Edward Bond, the Oscar-nominated Blow-Up screenwriter and playwright whose Saved and Early Morning were banned in the UK, fueling a legal review that led to the end of stage censorship in the country, has died, his agency said. He was 89.
Casarotto Ramsay and Associates said he died Sunday but did not reveal the cause.
“Edward was one of the greatest dramatists of the 20th century,” the agency tweeted. “He made his mark upon the theatrical world with radical, thought-provoking, and unerringly original work.”
Bond’s first screenplay was the English-language dialogue for Blow-Up, Michelangelo Antonioni’s 1966 classic that starred David Hemming and Vanessa Redgrave. Earning him an Original Screenplay Oscar nom, it was the first of about a dozen film credits including Walkabout (1971) and Laughter in the Dark (1968).
Born on July 18, 1934, in London, Bond quit school as a teenager and would see his debut play, The Pope’s Wedding, produced...
Casarotto Ramsay and Associates said he died Sunday but did not reveal the cause.
“Edward was one of the greatest dramatists of the 20th century,” the agency tweeted. “He made his mark upon the theatrical world with radical, thought-provoking, and unerringly original work.”
Bond’s first screenplay was the English-language dialogue for Blow-Up, Michelangelo Antonioni’s 1966 classic that starred David Hemming and Vanessa Redgrave. Earning him an Original Screenplay Oscar nom, it was the first of about a dozen film credits including Walkabout (1971) and Laughter in the Dark (1968).
Born on July 18, 1934, in London, Bond quit school as a teenager and would see his debut play, The Pope’s Wedding, produced...
- 3/5/2024
- by Erik Pedersen
- Deadline Film + TV
The dystopian sci-fi film "Logan's Run" is set in a supposedly idyllic future society where residents above 30 mysteriously disappear. The hedonistic metropolis is enclosed by a dome, and those who choose to explore the world outside — and the secrets that it holds — are labeled "runners." Michael York stars in the film as the titular protagonist, an undercover police officer who infiltrates the runners only to find that he, too, opposes the laws that he once worked to uphold and helps them lead an uprising.
"Logan's Run" was nominated for its cinematography and set decoration in the 1977 Academy Awards. It even received a special achievement award for its visual effects. The futuristic set and costume design were almost identical to the smash-hit sci-fi adventure film "Star Wars: Episode IV -- A New Hope," which was released the following year. It's possible that "Star Wars" even drew inspiration from the 1976 film. However,...
"Logan's Run" was nominated for its cinematography and set decoration in the 1977 Academy Awards. It even received a special achievement award for its visual effects. The futuristic set and costume design were almost identical to the smash-hit sci-fi adventure film "Star Wars: Episode IV -- A New Hope," which was released the following year. It's possible that "Star Wars" even drew inspiration from the 1976 film. However,...
- 2/25/2024
- by Shae Sennett
- Slash Film
Carrie Fisher took the virginity of Indiana Jones. At least, that's how she told it while she was alive. Specifically, that's what she told me. In her own words: "I wrote it with George [Lucas.] We wrote Indiana Jones losing his virginity to Mata Hari. It went very well."
I had been asking about her work on the "Star Wars" prequel trilogy, so this answer came a bit out of left field. However, it's a little-known fact that Fisher worked as a writer on many George Lucas projects, doing an uncredited polish on the scripts for the prequels and even coming up with adventures for Indiana Jones to go on in his TV series, "The Young Indiana Jones Chronicles."
So, how did Indiana Jones actually lose his virginity, and what part did Fisher play?
Read more: The 18 Best Action Movie Actors Ranked
Bigger Than Life
"She was a bigger-than-life character and...
I had been asking about her work on the "Star Wars" prequel trilogy, so this answer came a bit out of left field. However, it's a little-known fact that Fisher worked as a writer on many George Lucas projects, doing an uncredited polish on the scripts for the prequels and even coming up with adventures for Indiana Jones to go on in his TV series, "The Young Indiana Jones Chronicles."
So, how did Indiana Jones actually lose his virginity, and what part did Fisher play?
Read more: The 18 Best Action Movie Actors Ranked
Bigger Than Life
"She was a bigger-than-life character and...
- 2/13/2024
- by Bryan Young
- Slash Film
The feature debut of director Barnaby Clay, Magnet Releasing’s The Seeding centers on a hiker who gets lost in the desert and seeks refuge with a woman who is living alone.
He soon discovers that she might not be there willingly…
Today, as the film releases in theaters and on PVOD, Magnet has exclusively provided Bloody Disgusting with a sneak preview clip that you can watch below.
Clay tells us, “The film has been gestating for a long time, so it’s thrilling for people to finally get to experience it. I say ‘experience’ because I set out to make The Seeding as immersive as possible. It’s not a film to feel removed from, it’s an experience that drags you though the sand, the heat, the decay, and also natural beauty of the world it takes place in.
“I had a similar feeling watching certain films from the ’70s,...
He soon discovers that she might not be there willingly…
Today, as the film releases in theaters and on PVOD, Magnet has exclusively provided Bloody Disgusting with a sneak preview clip that you can watch below.
Clay tells us, “The film has been gestating for a long time, so it’s thrilling for people to finally get to experience it. I say ‘experience’ because I set out to make The Seeding as immersive as possible. It’s not a film to feel removed from, it’s an experience that drags you though the sand, the heat, the decay, and also natural beauty of the world it takes place in.
“I had a similar feeling watching certain films from the ’70s,...
- 1/26/2024
- by John Squires
- bloody-disgusting.com
Ghosts! Giant monsters! Terrifying trunks and deadly deserts! This week’s new horror releases bring various threats into the final days of January, and we’ve got the full rundown for you.
Here’s all the new horror releasing January 23 – January 28, 2024!
For daily reminders about new horror releases, be sure to follow @HorrorCalendar.
This year’s first new theatrical release for the horror genre was Universal, Blumhouse and producer James Wan’s Night Swim, which is now available to rent/purchase at home.
You can rent the film for $19.99 or purchase it (digitally) for $29.99.
Direcred by Bryce McGuire, Night Swim was released into theaters on January 5, 2024. To date, the film has managed to scare up $36 million at the worldwide box office.
Meagan Navarro wrote in her review for Bd, “McGuire’s feature expansion [of his short film, also titled Night Swim] showcases more ways to mine terror from the aquatic concept, buoyed by a great cast,...
Here’s all the new horror releasing January 23 – January 28, 2024!
For daily reminders about new horror releases, be sure to follow @HorrorCalendar.
This year’s first new theatrical release for the horror genre was Universal, Blumhouse and producer James Wan’s Night Swim, which is now available to rent/purchase at home.
You can rent the film for $19.99 or purchase it (digitally) for $29.99.
Direcred by Bryce McGuire, Night Swim was released into theaters on January 5, 2024. To date, the film has managed to scare up $36 million at the worldwide box office.
Meagan Navarro wrote in her review for Bd, “McGuire’s feature expansion [of his short film, also titled Night Swim] showcases more ways to mine terror from the aquatic concept, buoyed by a great cast,...
- 1/23/2024
- by John Squires
- bloody-disgusting.com
U.K. sales and distribution outfit Blue Finch Films has boarded worldwide rights, excluding Australia and New Zealand, to thriller “Birdeater.”
The debut feature from filmmaking duo Jack Clark and Jim Weir follows a bride-to-be who is invited to join her own fiancé’s bachelor party on a remote property in the Australian outback. But as the festivities spiral into beer-soaked chaos, uncomfortable details about their relationship are exposed, and the celebration soon becomes a feral nightmare.
Blue Finch describes the film as “an unapologetic look at how Australia’s iconic masculine identity has become incompatible with contemporary gender politics.” The film stars Shabana Azeez (“Run Rabbit Run”) and Mackenzie Fearnley (“Operation Buffalo”) as the soon-to-be-wedded couple. Written by Clark, the film is produced by Stephanie Troost and Ulysses Oliver of Breathless Films. The Australian and New Zealand rights are with Umbrella Entertainment.
The film screened at the Melbourne International...
The debut feature from filmmaking duo Jack Clark and Jim Weir follows a bride-to-be who is invited to join her own fiancé’s bachelor party on a remote property in the Australian outback. But as the festivities spiral into beer-soaked chaos, uncomfortable details about their relationship are exposed, and the celebration soon becomes a feral nightmare.
Blue Finch describes the film as “an unapologetic look at how Australia’s iconic masculine identity has become incompatible with contemporary gender politics.” The film stars Shabana Azeez (“Run Rabbit Run”) and Mackenzie Fearnley (“Operation Buffalo”) as the soon-to-be-wedded couple. Written by Clark, the film is produced by Stephanie Troost and Ulysses Oliver of Breathless Films. The Australian and New Zealand rights are with Umbrella Entertainment.
The film screened at the Melbourne International...
