| Photos (see all 18 | slideshow) |
| Jon Finch | ... | Macbeth | |
| Francesca Annis | ... | Lady Macbeth | |
| Martin Shaw | ... | Banquo | |
| Terence Bayler | ... | Macduff | |
| John Stride | ... | Ross | |
| Nicholas Selby | ... | Duncan | |
| Stephan Chase | ... | Malcolm | |
| Paul Shelley | ... | Donalbain | |
| Maisie MacFarquhar | ... | First Witch | |
| Elsie Taylor | ... | Second Witch | |
| Noelle Rimmington | ... | Third Witch | |
| Noel Davis | ... | Seyton | |
| Sydney Bromley | ... | Porter | |
| Richard Pearson | ... | Doctor | |
| Patricia Mason | ... | Gentlewoman | |
| Michael Balfour | ... | First Murderer | |
| Andrew McCulloch | ... | Second Murderer | |
| Keith Chegwin | ... | Fleance | |
| Andrew Laurence | ... | Lennox | |
| Bernard Archard | ... | Angus | |
| Bruce Purchase | ... | Caithness | |
| Frank Wylie | ... | Menteith | |
| Diane Fletcher | ... | Lady Macduff | |
| Mark Dightam | ... | Macduff's Son | |
| Bill Drysdale | ... | King's Groom | |
| Roy Jones | ... | King's Groom | |
| