Tisa Farrow, an actor and sister of Mia Farrow, died in her sleep on Jan. 10 in Rutland, Vermont. She was 72.
Her sister Mia shared the news in a post on Instagram, writing: “If there is a Heaven, undoubtedly my beautiful sister Tisa is being welcomed there. She was the best of us – I have never met a more generous and loving person. She loved life and never complained. Ever. She was a nurse for 27 years, a wonderful sister to Steffi, Prudence and me, a devoted mother to Jason, who died in Iraq, Bridget and little grandson Kylor – the lights of her life.”
Farrow was born Theresa Magdalena Farrow in Los Angeles to actor Maureen O’Sullivan and film director John Farrow and was the youngest of seven siblings. She was the subject of a New York Times profile in 1970, in which she discussed her family connections in the entertainment industry.
“None...
Her sister Mia shared the news in a post on Instagram, writing: “If there is a Heaven, undoubtedly my beautiful sister Tisa is being welcomed there. She was the best of us – I have never met a more generous and loving person. She loved life and never complained. Ever. She was a nurse for 27 years, a wonderful sister to Steffi, Prudence and me, a devoted mother to Jason, who died in Iraq, Bridget and little grandson Kylor – the lights of her life.”
Farrow was born Theresa Magdalena Farrow in Los Angeles to actor Maureen O’Sullivan and film director John Farrow and was the youngest of seven siblings. She was the subject of a New York Times profile in 1970, in which she discussed her family connections in the entertainment industry.
“None...
- 1/12/2024
- by Valerie Wu
- Variety Film + TV
Tisa Farrow, a former actor born, like sister Mia Farrow, to show business parents Maureen O’Sullivan and John Farrow, died unexpectedly Wednesday morning. She was 72.
Her death was announced on social media by Mia Farrow, who said that Tisa apparently died in her sleep.
“If there is a Heaven, undoubtedly my beautiful sister Tisa is being welcomed there,” Mia wrote on Instagram and X. “She was the best of us — I have never met a more generous and loving person. She loved life & never complained. Ever. She was nurse for 27 years, a wonderful sister to Steffi, Prudence and me, a devoted mother to Jason, who died in Iraq, Bridget and little grandson Kylor – the lights of her life.”
While never achieving the fame of sister Mia – or, for that matter, sister Prudence, who was immortalized by John Lennon in the classic 1968 Beatles White Album song “Dear Prudence” – Tisa Farrow nonetheless...
Her death was announced on social media by Mia Farrow, who said that Tisa apparently died in her sleep.
“If there is a Heaven, undoubtedly my beautiful sister Tisa is being welcomed there,” Mia wrote on Instagram and X. “She was the best of us — I have never met a more generous and loving person. She loved life & never complained. Ever. She was nurse for 27 years, a wonderful sister to Steffi, Prudence and me, a devoted mother to Jason, who died in Iraq, Bridget and little grandson Kylor – the lights of her life.”
While never achieving the fame of sister Mia – or, for that matter, sister Prudence, who was immortalized by John Lennon in the classic 1968 Beatles White Album song “Dear Prudence” – Tisa Farrow nonetheless...
- 1/12/2024
- by Greg Evans
- Deadline Film + TV
Director René Clément brings an entertainingly eccentric David Goodis crime story to the screen in high style. A big score is being prepped by an odd gang, played by a terrific lineup of talent: Jean-Louis Trintignant, Robert Ryan, Aldo Ray, Lea Massari and the elusive Tisa Farrow. Only partly an action thriller, this one is weird but good — lovers of hardboiled crime stories can’t go wrong. Studiocanal has restored the original version, a full forty minutes longer than what was briefly shown here.
And Hope to Die
Blu-ray
Kl Studio Classics
1972 / Color / 1:66 widescreen / 141 min. / Street Date February 25, 2020 / La course du lièvre à travers les champs / available through Kino Lorber / 29.95
Starring: Jean-Louis Trintignant, Robert Ryan, Aldo Ray, Lea Massari, Tisa Farrow, Jean Gaven, André Lawrence, Nadine Nabokov, Jean Coutu, Daniel Breton, Emmanuelle Béart.