- 1/11/2024
- by Naman Ramachandran
- Variety Film + TV
Barnaby Clay has directed music videos for the likes of Yeah Yeah Yeahs and Take That, created unique art installations, won awards for making short films, and crafted the documentary Shot! The Psycho-Spiritual Mantra of Rock. Now he has made his narrative feature directorial debut with the horror film The Seeding, which is set to reach theatres and PVOD on January 26th. With that date just one month away, a trailer for The Seeding has arrived online and can be seen in the embed above.
Starring Scott Haze of Venom and Jurassic World: Dominion and Kate Lyn Sheil of The Sacrament and She Dies Tomorrow, the film has the following synopsis: When a hiker gets lost in the desert, a gang of feral children propelled by haunting legacies traps him in a sadistic battle for survival with a frightening endgame. Here’s an alternative synopsis: A hiker lost...
Starring Scott Haze of Venom and Jurassic World: Dominion and Kate Lyn Sheil of The Sacrament and She Dies Tomorrow, the film has the following synopsis: When a hiker gets lost in the desert, a gang of feral children propelled by haunting legacies traps him in a sadistic battle for survival with a frightening endgame. Here’s an alternative synopsis: A hiker lost...
- 12/7/2023
- by Cody Hamman
- JoBlo.com
The feature debut of director Barnaby Clay, Magnet Releasing’s The Seeding centers on a hiker who gets lost in the desert and seeks refuge with a woman who is living alone.
He soon discovers that she might not be there willingly…
Ahead of the film’s release in theaters and on PVOD January 26, 2024, Magnet has exclusively provided Bloody Disgusting with the trailer and poster for Clay’s The Seeding.
The filmmaker tells us, “The film has been gestating for a long time, so it’s thrilling for people to finally get to experience it. I say ‘experience’ because I set out to make The Seeding as immersive as possible. It’s not a film to feel removed from, it’s an experience that drags you though the sand, the heat, the decay, and also natural beauty of the world it takes place in.
“I had a similar feeling watching certain films from the ’70s,...
He soon discovers that she might not be there willingly…
Ahead of the film’s release in theaters and on PVOD January 26, 2024, Magnet has exclusively provided Bloody Disgusting with the trailer and poster for Clay’s The Seeding.
The filmmaker tells us, “The film has been gestating for a long time, so it’s thrilling for people to finally get to experience it. I say ‘experience’ because I set out to make The Seeding as immersive as possible. It’s not a film to feel removed from, it’s an experience that drags you though the sand, the heat, the decay, and also natural beauty of the world it takes place in.
“I had a similar feeling watching certain films from the ’70s,...
- 12/7/2023
- by John Squires
- bloody-disgusting.com
The holidays are upon us, so whether you looking for film-related gifts or simply want to pick up some of the finest the year had to offer in the category for yourself, we have a gift guide for you. Including must-have books on filmmaking, the best from the Criterion Collection and more home-video picks, subscriptions, magazines, music, and more, dive in below.
Giveaways
In celebration of our holiday gift guide, we’ll be doing a number of giveaways! First up, we’re giving away My First Movie Vol. 2, a three-part ‘lil cinephile series by Cory Everett and illustrator Julie Olivi, featuring My First Spaghetti Western, My First Yakuza Movie, and My First Hollywood Musical.
Enter on Instagram (for My First Yakuza Movie), Twitter (for My First Hollywood Musical), and/or Facebook (for My First Spaghetti Western) by Sunday, November 26 at 11:59pm Et. Those that enter on all three platforms...
Giveaways
In celebration of our holiday gift guide, we’ll be doing a number of giveaways! First up, we’re giving away My First Movie Vol. 2, a three-part ‘lil cinephile series by Cory Everett and illustrator Julie Olivi, featuring My First Spaghetti Western, My First Yakuza Movie, and My First Hollywood Musical.
Enter on Instagram (for My First Yakuza Movie), Twitter (for My First Hollywood Musical), and/or Facebook (for My First Spaghetti Western) by Sunday, November 26 at 11:59pm Et. Those that enter on all three platforms...
- 11/20/2023
- by The Film Stage
- The Film Stage
Australian and New Zealand indie distributor Umbrella Entertainment will launch Brollie, a free of charge, ad-supported streaming service later this month. It will lean on Umbrella’s library of classic content and claims to be the first free streaming platform specializing in Australian film and TV content.
Brollie will launch on Nov. 23 with over 300 titles including: “Babadook”; “Two Hands” (dir. Gregor Jordan, 1999); cult classics “Sweat”; “Erskineville Kings”; and “Cut” starring Kylie Minogue.
Brollie will also have a section for Indigenous Australia, including a collection of films starring Aboriginal screen legend David Gulpilil. These include “Walkabout”; “Storm Boy”; and “The Last Wave”.
A documentary slate includes “Servant or Slave” and “Ablaze”.
Subscribers will be invited to be part of the Brollie Film Club, where Brollie’s in-house team handpicks the best of the catalogue twice a month. Members can terrify themselves with the ‘Australian Nightmares’ collection exploring the best of Aussie...
Brollie will launch on Nov. 23 with over 300 titles including: “Babadook”; “Two Hands” (dir. Gregor Jordan, 1999); cult classics “Sweat”; “Erskineville Kings”; and “Cut” starring Kylie Minogue.
Brollie will also have a section for Indigenous Australia, including a collection of films starring Aboriginal screen legend David Gulpilil. These include “Walkabout”; “Storm Boy”; and “The Last Wave”.
A documentary slate includes “Servant or Slave” and “Ablaze”.
Subscribers will be invited to be part of the Brollie Film Club, where Brollie’s in-house team handpicks the best of the catalogue twice a month. Members can terrify themselves with the ‘Australian Nightmares’ collection exploring the best of Aussie...
- 11/14/2023
- by Patrick Frater
- Variety Film + TV
Before Baz Luhrmann took award season by storm with "Elvis," he made "Australia." If you've forgotten about the 2008 epic starring Nicole Kidman and Hugh Jackman, you're not alone; the movie wasn't exactly embraced upon release, and while it made plenty of money at the box office, it also became a bit of a punchline among critics that year. As Stephanie Zacharek wrote in a review for Salon, "The second half of 'Australia,' Luhrmann's attempt to pull off a wartime weeper, is so aggressively sentimental that it begins to feel more like punishment than pleasure."
So what does "Australia" have to do with "Faraway Downs"? Well, everything. The upcoming six-episode limited series set to drop on streaming next month has been branded as a reimagining of Luhrmann's movie -- a second stab at his Australian "Gone With The Wind." It's an unusual choice from an always-interesting filmmaker, and we'll know...
So what does "Australia" have to do with "Faraway Downs"? Well, everything. The upcoming six-episode limited series set to drop on streaming next month has been branded as a reimagining of Luhrmann's movie -- a second stab at his Australian "Gone With The Wind." It's an unusual choice from an always-interesting filmmaker, and we'll know...
- 10/24/2023
- by Valerie Ettenhofer
- Slash Film
The acclaimed adaptation of Daphne du Maurier’s short story remains a visually immersive descent and a chilling portrayal of loss
In the opening sequence of Nicolas Roeg’s Don’t Look Now, a little girl in a red raincoat drowns in a pond in the English countryside, as her parents are nestled comfortably in a nearby estate. Roeg cuts frantically between the girl tooling around the pond in her boots and her father John (Donald Sutherland) at work inside, examining a projected image of an Italian cathedral he intends to restore. The cutting works as suspense, leaving the audience utterly helpless to stop this inevitable tragedy from happening, but it has a much more sophisticated agenda than goosing our emotions. Through color and montage effects, tied to shots like a spill that bleeds over John’s slide, Roeg dramatizes the present and predicts the future all at once, signaling the heartbreak and terror to come.
In the opening sequence of Nicolas Roeg’s Don’t Look Now, a little girl in a red raincoat drowns in a pond in the English countryside, as her parents are nestled comfortably in a nearby estate. Roeg cuts frantically between the girl tooling around the pond in her boots and her father John (Donald Sutherland) at work inside, examining a projected image of an Italian cathedral he intends to restore. The cutting works as suspense, leaving the audience utterly helpless to stop this inevitable tragedy from happening, but it has a much more sophisticated agenda than goosing our emotions. Through color and montage effects, tied to shots like a spill that bleeds over John’s slide, Roeg dramatizes the present and predicts the future all at once, signaling the heartbreak and terror to come.
- 10/16/2023
- by Scott Tobias
- The Guardian - Film News
In the first of a new monthly Observer column on his favourite film-makers, Mark Kermode salutes the elliptical vision of the director of Don’t Look Now, Walkabout, Performance and so much more
This month marks 50 years since the release of Nicolas Roeg’s Don’t Look Now, a personal touchstone movie (adapted from a story by Daphne du Maurier) that is at once an occult chiller, a poignant portrait of married love, a heartfelt meditation on grief and a shaggy dog story with a grisly sting in its tail. The anniversary offers film fans an excuse to dust off this classic, alongside other hallowed 1973 movies such as Enter the Dragon, The Exorcist and The Wicker Man, which was originally the supporting feature for Don’t Look Now (how’s that for a double bill). It also allows me to kick off my new column, focusing each month on a different director, with...
