as nearly every one of his characters, just as willing as them to start screaming no matter what, no matter when. This may have been because he inherited the same bipolar disorder or schizophrenia that his mother had. Forget the words of Stephen King, who said that Andy's films were made by "morons with movie cameras" and instead, just imagine the chaos of each film's shoestring budget set with a fastidious Andy melting down and then savor the results.

The other thing about the Milligan Cinematic Universe is that often there will be supernatural beings. The Mooneys in this movie are all werewolves who transform once a month on the night of the full moon. Pa (Douglas Phair) has spent nearly all of his near-two hundred years of life trying to cure his family, which includes his caretaker Phoebe (Joan Ogden), the sadistic Monica (Hope Stansbury) who mutilates vermin and Malcolm (Berwick Kaler), who is so far gone that he's kept locked up.

There's also Diana (Jackie Skarvellis), who has come back home from medical school along with a new husband named Gerald (Ian Innes). She's the last hope for the Mooneys, as she is the only one who doesn't gain fur once a month.

Shot in London - along with The Body Beneath, Bloodthirsty Butchers and The Man with Two Heads - new scenes were added when producer William Mishkin wanted to cash in on the success of Willard. Those scenes - one has Andy in it - were shot in his Staten Island home. Milligan had a hard time getting rid of the rats, even when he tried to give them away to the audience that would come to see this film. He also plays the gunsmith who creates silver bullets and Mr. Micawber, a man who sells flesh-eating rats that have already bitten off one of his arms and a lot of his face.

Despite being set a century before, we can see and hear cars, as well as see electrical outlets, but man, Andy made all the costumes himself by hand and I can just imagine him getting out the patterns and swearing the whole time, shouting about thimbles.

The greatest thing about this movie is the title, which had to lure people in because it's so good and then people would be confronted by a toxic family just shouting and snipping and screaming and that's the real movie, not the furry masks or flesh-consuming vermin. That's what I'm here for.

Here's a drink recipe to get you through the film.

Red Eyed Black Rat

1/3 cup orange juice 3 oz. Dark rum 2 oz. Cola 2 maraschino cherries

This one is pretty simple. Pour the juice, rum, then cola over ice and enjoy. For extra fun, drop in the cherries and pretend they're rat eyes staring at you in the dark of the wasteland.

Awful, Horrible, Brutal...Just Your Typical Milligan

[Michael_Elliott · 17 October 2009]

Rats Are Coming! The Werewolves Are Here!, The (1972)

BOMB (out of 4)

Legend has it that Milligan turned in a 72-minute werewolf movie but the producer wanted a longer running time. WILLARD was making big bucks at the box office so twenty-minutes worth of rat footage was thrown in. The end result is one of the greatest titles in the history of cinema but that doesn't save you from the torture of sitting through the actual film. A wacky bride takes her new husband home to meet her even nuttier relatives and he soon discovers that they're all crazy and hiding a big secret (they're werewolves). This was my fourth Milligan movies and I'm a firm believer that those on Death Row should be forced to watch his movies for the rest of their lives because it's a punishment far worse than death or torture. In fact, while watching this movie there were several times where I started to fantasize about being put to death in the electric chair because it would have gotten me out of my misery a lot quicker than sitting through this mess of a picture. This is basically an incredibly bad, long winded and painful melodrama about family "struggles" with only the briefest of hints in regards to what the title offers. I was well aware of this going into the film but it didn't help matters because the dialogue, for the most part, is poorly written and there's not an ounce of energy to be found anywhere. The performances aren't as bad as you'd think but that really doesn't improve the film any. At least bad acting would have given us something to laugh at. People like Wood and Adamson are often attacked for being bad directors but at least they give the viewer something fun. That can't be said for Milligan whose ability to keep finding producers really makes me scratch my head. This is an incredibly horrid movie from start to finish and we also get several scenes were real animals are harmed so certain viewers might want to stay away if the horrid film itself wasn't enough to keep you away. Just wait to you see the rat attacks and the insane ending.

Sick Garbage, and Poorly Made.

[trishjayp · 19 August 2004]

***POSSIBLE SPOILERS***

This "film" was probably the worst piece of garbage I ever wasted video rental money on. I saw it many years ago, and it still leaves a foul taste whenever I think about it. I could barely get through this swill. Someone else referred to this as "cinematic feces" and I agree wholeheartedly. The close-up sequence involving the mouse clinched it for me that Milligan was one sick b*****d who should have been arrested for animal cruelty.

There is nothing whatsoever worthwhile or redeeming about this pile of junk. What a waste of film stock. I couldn't believe there could actually be something worse than BEAST OF YUCCA FLATS, but here it is, folks. When I want a film that's "so bad it's good", I'll haul out something by Ed Wood or Larry Buchanan.

"There's Something Wrong Here! I Don't Like It!"...

[azathothpwiggins · 5 July 2021]

The utterly insane Mooney family has many problems, the least of which is lycanthropy. Their biggest deficit stems from just how bloody annoying they all are!

When daughter, Diana (Jackie Skarvellis) brings her new husband, Gerald home for a visit, the family really turns out! Sister, Monica shows her true eeevil. Feral brother, Malcolm lives in his chicken-filled room, raving like a rabid squirrel, even when he's not being set on fire. Pa Mooney grumbles in his pompous way, in between neck injections.

Luckily, Gerald is accustomed to horrible families, having come from one of his own.

Soon enough, everyone is yelling at each other in histrionic hysteria. Monica beats Malcolm, who caterwauls like a wounded hyena. Chickens are mercilessly murdered in the family dungeon. A mouse is stabbed with a butcher knife, then nailed to a table (yes, the graphic animal torture is all too real! If you are disturbed by such sadistic, idiot behavior, then, by all means, avoid this travesty!).

THE RATS ARE COMING! THE WEREWOLVES ARE HERE! Is a rugged test of endurance, recommended for only the stoutest of hyper-schlock, sludge, and sub-sludge enthusiasts! Even they will require protective eyewear! Normal viewers may feel their souls separate from their bodies, experiencing what the scholars refer to as "sweet oblivion"! Indeed, this "film" may cause living death!

What establishes this Andy Milligan anti-opus far below other, lesser cesspool-filler, is its extreme, brain-liquifying aura of stupefaction. The delirious "dialogue" unites with the mannequin-like "acting", pounding away at the mind like a slaughterhouse bolt gun! Add in the trance-inducing tedium, and you'll feel mummified!

Anyone making it to the impossibly inept, shape-shifting non-finale can be thankful, yet wonder why they bothered.

God help us all...