Cinematography: Edmond Richard
Film Editor: Roger Dwyre
Original Music: Francis Lai
Written by Sébastien Japrisot from...
And Hope to Die
Blu-ray
Kl Studio Classics
1972 / Color / 1:66 widescreen / 141 min. / Street Date February 25, 2020 / La course du lièvre à travers les champs / available through Kino Lorber / 29.95
Starring: Jean-Louis Trintignant, Robert Ryan, Aldo Ray, Lea Massari, Tisa Farrow, Jean Gaven, André Lawrence, Nadine Nabokov, Jean Coutu, Daniel Breton, Emmanuelle Béart.
Cinematography: Edmond Richard
Film Editor: Roger Dwyre
Original Music: Francis Lai
Written by Sébastien Japrisot from...
- 1/12/2021
- by Glenn Erickson
- Trailers from Hell
The harrowing story of Joshua French, the Norwegian-British solider released this week after eight years in a Congolese prison, is getting the big-screen treatment.
Marius Holst (Cross My Heart – And Hope to Die) will direct Congo, which Headhunters producer Friland Film will produce. TrustNordisk has picked up international sales rights for the project and is shopping it to buyers in Cannes.
French and fellow ex-soldier Tjostolv Moland went to Congo with the ambitious plan to set up a private security firm in Africa. But in 2009 they were arrested on suspicion of killing their Congolese driver. They claimed to have...
Marius Holst (Cross My Heart – And Hope to Die) will direct Congo, which Headhunters producer Friland Film will produce. TrustNordisk has picked up international sales rights for the project and is shopping it to buyers in Cannes.
French and fellow ex-soldier Tjostolv Moland went to Congo with the ambitious plan to set up a private security firm in Africa. But in 2009 they were arrested on suspicion of killing their Congolese driver. They claimed to have...
- 5/20/2017
- by Scott Roxborough
- The Hollywood Reporter - Movie News
Exclusive: TrustNordisk handling sales on the feature project directed by Marius Holst.
Headhunters producers Friland Produksjon are planning a feature film based on the true story of two Norwegian citizens, Joshua French and Tjostolv Moland, who were sentenced to death in Eastern Congo after the death of their hired driver in 2009.
TrustNordisk will handle sales on the film, titled Congo. Nordisk will release in Scandinavia. Marius Holst will direct and Norwegian reports say that Headhunters star Aksel Hennie (pictured) is set to play French. Nikolaj Frobenius (Insomnia) is writing the script.
The film has been in development for years but could only be announced publicly because French was released from prison this week and returned to Norway on Wednesday. (Moland died in prison.)
Congo is produced by Christian Fredrik Martin and Asle Vatn for Friland in co-production with Nordisk Film, Pandora Film Produktion, Nimbus Film, Garagefilm International and Film Väst in collaboration with Do Productions, with the support...
Headhunters producers Friland Produksjon are planning a feature film based on the true story of two Norwegian citizens, Joshua French and Tjostolv Moland, who were sentenced to death in Eastern Congo after the death of their hired driver in 2009.
TrustNordisk will handle sales on the film, titled Congo. Nordisk will release in Scandinavia. Marius Holst will direct and Norwegian reports say that Headhunters star Aksel Hennie (pictured) is set to play French. Nikolaj Frobenius (Insomnia) is writing the script.
The film has been in development for years but could only be announced publicly because French was released from prison this week and returned to Norway on Wednesday. (Moland died in prison.)
Congo is produced by Christian Fredrik Martin and Asle Vatn for Friland in co-production with Nordisk Film, Pandora Film Produktion, Nimbus Film, Garagefilm International and Film Väst in collaboration with Do Productions, with the support...