This month marks 50 years since the release of Nicolas Roeg’s Don’t Look Now, a personal touchstone movie (adapted from a story by Daphne du Maurier) that is at once an occult chiller, a poignant portrait of married love, a heartfelt meditation on grief and a shaggy dog story with a grisly sting in its tail. The anniversary offers film fans an excuse to dust off this classic, alongside other hallowed 1973 movies such as Enter the Dragon, The Exorcist and The Wicker Man, which was originally the supporting feature for Don’t Look Now (how’s that for a double bill). It also allows me to kick off my new column, focusing each month on a different director, with...
- 9/30/2023
- by Mark Kermode
- The Guardian - Film News
In the 1960s, there were few cameramen who shared Nicolas Roeg’s ability to render sirenic, jittery sensuality at 24 frames per second—and this was an era whose dominant culture arguably cracked open and redefined the sensual palate. Even more impressively, Roeg’s gift often manifested itself most lucidly while serving the orgiastic gimmicks of Roger Corman’s The Masque of the Red Mask and the bucolic splendor of John Schlesinger’s Far from the Madding Crowd with the guarded glee of a merry prankster spiking a corporate water cooler with LSD.
But it’s not just that Roeg successfully snuck timely art into the mise-en-scène of those and other studio-centric films, it’s that he seemed incapable of recording anything but subtle art within whatever limitations his aspect ratio enforced. And so while Walkabout may have been his proper directorial debut, it’s far more significantly his final cinematographic statement.
But it’s not just that Roeg successfully snuck timely art into the mise-en-scène of those and other studio-centric films, it’s that he seemed incapable of recording anything but subtle art within whatever limitations his aspect ratio enforced. And so while Walkabout may have been his proper directorial debut, it’s far more significantly his final cinematographic statement.
- 9/20/2023
- by Joseph Jon Lanthier
- Slant Magazine
Whenever a producer in recent times has exited their partnership with a star, quite often said producer’s output is not as robust.
It’s a different situation for Bruna Papandrea, who after peeling off from Reese Witherspoon’s Pacific Standard Production Company has been on quite a roll with such TV hits as HBO’s The Undoing, Netflix’s Anatomy of a Scandal and Luckiest Girl Alive, Hulu’s Nine Perfect Strangers and now the Prime Video limited series The Lost Flowers of Alice Hart based on Holly Ringland’s novel. This is all under Papandrea’s six-year-old production banner Made Up Stories, which is devoted to female-centric stories.
On today’s Crew Call podcast, we talk with Papandrea about why she went solo with Made Up Stories, the genesis of The Lost Flowers of Alice Hart, and more.
Lost Flowers of Alice Hart follows the story of the title protagonist.
It’s a different situation for Bruna Papandrea, who after peeling off from Reese Witherspoon’s Pacific Standard Production Company has been on quite a roll with such TV hits as HBO’s The Undoing, Netflix’s Anatomy of a Scandal and Luckiest Girl Alive, Hulu’s Nine Perfect Strangers and now the Prime Video limited series The Lost Flowers of Alice Hart based on Holly Ringland’s novel. This is all under Papandrea’s six-year-old production banner Made Up Stories, which is devoted to female-centric stories.
On today’s Crew Call podcast, we talk with Papandrea about why she went solo with Made Up Stories, the genesis of The Lost Flowers of Alice Hart, and more.
Lost Flowers of Alice Hart follows the story of the title protagonist.
- 8/14/2023
- by Anthony D'Alessandro
- Deadline Film + TV
Physical media buffs, it's that time of the month: The Criterion Collection has announced their releases planned for September 2023. Nicholas Roeg's Walkabout in 4K is the standout title for me, though it may be that Brett Morgan's trippy tribute to David Bowie, Moonage Daydream, also on 4K, will ring your bell. Orson Welles' The Trial should look outstanding in 4K, if that's more your taste. Or Rob Reiner's The Princess Bride, written by William Goldman, also in 4K, should look lush and beautiful, even if you've already committed every line to memory. As a Mexican-Irish person, I must shout out to La Bamba, though I wonder why it is only available on Blu-ray? It's a 4K digital restoration, so perhaps a 4K edition will be forthcoming. If you aren't set up...
[Read the whole post on screenanarchy.com...]...
[Read the whole post on screenanarchy.com...]...
- 6/15/2023
- Screen Anarchy
In 1962 Orson Welles directed The Trial; in 1993 the music video for David Bowie’s “Jump They Say” paid tribute in a characteristically pop-art fashion; in 2022 Brett Morgen’s Moonage Daydream gave a small window into the video’s making; and in 2023 both films––by extension bits of “Jump They Say” to boot––arrive on 4K from Criterion. For Welles it’s all about the deep blacks and luminescent grain; in Morgan’s case (but also Bowie’s) it’s the wealth of archival material and DTS-hd.
Their September slate also boasts two 4K upgrades, one recent and one legacy: The Princess Bride jumps to 2,160 pixels just five years after its Blu-ray edition, while longtime favorite Walkabout ought to look flaberrgastingly sharp. Meanwhile, La Bamba arrives on Blu-ray.
Find artwork below and more at Criterion.
The post The Criterion Collection’s September Slate Brings Orson Welles, David Bowie, The Princess Bride,...
Their September slate also boasts two 4K upgrades, one recent and one legacy: The Princess Bride jumps to 2,160 pixels just five years after its Blu-ray edition, while longtime favorite Walkabout ought to look flaberrgastingly sharp. Meanwhile, La Bamba arrives on Blu-ray.
Find artwork below and more at Criterion.
The post The Criterion Collection’s September Slate Brings Orson Welles, David Bowie, The Princess Bride,...
- 6/15/2023
- by Nick Newman
- The Film Stage
Nothing can look pretty gorgeous in widescreen, and there was quite a lot of it in the Australian New Wave of the '70s. The daunting expanse of the Outback provided the canvas for several classic films of the period, such as two masterpieces that were roughly analogous to the folk horror genre emerging in Britain around the same time: Nicholas Roeg's "Walkabout" and Ted Kotcheff's controversial "Wake in Fright." In these movies, the stark setting created a dislocating sense that white settlers don't belong in such a harsh and humbling environment, adding to their aura of unease.
Most of the notable films of the Aussie New Wave were set in the past or present but, as the '80s beckoned, the biggest hit of the bunch looked to the future in George Miller's "Mad Max." Unlike "Walkabout" and "Wake in Fright," which were both shot in the heart of the Outback,...
Most of the notable films of the Aussie New Wave were set in the past or present but, as the '80s beckoned, the biggest hit of the bunch looked to the future in George Miller's "Mad Max." Unlike "Walkabout" and "Wake in Fright," which were both shot in the heart of the Outback,...
- 5/29/2023
- by Lee Adams
- Slash Film
Lady in a Cage: de Heer’s Dystopia Explores the Enduring Echoes of Colonialism
Dutch-born director Rolf de Heer has been a mainstay of Australian cinema since the mid-1980s, though his most well-traveled films dealt specifically with a reclamation of the country’s Indigenous population. Titles like Ten Canoes (2006) and Charlie’s Country (2013) featured Aboriginal actor David Gulpilil. Gulpilil died at the age of sixty-eight in 2021, which seems to have led de Heer to his most distressing film to date with The Survival of Kindness, a more experimental take on racism and colonialism featuring newcomer Mwajemi Hussein.…...
Dutch-born director Rolf de Heer has been a mainstay of Australian cinema since the mid-1980s, though his most well-traveled films dealt specifically with a reclamation of the country’s Indigenous population. Titles like Ten Canoes (2006) and Charlie’s Country (2013) featured Aboriginal actor David Gulpilil. Gulpilil died at the age of sixty-eight in 2021, which seems to have led de Heer to his most distressing film to date with The Survival of Kindness, a more experimental take on racism and colonialism featuring newcomer Mwajemi Hussein.…...
- 2/24/2023
- by Nicholas Bell
- IONCINEMA.com
It is probably Australia. But it could be anywhere where the sun is hot enough to bake the earth into boundless stretches of cracked crazy-paving. It is probably an alternate recent past. But it could be any period in human history when mankind has divided itself into categories of oppressor and oppressed. The most remarkable aspect of Rolf de Heer’s elegiac, elemental “The Survival of Kindness” is that it is an allegory so direct as to be obvious, told in a style so spartan as to be opaque. Not one syllable of intelligible language is spoken, but the choral anguish of generations subjugated to colonial cruelty rings loud through every wordless frame.
In a forbiddingly desolate desert landscape, shot with Dp Maxx Corkindale’s elegantly unadorned realism, the only evidence of humanity is the very definition of inhumanity: a crude iron cage in which is locked a woman (an...
In a forbiddingly desolate desert landscape, shot with Dp Maxx Corkindale’s elegantly unadorned realism, the only evidence of humanity is the very definition of inhumanity: a crude iron cage in which is locked a woman (an...
- 2/19/2023
- by Jessica Kiang
- Variety Film + TV
Fans of “The English Patient” will soon get their wish to see Ralph Fiennes and Juliette Binoche reunite on screen for the first time in 25 years. The pair will star in a new take on Homer’s ancient classic “The Odyssey” called “The Return” as directed by Uberto Pasolini. Bleecker Street has acquired the rights to the film for a planned release in 2024.
“The Return” was first announced in April with both Fiennes and Binoche attached, but the details haven’t firmed up until now. Bleecker Street picked up the North American theatrical rights to the movie out of the European Film Market (EFM) going on now in Berlin. HanWay Films will maintain international rights, and has already locked deals in several territories.
Production on “The Return” will kick off in Greece this spring, filming in Corfu and the Peloponnese, before continuing in Italy.
The film tracks the events at...
“The Return” was first announced in April with both Fiennes and Binoche attached, but the details haven’t firmed up until now. Bleecker Street picked up the North American theatrical rights to the movie out of the European Film Market (EFM) going on now in Berlin. HanWay Films will maintain international rights, and has already locked deals in several territories.
Production on “The Return” will kick off in Greece this spring, filming in Corfu and the Peloponnese, before continuing in Italy.
The film tracks the events at...
- 2/16/2023
- by Brian Welk
- Indiewire
Bleecker Street Takes North American Rights to ‘The Return’ Starring Ralph Fiennes, Juliette Binoche
In one of the first domestic deals ahead of this year’s Berlin European Film Market, Bleecker Street has picked up North American rights to The Return, an historical epic based on Homer’s ancient classic The Odyssey and starring Ralph Fiennes and Juliette Binoche.
Uberto Pasolini, director of Nowhere Special and producer of The Full Monty, will direct the feature from a script he co-wrote with Edward Bond (Blow-Up, Walkabout) and John Collee (Master and Commander: The Far Side of the World).
After 20 years away, King Odysseus (Fiennes) washes up on the shores of Ithaca, haggard and unrecognizable. Much has changed in his kingdom since he left to fight in the Trojan war. His beloved wife Penelope (Binoche) is now a prisoner in her own home, hounded by her many ambitious suitors to choose a new husband, a new king. Their son Telemachus, who has grown up fatherless, is...
Uberto Pasolini, director of Nowhere Special and producer of The Full Monty, will direct the feature from a script he co-wrote with Edward Bond (Blow-Up, Walkabout) and John Collee (Master and Commander: The Far Side of the World).
After 20 years away, King Odysseus (Fiennes) washes up on the shores of Ithaca, haggard and unrecognizable. Much has changed in his kingdom since he left to fight in the Trojan war. His beloved wife Penelope (Binoche) is now a prisoner in her own home, hounded by her many ambitious suitors to choose a new husband, a new king. Their son Telemachus, who has grown up fatherless, is...
- 2/16/2023
- by Scott Roxborough
- The Hollywood Reporter - Movie News
One of the best parts of "Lost" season one was its flashback structure. This was a show with a massive cast, and having each episode give us a close look at a specific character's life helped to make them all feel special and compelling. The "Lost" writers understood how to play with our expectations, so season 1 was filled with flashbacks that radically reshaped our understanding of certain characters. Most notable is "Walkabout," the fourth episode of the series, which reveals in its final moments that John Locke (Terry O'Quinn) had been paralyzed from the waist down prior to the plane crash.
Even when it wasn't blowing our minds with any big revelations, the flashback structures still helped to deepen our understanding of each character and add context to their current struggles. If "Lost" had chosen to simply stick to the on-island storylines, the show would've been worse off for it.
Even when it wasn't blowing our minds with any big revelations, the flashback structures still helped to deepen our understanding of each character and add context to their current struggles. If "Lost" had chosen to simply stick to the on-island storylines, the show would've been worse off for it.
- 2/15/2023
- by Michael Boyle
- Slash Film
This article contains spoilers for the entirety of Lost.
ABC’s classic genre hit Lost is remembered fondly in the annals of TV for many reasons. The J.J. Abrams co-created series (that was eventually shepherded by Damon Lindelof and Carlton Cuse) understood the fundamentals of its storytelling mission well. The characters were satisfyingly complicated, the philosophy was on point, and the mysteries were intriguing.
And *whispers* guess what: the ending was good. But we can argue that particular point some other day. Because right now, it’s time to talk about another, and perhaps the most important, reason why Lost was remembered fondly: its dedication to near constant shocking twists and turns.
As an episodic TV series in the mid-2000s, before the streaming binge model took off, Lost needed a way to keep viewers interested in returning for its sprawling sci-fi saga week after week. And the formula it...
ABC’s classic genre hit Lost is remembered fondly in the annals of TV for many reasons. The J.J. Abrams co-created series (that was eventually shepherded by Damon Lindelof and Carlton Cuse) understood the fundamentals of its storytelling mission well. The characters were satisfyingly complicated, the philosophy was on point, and the mysteries were intriguing.
And *whispers* guess what: the ending was good. But we can argue that particular point some other day. Because right now, it’s time to talk about another, and perhaps the most important, reason why Lost was remembered fondly: its dedication to near constant shocking twists and turns.
As an episodic TV series in the mid-2000s, before the streaming binge model took off, Lost needed a way to keep viewers interested in returning for its sprawling sci-fi saga week after week. And the formula it...
- 2/6/2023
- by Alec Bojalad
- Den of Geek
Si Litvinoff, the executive producer of Stanley Kubrick’s A Clockwork Orange and Nicolas Roeg’s The Man Who Fell To Earth, died Dec. 26 in Los Angeles. He was 93.
His death was confirmed to Deadline by his friend Shade Rupe. A cause of death has not been announced.
Litvinoff was a practicing lawyer for more than a decade before pivoting to film production. He acquired the rights to the now-classic 1962 Anthony Burgess dystopian sci-fi novel A Clockwork Orange and developed the project with Burgess and writer Terry Southern. Litvinoff eventually recruited director Kubrick, who signed on as both producer and director.
The film, starring Malcolm McDowell as the leader of an “ultra-violence” gang in a futuristic Britain, was released by Warner Bros. in 1971 and would be nominated for four Oscars, including best picture, the following year.
Also in ’71, Litvinoff produced the drama Walkabout, set in the Australian Outback and directed by Roeg.
His death was confirmed to Deadline by his friend Shade Rupe. A cause of death has not been announced.
Litvinoff was a practicing lawyer for more than a decade before pivoting to film production. He acquired the rights to the now-classic 1962 Anthony Burgess dystopian sci-fi novel A Clockwork Orange and developed the project with Burgess and writer Terry Southern. Litvinoff eventually recruited director Kubrick, who signed on as both producer and director.
The film, starring Malcolm McDowell as the leader of an “ultra-violence” gang in a futuristic Britain, was released by Warner Bros. in 1971 and would be nominated for four Oscars, including best picture, the following year.
Also in ’71, Litvinoff produced the drama Walkabout, set in the Australian Outback and directed by Roeg.
- 1/6/2023
- by Greg Evans
- Deadline Film + TV
Si Litvinoff, a film producer and lawyer whose work included “A Clockwork Orange,” “Walkabout” and “The Man Who Fell to Earth,” died Dec. 26 in Los Angeles. He was 93.
On “A Clockwork Orange,” Litvinoff acquired the rights to Anthony Burgess’ novel of the same name and developed it with screenplays from Burgess and Terry Southern. Litvinoff pursued director Stanley Kubrick for five years to helm the film, which was greenlit in 1970 and released in 1971. Litvinoff also executive produced “The Man Who Fell to Earth,” which was directed by Nicolas Roeg and starred David Bowie in his feature film debut.
After graduating from NYU School of Law, Litvinoff was a practicing lawyer for 12 years before transitioning into producing. His clients included Andy Warhol, Jim Dine, Jack Youngerman, Terry Southern, Timothy Leary, Joel Grey, Orson Bean, Rip Torn and Alan Arkin. He was also a member of the Academy of Motion Picture Arts...
On “A Clockwork Orange,” Litvinoff acquired the rights to Anthony Burgess’ novel of the same name and developed it with screenplays from Burgess and Terry Southern. Litvinoff pursued director Stanley Kubrick for five years to helm the film, which was greenlit in 1970 and released in 1971. Litvinoff also executive produced “The Man Who Fell to Earth,” which was directed by Nicolas Roeg and starred David Bowie in his feature film debut.