- 5/20/2017
- by wendy.mitchell@screendaily.com (Wendy Mitchell)
- ScreenDaily
Project illumates a dark chapter in Norwegian history.
The Norwegian Film Institute has allocated $1.4m (Nok 12m) in production funding for Marius Holst’s next film.
Betrayed is a €5.3 million (Nok 49 million) production by Martin Sundland and Are Heidenstrøm for Oslo’s Fantefilm, whose credits include disaster hit The Wave.
Betrayed - set for release in autumn 2019 — is about a dark chapter of Norway’s World War 2 history “that few Norwegians knew or wanted to acknowledge.”
The historical drama will tell the story of hundreds of Norwegian Jews who were rounded up in the middle of the night of 26 November 1942 and taken to Oslo harbour where they were put on a German cargo ship bound for Auschwitz.
“Prior to Marte Michel’s award-winning book, The Ultimate Crime, the way the Jewish society was treated in Norway during WW2, was part of our history that few people knew about. Even fewer were interested in illuminating it. In this movie...
The Norwegian Film Institute has allocated $1.4m (Nok 12m) in production funding for Marius Holst’s next film.
Betrayed is a €5.3 million (Nok 49 million) production by Martin Sundland and Are Heidenstrøm for Oslo’s Fantefilm, whose credits include disaster hit The Wave.
Betrayed - set for release in autumn 2019 — is about a dark chapter of Norway’s World War 2 history “that few Norwegians knew or wanted to acknowledge.”
The historical drama will tell the story of hundreds of Norwegian Jews who were rounded up in the middle of the night of 26 November 1942 and taken to Oslo harbour where they were put on a German cargo ship bound for Auschwitz.
“Prior to Marte Michel’s award-winning book, The Ultimate Crime, the way the Jewish society was treated in Norway during WW2, was part of our history that few people knew about. Even fewer were interested in illuminating it. In this movie...
- 4/28/2017
- by wendy.mitchell@screendaily.com (Wendy Mitchell)
- ScreenDaily
TV stalwart Paul Wendkos' biggest success in movies was as the director of the Gidget series. I'm Scottish so I don't know what that was. But it turns out he had a real gift for expressionistic noir, as demonstrated in his debut film The Burglar, which was scripted by pulp noir icon David Goodis, whose novels provided source material for Delmer Daves' Dark Passage, Jacques Tourneur's Nightfall, Truffaut's Shoot the Piano Player, René Clément's And Hope to Die, Beineix's Moon in the Gutter (the author was big in France) and Sam Fuller's Street of No Return.The movie, a low-budget affair, substitutes flair and vigor for production values, and stars lifelong noir patsy/creep Dan Duryea and up-and-coming sex bomb Jayne Mansfield, with the result that it always seems to be in the wrong aspect ratio. Duryea's cranium seems to have an extra story built...
- 11/8/2016
- MUBI
In 1989, Italian director Bruno Mattei made an amalgam of Aliens and The Terminator. We look back at a wonderfully bad film...
If imitation is the sincerest form of flattery, then a 1989 Italian film called Shocking Dark pays James Cameron the ultimate compliment: it openly steals from not one but two of his 80s hits.
Now, it’s no secret that B-movie filmmakers have long taken ‘inspiration’ from hit genre movies - Star Wars, Alien, Jaws and Mad Max are some of the most imitated films of the 70s and 80s, spawning such cult B-movies as StarCrash, 1990: Bronx Warriors and Contamination.
Shocking Dark, on the other hand, occupies its own special place in movie history. We’re not just talking about an attempt to evoke the general atmosphere of a successful film here - we’re talking about the wholesale recreation of entire sequences. As an example, consider the following...
If imitation is the sincerest form of flattery, then a 1989 Italian film called Shocking Dark pays James Cameron the ultimate compliment: it openly steals from not one but two of his 80s hits.