After graduating from NYU School of Law, Litvinoff was a practicing lawyer for 12 years before transitioning into producing. His clients included Andy Warhol, Jim Dine, Jack Youngerman, Terry Southern, Timothy Leary, Joel Grey, Orson Bean, Rip Torn and Alan Arkin. He was also a member of the Academy of Motion Picture Arts...
- 1/6/2023
- by EJ Panaligan
- Variety Film + TV
Si Litvinoff, the visionary producer behind Stanley Kubrick’s A Clockwork Orange and the Nicolas Roeg-directed films The Man Who Fell to Earth and the Australian New Wave classic Walkabout, has died. He was 93.
Litvinoff died peacefully Dec. 26 in Los Angeles, his friend Shade Rupe announced. Rupe interviewed him for the Blu-ray release of Litvinoff’s groundbreaking 1968 film The Queen, which revolves around a national drag queen contest.
Litvinoff also produced the London-set All the Right Noises (1970), starring Olivia Hussey, Tom Bell and Judy Carne, and executive produced a Roeg-directed documentary about the 1972 Glastonbury Fayre music festival that featured performances by Traffic, Fairport Convention, Melanie and Arthur Brown.
In 1965, Litvinoff optioned Anthony Burgess’ 1962 novel A Clockwork Orange for a reported 500 and sent the book to Kubrick. While paying for screenplays by Burgess, Terry Southern and Michael Cooper, the producer sought Mick Jagger to star in it, all while Kubrick...
Litvinoff died peacefully Dec. 26 in Los Angeles, his friend Shade Rupe announced. Rupe interviewed him for the Blu-ray release of Litvinoff’s groundbreaking 1968 film The Queen, which revolves around a national drag queen contest.
Litvinoff also produced the London-set All the Right Noises (1970), starring Olivia Hussey, Tom Bell and Judy Carne, and executive produced a Roeg-directed documentary about the 1972 Glastonbury Fayre music festival that featured performances by Traffic, Fairport Convention, Melanie and Arthur Brown.
In 1965, Litvinoff optioned Anthony Burgess’ 1962 novel A Clockwork Orange for a reported 500 and sent the book to Kubrick. While paying for screenplays by Burgess, Terry Southern and Michael Cooper, the producer sought Mick Jagger to star in it, all while Kubrick...
- 1/6/2023
- by Mike Barnes
- The Hollywood Reporter - Movie News
Long before the days of "Breaking Bad," "Game of Thrones," and "Stranger Things," "Lost" was the "must-see" television show that everyone was obsessed with. You simply had to tune in to ABC each week to see the latest shocking plot twist. That shows how radically the entertainment industry has changed. Today, blockbuster shows with budgets that rival feature films are just as high profile as Hollywood's superhero movies. "Lost" set the precedent for the future of entertainment.
In addition to the stunning spectacle of the series, "Lost" employed some creative talents who would go on to be incredibly influential. The series was developed by Damon Lindelof, who would later create both the HBO sci-fi drama "The Leftovers" and the inventive reworking of "Watchmen." The pilot of "Lost" was directed by J.J. Abrams, and the brilliant score from Michael Giacchino made the show feel just as epic as anything that you'd see on the big screen.
In addition to the stunning spectacle of the series, "Lost" employed some creative talents who would go on to be incredibly influential. The series was developed by Damon Lindelof, who would later create both the HBO sci-fi drama "The Leftovers" and the inventive reworking of "Watchmen." The pilot of "Lost" was directed by J.J. Abrams, and the brilliant score from Michael Giacchino made the show feel just as epic as anything that you'd see on the big screen.
- 11/20/2022
- by Liam Gaughan
- Slash Film
Looking better than ever thanks to an excellent 4k scan and restoration, Walkabout is a film which no serious cinephile would want to have missing from their collection. It's supported here by a full suite of extras, most of which are themselves impressive and far easier to get lost in than most of their ilk. Don't start unless you have a few hours to spare.
First up is the commentary by Luc Roeg and David Thompson, which goes into depth about the experience of making the film as well as looking at its literary origins, the production process and aspects of its reception. Luc, who starred, was very young at the time so can't always lead on the provision of facts, but what he does remember is far richer in its way, focused on the human aspects of the process and the physical and psychological challenges involved, as well as on.
First up is the commentary by Luc Roeg and David Thompson, which goes into depth about the experience of making the film as well as looking at its literary origins, the production process and aspects of its reception. Luc, who starred, was very young at the time so can't always lead on the provision of facts, but what he does remember is far richer in its way, focused on the human aspects of the process and the physical and psychological challenges involved, as well as on.
- 8/6/2022
- by Jennie Kermode
- eyeforfilm.co.uk
To mark the release of Walkabout on 8th August, we’ve been given 1 copy to give away on Blu-ray.
Following the suicide of their father, Mary (Jenny Agutter) and her younger brother Peter (Luc Roeg) are left stranded in the blistering heat of the vast Australian outback. Facing exhaustion and starvation, their salvation comes when they cross paths with an Aboriginal boy on ‘walkabout’, a ritual in which he must leave his home and learn to survive off the land. He teaches them how to survive in the wilderness, but a clash of cultures leads to terrible and tragic consequences…
Please note: This competition is open to UK residents only
a Rafflecopter giveaway
The Small Print
Open to UK residents only The competition will close 15th August 2022 at 23.59 GMT The winner will be picked at random from entries received No cash alternative is available Please note prizes may be delayed...
Following the suicide of their father, Mary (Jenny Agutter) and her younger brother Peter (Luc Roeg) are left stranded in the blistering heat of the vast Australian outback. Facing exhaustion and starvation, their salvation comes when they cross paths with an Aboriginal boy on ‘walkabout’, a ritual in which he must leave his home and learn to survive off the land. He teaches them how to survive in the wilderness, but a clash of cultures leads to terrible and tragic consequences…
Please note: This competition is open to UK residents only
a Rafflecopter giveaway
The Small Print
Open to UK residents only The competition will close 15th August 2022 at 23.59 GMT The winner will be picked at random from entries received No cash alternative is available Please note prizes may be delayed...
- 8/5/2022
- by Competitions
- HeyUGuys.co.uk
From the Oscar-winning Drive My Car to festival favourite Hit the Road, audiences and critics are relishing the recent wave of road movies. Here, Geoff Dyer delves into the roots of the genre
Four directors discuss breathing new life into the road movie
Wherever there is an actual physical journey there is inherent narrative interest. It doesn’t matter whether the journey is on foot through the Australian outback (Walkabout) or in the Antarctic (Scott of the…), on horseback (Lonesome Dove) or covered wagon, by boat, train (Von Ryan’s Express), aircraft or spaceship (take your pick), car, or some permutation of any of the above: Planes, Trains and Automobiles. With jour, journey and journal(ism) sharing the same root, we’re linguistically programmed to follow day-by-day accounts of journeys. Writing in 1849, Thomas De Quincey celebrated the unprecedented “velocity” of English mail coaches that revealed to him, first “the glory of motion: suggesting,...
Four directors discuss breathing new life into the road movie
Wherever there is an actual physical journey there is inherent narrative interest. It doesn’t matter whether the journey is on foot through the Australian outback (Walkabout) or in the Antarctic (Scott of the…), on horseback (Lonesome Dove) or covered wagon, by boat, train (Von Ryan’s Express), aircraft or spaceship (take your pick), car, or some permutation of any of the above: Planes, Trains and Automobiles. With jour, journey and journal(ism) sharing the same root, we’re linguistically programmed to follow day-by-day accounts of journeys. Writing in 1849, Thomas De Quincey celebrated the unprecedented “velocity” of English mail coaches that revealed to him, first “the glory of motion: suggesting,...
- 7/10/2022
- by Geoff Dyer
- The Guardian - Film News
Joachim Trier, writer/director of the multi-Oscar nominated film The Worst Person in the World, discusses his favorite movies with hosts Josh Olson and Joe Dante.
Show Notes: Movies Referenced In This Episode
A History of Violence (2005)
Gremlins (1984) – Glenn Erickson’s Blu-ray review, Tfh’s retrospective links
Innerspace (1987) – Glenn Erickson’s Blu-ray review
The Worst Person In The World (2021)
Back To The Future (1985)
Hiroshima Mon Amour (1959)
Hour of the Wolf (1968)
2001: A Space Odyssey (1968) – John Landis’s trailer commentary, Dennis Cozzalio’s review
Mirror (1975)
Stalker (1979) – Glenn Erickson’s Criterion Blu-ray review
Soylent Green (1973)
Dr. Strangelove (1964) – Michael Lehmann’s trailer commentary, Glenn Erickson’s Criterion Blu-ray review
Last Year At Marienbad (1961)
The Hunt (1959)
Remonstrance (1972)
Don’t Look Now (1973) – John Landis’s trailer commentary
Bad Timing (1980) – Bernard Rose’s trailer commentary
Walkabout (1971) – Larry Karaszewski’s trailer commentary
Performance (1970) – Mark Goldblatt’s trailer commentary
Drive My Car (2021)
491 (1964)
The Seventh Seal (1957)
Persona (1966)
The Wild Strawberries...
Show Notes: Movies Referenced In This Episode
A History of Violence (2005)
Gremlins (1984) – Glenn Erickson’s Blu-ray review, Tfh’s retrospective links
Innerspace (1987) – Glenn Erickson’s Blu-ray review
The Worst Person In The World (2021)
Back To The Future (1985)
Hiroshima Mon Amour (1959)
Hour of the Wolf (1968)
2001: A Space Odyssey (1968) – John Landis’s trailer commentary, Dennis Cozzalio’s review
Mirror (1975)
Stalker (1979) – Glenn Erickson’s Criterion Blu-ray review
Soylent Green (1973)
Dr. Strangelove (1964) – Michael Lehmann’s trailer commentary, Glenn Erickson’s Criterion Blu-ray review
Last Year At Marienbad (1961)
The Hunt (1959)
Remonstrance (1972)
Don’t Look Now (1973) – John Landis’s trailer commentary
Bad Timing (1980) – Bernard Rose’s trailer commentary
Walkabout (1971) – Larry Karaszewski’s trailer commentary
Performance (1970) – Mark Goldblatt’s trailer commentary
Drive My Car (2021)
491 (1964)
The Seventh Seal (1957)
Persona (1966)
The Wild Strawberries...
- 3/15/2022
- by Kris Millsap
- Trailers from Hell
To complement Japanese director Ryûsuke Hamaguchi’s grieving, soft-spun vision for “Drive My Car,” which has received four Oscar noms including director and best picture, the choice of composer to create a melodramatic and delicate score was crucial.
Enter Eiko Ishibashi, an experimental Japanese multi-instrumentalist whose 2018 “The Dream My Bones Dream” was a turning point in an already decade-long career of scores for theater and short films.
Ishibashi’s 2018 album of haunting soundscapes and its electro-acoustic mix of noise, oddball pop, improvisational jazz and minimalist, modern classical music made her a cinematic force equal to Hamaguchi. The more textural and sweeping aspects of Ishibashi’s bittersweet melodies were an elegant match for Hamaguchi’s vision.
“It was a very unique experience for me to be able to create music with relative freedom and enjoyment,” says Ishibashi of her cinematic compositional scope.
After being known for crafting blunt, short films since...
Enter Eiko Ishibashi, an experimental Japanese multi-instrumentalist whose 2018 “The Dream My Bones Dream” was a turning point in an already decade-long career of scores for theater and short films.
Ishibashi’s 2018 album of haunting soundscapes and its electro-acoustic mix of noise, oddball pop, improvisational jazz and minimalist, modern classical music made her a cinematic force equal to Hamaguchi. The more textural and sweeping aspects of Ishibashi’s bittersweet melodies were an elegant match for Hamaguchi’s vision.
“It was a very unique experience for me to be able to create music with relative freedom and enjoyment,” says Ishibashi of her cinematic compositional scope.
After being known for crafting blunt, short films since...
- 3/11/2022
- by A.D. Amorosi
- Variety Film + TV
Indigenous Australian actor best known for his roles in films such as Walkabout, Crocodile Dundee and Rabbit-Proof Fence
As the British film-maker Nicolas Roeg was scouring Arnhem Land, in Australia’s Northern Territory, in search of an Indigenous Australian man to star in Walkabout (1971), he chanced upon the 16-year-old ceremonial dancer David Gulpilil. When asked his name, the teenager responded with the only English word he knew: “Yes.” Looking back on the film in 2015, he said: “I thought I was going to be John Wayne.”
Gulpilil, who has died of cancer aged 68, was a more amorphous and mysterious presence. As if Roeg’s fragmented, free-associative storytelling was not startling enough, Gulpilil’s performance was a shock to the system for many viewers.
As the British film-maker Nicolas Roeg was scouring Arnhem Land, in Australia’s Northern Territory, in search of an Indigenous Australian man to star in Walkabout (1971), he chanced upon the 16-year-old ceremonial dancer David Gulpilil. When asked his name, the teenager responded with the only English word he knew: “Yes.” Looking back on the film in 2015, he said: “I thought I was going to be John Wayne.”
Gulpilil, who has died of cancer aged 68, was a more amorphous and mysterious presence. As if Roeg’s fragmented, free-associative storytelling was not startling enough, Gulpilil’s performance was a shock to the system for many viewers.
- 12/13/2021
- by Ryan Gilbey
- The Guardian - Film News
Edu-tainment
Sony Pictures Television‘s YouTube channel Impossible Science, fronted by magician Jason Latimer, has partnered with the Los Angeles County Office of Education and the Los Angeles Unified School District to provide programming blocks in Science, Technology, Engineering and Mathematics (Stem) subjects.
The lesson plans, which are funded via Sony Pictures Global Relief Fund for Covid-19, can be used as part of the Klcs summer and winter learning programming blocks, which are focused on supporting children’s education through home school periods and vacations.
Over 30 bespoke plans, based on existing ‘Impossible Science’ YouTube videos, are available for educators and parents to download via a free-to-access website.
Impossible Science was launched with Latimer at the helm in fall 2020. Since then it has grown exponentially with nearly 220 Stem-inspired videos, amassing over 40 million views worldwide.
Award
David Gulpilil, the iconic Indigenous actor who died earlier this week, is to be given a...
Sony Pictures Television‘s YouTube channel Impossible Science, fronted by magician Jason Latimer, has partnered with the Los Angeles County Office of Education and the Los Angeles Unified School District to provide programming blocks in Science, Technology, Engineering and Mathematics (Stem) subjects.
The lesson plans, which are funded via Sony Pictures Global Relief Fund for Covid-19, can be used as part of the Klcs summer and winter learning programming blocks, which are focused on supporting children’s education through home school periods and vacations.
Over 30 bespoke plans, based on existing ‘Impossible Science’ YouTube videos, are available for educators and parents to download via a free-to-access website.
Impossible Science was launched with Latimer at the helm in fall 2020. Since then it has grown exponentially with nearly 220 Stem-inspired videos, amassing over 40 million views worldwide.
Award
David Gulpilil, the iconic Indigenous actor who died earlier this week, is to be given a...
- 12/3/2021
- by K.J. Yossman
- Variety Film + TV
Get in touch to send in cinephile news and discoveries. For daily updates follow us @NotebookMUBI.NEWSAbove: David Dalaithngu in Nicolas Roeg's Walkabout.Renowned Aboriginal film actor David Gulpilil Ridjimiraril Dalaithngu has died. David Dalaithngu was seen as a trailblazer for his early roles in Walkabout (1971) and Storm Boy (1976), and later performances in films like the semi-autobiographical Charlie's Country (2013). He rose to prominence as an actor and traditional dancer during a time in which Indigenous roles were frequently played by non-Indigenous actors, often in blackface. In his own words, he described acting as a "piece of cake." Steven Soderbergh, Channing Tatum, and writer Reid Carolin have joined forces for the next installment in the Magic Mike franchise, entitled Magic Mike's Last Dance. "The stripperverse will never be the same," Channing Tatum said. First Cow takes the number one in Cahiers du cinéma's top ten list for 2021! The list...
- 12/1/2021
- MUBI
David Dalaithngu, actor, dancer and Australian cultural icon, is credited with helping reinvent Australian film. His role in Walkabout (1971) contributed to the end of blackface being used in Australian cinema. Dalaithngu had a string of successful roles in the 1970s and 80s including in Storm Boy (1976) and Crocodile Dundee (1986). His longest creative collaboration was with director Rolf de Heer, with whom he worked for more than 15 years. Together they crafted The Tracker (2002) for which Dalaithngu won an Aactar award, Ten Canoes (2006) and Charlie’s Country (2014) for which Dalaithngu won best actor in Cannes’ Un Certain Regard section.
Walkabout (1971) Max L. Raab Productions & Si Litvinoff Film Production. Storm Boy (1976) Ambience Entertainment production. Crocodile Dundee (1986) Paramount Pictures Studios. Rabbit-Proof Fence (2002) Rumbalara Films, Olsen Levy & Showtime Australia. Charlie’s Country (2014) Adelaide Film Festival & Bula'bula Arts Aboriginal. My Name is Gulpilil (2021) Vertigo Productions...
Walkabout (1971) Max L. Raab Productions & Si Litvinoff Film Production. Storm Boy (1976) Ambience Entertainment production. Crocodile Dundee (1986) Paramount Pictures Studios. Rabbit-Proof Fence (2002) Rumbalara Films, Olsen Levy & Showtime Australia. Charlie’s Country (2014) Adelaide Film Festival & Bula'bula Arts Aboriginal. My Name is Gulpilil (2021) Vertigo Productions...