Now, it’s no secret that B-movie filmmakers have long taken ‘inspiration’ from hit genre movies - Star Wars, Alien, Jaws and Mad Max are some of the most imitated films of the 70s and 80s, spawning such cult B-movies as StarCrash, 1990: Bronx Warriors and Contamination.
Shocking Dark, on the other hand, occupies its own special place in movie history. We’re not just talking about an attempt to evoke the general atmosphere of a successful film here - we’re talking about the wholesale recreation of entire sequences. As an example, consider the following...
- 7/14/2015
- by ryanlambie
- Den of Geek
The late films of René Clément are even more neglected than the early and middle films of René Clément, which is to say, very neglected indeed. Falling somewhat between the generation of Jean Renoir and that of the nouvelle vague, he may have been seen as a dangerous professional rival, but he certainly was no friend to the emerging Cahiers du cinema cinephiles, declaring at the time of Fahrenheit 451's production that each Truffaut film was worse than the one before.
Almost effaced from film history apart from a couple of unavoidably impressive titles, Clément remains a stylish professional whose devotion to the thriller genre would have been considered admirable if he were American, but sits awkwardly with our expectations of French cinema: we have room for Henri-Georges Clouzot and Jean-Pierre Melville only.
Clément's last four films are all twisty thrillers, the kind of films that spend ages setting...
Almost effaced from film history apart from a couple of unavoidably impressive titles, Clément remains a stylish professional whose devotion to the thriller genre would have been considered admirable if he were American, but sits awkwardly with our expectations of French cinema: we have room for Henri-Georges Clouzot and Jean-Pierre Melville only.
Clément's last four films are all twisty thrillers, the kind of films that spend ages setting...
- 2/19/2015
- by David Cairns
- MUBI
La course du lièvre à travers les champs (The Race of the Hare Across the Fields a.k.a. ...and Hope to Die, 1972) is an interesting late entry in the career of French crime specialist René Clément, a kind of smorgasbord of his favorite stuff: hardboiled crime, knotty sexual triangles, a hero on the run, convoluted crime schemes, with a harkening back to childhood sins that suggests his classic Jeux interdits (Forbidden Games, 1952). This might suggest desperation to recapture past glories, but the film is also stuffed with experimentation and up-to-the-minute influences (a train station confrontation early on suggests Leone) which confirm the filmmaker as alert to new possibilities.
But the film could just as easily be approached through the sensibility of its writer, Sébastien Japrisot, a key figure in French cinema and crime cinema, or even through that of the author of the source novel, David Goodis.
But the film could just as easily be approached through the sensibility of its writer, Sébastien Japrisot, a key figure in French cinema and crime cinema, or even through that of the author of the source novel, David Goodis.
- 2/21/2013
- by David Cairns
- MUBI
One of the interesting things about David Goodis’s career, Steve Seid mentioned by way of introduction to François Truffaut’s Tirez sur le pianiste (Shoot the Piano Player, 1960), is that—even though Goodis’s first connection to filmmaking occurred in 1947 with Dark Passage and The Unfaithful—attempts to adapt his work have continued to the present day; Seid recently met someone working with Goodis’s 1951 novel Cassidy’s Girl. Along the way, going all the way back to 1954-1955, the French have been particularly attracted to Goodis’s novels and—of the twelve existing feature adaptations—eight have their roots in French filmmaking.
The earliest was Pierre Chenals’ Section des disparus made in Argentina during the mid-50s, continuing on with Henri Verneuil’s Le Casse (The Burglars, 1971), René Clement’s La Course du Lièvre à Travers Les Champs (And Hope To Die, 1972), Jean-Jacques Beineix’s La Lune Dans...
The earliest was Pierre Chenals’ Section des disparus made in Argentina during the mid-50s, continuing on with Henri Verneuil’s Le Casse (The Burglars, 1971), René Clement’s La Course du Lièvre à Travers Les Champs (And Hope To Die, 1972), Jean-Jacques Beineix’s La Lune Dans...
- 8/6/2008
- by Michael Guillen
- Screen Anarchy
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