- 11/30/2021
- The Guardian - Film News
Legendary Indigenous actor David Dalaithngu, known for his roles in Walkabout, Storm Boy, and Ten Canoes, has died aged 68.
His death comes after he attended the premiere of documentary My Name Is Gulpilil at the Adelaide Festival earlier this year, defying a terminal lung cancer prognosis from 2017 that had only given him six months to live.
The news was confirmed on Monday night by South Australian Premier Steven Marshall, who described the trailblazing actor as a “once-in-a-generation artist”.
“It is with deep sadness that I share the passing of an iconic, once-in-a-generation artist who shaped the history of Australian film and Aboriginal representation on screen – David Dalaithngu Am,” he wrote in a statement.
“My thoughts are with his family, and his dear friend and carer Mary Hood.”
A Mandhalpuyngu man from the Arafura Swamp region in Arnhem Land, Dalaithngu was just 16 when he starred in his breakout role in Nicolas Roeg’s 1971 film Walkabout,...
His death comes after he attended the premiere of documentary My Name Is Gulpilil at the Adelaide Festival earlier this year, defying a terminal lung cancer prognosis from 2017 that had only given him six months to live.
The news was confirmed on Monday night by South Australian Premier Steven Marshall, who described the trailblazing actor as a “once-in-a-generation artist”.
“It is with deep sadness that I share the passing of an iconic, once-in-a-generation artist who shaped the history of Australian film and Aboriginal representation on screen – David Dalaithngu Am,” he wrote in a statement.
“My thoughts are with his family, and his dear friend and carer Mary Hood.”
A Mandhalpuyngu man from the Arafura Swamp region in Arnhem Land, Dalaithngu was just 16 when he starred in his breakout role in Nicolas Roeg’s 1971 film Walkabout,...
- 11/29/2021
- by Sean Slatter
- IF.com.au
David Gulpilil, an actor who who lit up the screen in his 1971 debut film “Walkabout” and recently starred in a biographical documentary about his remarkable life, has died. Gulpilil was diagnosed with lung cancer four years ago. He was 68.
The Australian actor was a pioneering indigenous performer with talents including acting, singing and painting. His film credits include “The Last Wave,” “Crocodile Dundee,” “The Tracker,” “Rabbit-Proof Fence,” “Ten Canoes,” “Goldstone” and “Charlie’s Country.” TV credits include “Pine Gap” and “The Timeless Land.”
“It is with deep sadness that I share with the people of South Australia the passing of an iconic, once-in-a-generation artist who shaped the history of Australian film and Aboriginal representation on screen – David Gulpilil Ridjimiraril Dalaithngu (Am),” said South Australia’s Premier Steven Marshall in a statement.
“David Gulpilil was from the Mandhalpingu clan of the Yolŋu people, and was raised in the traditional ways in Arnhem Land.
The Australian actor was a pioneering indigenous performer with talents including acting, singing and painting. His film credits include “The Last Wave,” “Crocodile Dundee,” “The Tracker,” “Rabbit-Proof Fence,” “Ten Canoes,” “Goldstone” and “Charlie’s Country.” TV credits include “Pine Gap” and “The Timeless Land.”
“It is with deep sadness that I share with the people of South Australia the passing of an iconic, once-in-a-generation artist who shaped the history of Australian film and Aboriginal representation on screen – David Gulpilil Ridjimiraril Dalaithngu (Am),” said South Australia’s Premier Steven Marshall in a statement.
“David Gulpilil was from the Mandhalpingu clan of the Yolŋu people, and was raised in the traditional ways in Arnhem Land.
- 11/29/2021
- by Patrick Frater
- Variety Film + TV
The actor starred in films including ‘Walkabout’, ‘Crocodile Dundee’ and ‘Rabbit-Proof Fence’
David Gulpilil, one of Australia’s most recognisable actors both locally and abroad, has died at the age of 68.
In a statement issued today, the premier of South Australia, Steven Marshall, described him as an “iconic, once-in-a-generation artist who shaped the history of Australian film and Aboriginal representation on screen”.
Gulpilil was first cast in Walkabout (1971), directed by Nicolas Roeg, and has been a feature of Australian cinema for the past 50 years, including roles in two local films that are among the highest-grossing releases ever in Australia: Crocodile Dundee...
David Gulpilil, one of Australia’s most recognisable actors both locally and abroad, has died at the age of 68.
In a statement issued today, the premier of South Australia, Steven Marshall, described him as an “iconic, once-in-a-generation artist who shaped the history of Australian film and Aboriginal representation on screen”.
Gulpilil was first cast in Walkabout (1971), directed by Nicolas Roeg, and has been a feature of Australian cinema for the past 50 years, including roles in two local films that are among the highest-grossing releases ever in Australia: Crocodile Dundee...
- 11/29/2021
- by Sandy George
- ScreenDaily
David Gulpilil, the revered Indigenous Australian actor and dancer, known for his performances in films such as Rabbit-Proof Fence, Crocodile Dundee, The Tracker and Walkabout, has died aged 68 following a battle with cancer.
Gulpilil’s death was confirmed Monday in a statement by South Australian Premier Steven Marshall. “It is with deep sadness that I share with the people of South Australia the passing of an iconic, once-in-a-generation artist who shaped the history of Australian film and Aboriginal representation on screen – David Gulpilil Ridjimiraril Dalaithngu (Am),” he posted on social media.
Gulpilil received mainstream recognition for his performances in blockbuster comedy Crocodile Dundee (1986) and Phillip Noyce’s drama Rabbit-Proof Fence (2002), which garnered the actor his first best actor prize from the Australian Academy of Cinema and Television Arts Awards.
He was also well known for 2002 feature The Tracker, in which he played the title character, and further collaborations with director...
Gulpilil’s death was confirmed Monday in a statement by South Australian Premier Steven Marshall. “It is with deep sadness that I share with the people of South Australia the passing of an iconic, once-in-a-generation artist who shaped the history of Australian film and Aboriginal representation on screen – David Gulpilil Ridjimiraril Dalaithngu (Am),” he posted on social media.
Gulpilil received mainstream recognition for his performances in blockbuster comedy Crocodile Dundee (1986) and Phillip Noyce’s drama Rabbit-Proof Fence (2002), which garnered the actor his first best actor prize from the Australian Academy of Cinema and Television Arts Awards.
He was also well known for 2002 feature The Tracker, in which he played the title character, and further collaborations with director...
- 11/29/2021
- by Andreas Wiseman
- Deadline Film + TV
David Gulpilil, the beloved Indigenous Australian actor who introduced the world to his culture in Nicolas Roeg’s Walkabout and went on to make his mark in the blockbuster Crocodile Dundee and in the Rolf de Heer dramas The Tracker and Charlie’s Country, has died. He was 68.
Gulpilil was diagnosed with lung cancer in 2017, and his death was announced Monday in a statement by South Australian Premier Steven Marshall. “It is with deep sadness that I share with the people of South Australia the passing of an iconic, once-in-a-generation artist who shaped the history of Australian film and Aboriginal representation on ...
Gulpilil was diagnosed with lung cancer in 2017, and his death was announced Monday in a statement by South Australian Premier Steven Marshall. “It is with deep sadness that I share with the people of South Australia the passing of an iconic, once-in-a-generation artist who shaped the history of Australian film and Aboriginal representation on ...
- 11/29/2021
- The Hollywood Reporter - Film + TV
David Gulpilil, the beloved Indigenous Australian actor who introduced the world to his culture in Nicolas Roeg’s Walkabout and went on to make his mark in the blockbuster Crocodile Dundee and in the Rolf de Heer dramas The Tracker and Charlie’s Country, has died. He was 68.
Gulpilil was diagnosed with lung cancer in 2017, and his death was announced Monday in a statement by South Australian Premier Steven Marshall. “It is with deep sadness that I share with the people of South Australia the passing of an iconic, once-in-a-generation artist who shaped the history of Australian film and Aboriginal representation on ...
Gulpilil was diagnosed with lung cancer in 2017, and his death was announced Monday in a statement by South Australian Premier Steven Marshall. “It is with deep sadness that I share with the people of South Australia the passing of an iconic, once-in-a-generation artist who shaped the history of Australian film and Aboriginal representation on ...
- 11/29/2021
- The Hollywood Reporter - Movie News
If you haven't subscribed for Season 17 of Cinema Retro, here's what you've been missing:
Issue #49
Lee Pfeiffer goes undercover for Robert Vaughn's spy thriller "The Venetian Affair" .
Cai Ross goes to hell for "Damien- Omen II"
Ernie Magnotta continues our "Elvis on Film" series with "Elvis: That's the Way It Is"..
Robert Leese scare up some memories of the cult classic "Carnival of Souls"
Dave Worrall and Lee Pfeiffer look back on the 1976 Sensurround sensation "Midway"
Remembering Sir Sean Connery
James Sherlock examines Stanley Kramer's pandemic Cold War classic "On the Beach".
Dave Worrall goes in search of the Disco Volante hydrofoil from "Thunderball"
Raymond Benson's Cinema 101 column
Gareth Owen's "Pinewood Past" column
Darren Allison reviews the latest soundtrack releases
Issue #50
50th anniversary celebration of "The French Connection" : Todd Garbarini interviews director William Friedkin
"Scars of Dracula": Mark Cerulli interviews stars Jenny Hanley and...
Issue #49
Lee Pfeiffer goes undercover for Robert Vaughn's spy thriller "The Venetian Affair" .
Cai Ross goes to hell for "Damien- Omen II"
Ernie Magnotta continues our "Elvis on Film" series with "Elvis: That's the Way It Is"..
Robert Leese scare up some memories of the cult classic "Carnival of Souls"
Dave Worrall and Lee Pfeiffer look back on the 1976 Sensurround sensation "Midway"
Remembering Sir Sean Connery
James Sherlock examines Stanley Kramer's pandemic Cold War classic "On the Beach".
Dave Worrall goes in search of the Disco Volante hydrofoil from "Thunderball"
Raymond Benson's Cinema 101 column
Gareth Owen's "Pinewood Past" column
Darren Allison reviews the latest soundtrack releases
Issue #50
50th anniversary celebration of "The French Connection" : Todd Garbarini interviews director William Friedkin
"Scars of Dracula": Mark Cerulli interviews stars Jenny Hanley and...
- 11/26/2021
- by nospam@example.com (Cinema Retro)
- Cinemaretro.com
Returning to Karlovy Vary Intl. Film Festival, where his documentary short “Views of a Retired Night Porter” was awarded in 2006, Austrian helmer Andreas Horvath decided to focus on his fiction feature debut “Lillian” when addressing the participants of European Film Promotion’s Future Frames during an exclusive masterclass. The showcase, now in its seventh edition, presents 10 young directors from Europe and their latest work, selected by the artistic team of Kviff.
Inspired by the true story of Lillian Alling, a Russian woman in New York who decided to walk back to her homeland in the 1920s, the film was borne out of Horvath’s restlessness.
“I was at a film festival in Montreal and decided to go to Toronto. I often do that – I don’t necessarily watch all the films but go to museums, explore the city. My friends had a guest and he told me about her,” he said.
Inspired by the true story of Lillian Alling, a Russian woman in New York who decided to walk back to her homeland in the 1920s, the film was borne out of Horvath’s restlessness.
“I was at a film festival in Montreal and decided to go to Toronto. I often do that – I don’t necessarily watch all the films but go to museums, explore the city. My friends had a guest and he told me about her,” he said.
- 8/24/2021
- by Marta Balaga
- Variety Film + TV
"The natural landscape is a common setting and often a frightening place - one that functions by its own logic and is hostile to outsiders." Dive into this brief history of the Australian New Wave era of cinema thanks to a new video essay on YouTube. This was commissioned by Little White Lies and written / edited by filmmaker Will Webb (who has been making many video essays in addition to this one). Here's the intro: "How a government funding scheme gave rise to a cinematic revolution in 1970s Australia, featuring now iconic films such as Wake in Fright, Walkabout and Mad Max." It all kicked off in the early 1970s and lasted through the 80s, with other Australian classics like The Man From Hong Kong, Gallipoli, Mad Dog Morgan, Razorback, and Crocodile Dundee. Webb's essay covers the first few films and various themes of the era, including how the films...
- 8/3/2021
- by Alex Billington
- firstshowing.net
Stars: Rebecca Romijn, Philip Winchester, Isabel Bassett, Michael Johnston, Chris Fisher, Jerry O’Connell, Brenda Ngeso, George Glenn Ouma, Aseem Sharma, Pritul Raithatha, Stephen Adogo | Written by M.J. Bassett, Isabel Bassett | Directed by M.J. Bassett
Endangered Species comes from writer/director M.J. Bassett who explored similar territory in both the 2006 film Wilderness, which saw teens put on an island and having to fend for themselves; and much more recently with Rogue, the Megan Fox, killer lion film from last year.
This film combines both into a story that sees Robert Halsey (Philip Winchester), his wife Andi (Rebecca Romijn), teenage daughter Katie, and young son Toby take a trip to the Amboseli National Park in Kenya. Wanting to experience adventure in the wilderness, they head down a forbidden road to a remote area of the vast national park without a guide, when a hair-raising encounter with a wild rhino leaves...
Endangered Species comes from writer/director M.J. Bassett who explored similar territory in both the 2006 film Wilderness, which saw teens put on an island and having to fend for themselves; and much more recently with Rogue, the Megan Fox, killer lion film from last year.
This film combines both into a story that sees Robert Halsey (Philip Winchester), his wife Andi (Rebecca Romijn), teenage daughter Katie, and young son Toby take a trip to the Amboseli National Park in Kenya. Wanting to experience adventure in the wilderness, they head down a forbidden road to a remote area of the vast national park without a guide, when a hair-raising encounter with a wild rhino leaves...
- 7/29/2021
- by Phil Wheat
- Nerdly
From Walkabout, Storm Boy, Crocodile Dundee and Rabbit Proof Fence, to Australia, The Proposition and Charlie’s Country, the work of David Gulpilil forms a throughline in modern Australian cinema.
Knowing that his career has touched Australians far and wide and across generations, distributor Abcg Films wanted to ensure documentary My Name Is Gulpilil was accessible and could reach audiences across the country.
Directed by Molly Reynolds, the film sees the legendary Indigenous actor, who has terminal lung cancer, tell his story in his own words – there are no talking heads from anyone else.
The film was originally intended to exist as a posthumous tribute, though Gulpilil has defied the odds. Indeed, despite his illness, he was even able to be there in person for the film’s premiere at the Adelaide Festival in March.
Abcg Film, led by Alicia Brescianini and Cathy Gallagher, has a long history of working with...
Knowing that his career has touched Australians far and wide and across generations, distributor Abcg Films wanted to ensure documentary My Name Is Gulpilil was accessible and could reach audiences across the country.
Directed by Molly Reynolds, the film sees the legendary Indigenous actor, who has terminal lung cancer, tell his story in his own words – there are no talking heads from anyone else.
The film was originally intended to exist as a posthumous tribute, though Gulpilil has defied the odds. Indeed, despite his illness, he was even able to be there in person for the film’s premiere at the Adelaide Festival in March.
Abcg Film, led by Alicia Brescianini and Cathy Gallagher, has a long history of working with...
- 6/29/2021
- by Jackie Keast
- IF.com.au
"I'm an actor, I'm a dancer, I'm a singer and also, a painter. This film is about me. This is my story of my story." Abcg Film has released a trailer for My Name is Gulpilil, a feature film about the extraordinary life of Indigenous actor, dancer, artist, and screen legend, David Gulpilil. You definitely know who he is! The only actor to appear in both of the two highest grossing Australian films of all time, Crocodile Dundee (1986) and Australia (2008), Gulpilil is known throughout the world for his unforgettable performances - from his breakthrough in Walkabout (1971) to films including Storm Boy (1976), Mad Dog Morgan (1976), Peter Weir's The Last Wave (1977), The Tracker (2002), Rabbit Proof Fence (2002), The Proposition (2005) and his Cannes Best Actor award winning role in Rolf de Heer's Charlie's Country (2013). Integral to the telling of so many legendary screen stories, Gulpilil, now nearing the end of his life, generously shares...
- 5/6/2021
- by Alex Billington
- firstshowing.net
As we wrap up the month of March, we have one final round of horror and sci-fi home media releases on tap before we start looking towards April and beyond, and I hope you have your wallets ready, because this week’s slate of titles is a budget killer, no doubt. Arrow Video is celebrating the 40th anniversary of An American Werewolf in London this year with a brand new limited edition Steelbook, and Warner Archives is showing some love to a few older titles this Tuesday as well: Isle of the Dead and The Bermuda Depths.
Vinegar Syndrome is keeping busy with a handful of new releases this week, too, including The Fear, Nightmare Weekend, Graduation Day, and Hitcher in the Dark. Severin Films is also celebrating a pair of films from Álex de la Iglesia with their Special Edition Blus for The Day of the Beast and Perdita Durango,...
Vinegar Syndrome is keeping busy with a handful of new releases this week, too, including The Fear, Nightmare Weekend, Graduation Day, and Hitcher in the Dark. Severin Films is also celebrating a pair of films from Álex de la Iglesia with their Special Edition Blus for The Day of the Beast and Perdita Durango,...
- 3/29/2021
- by Heather Wixson
- DailyDead
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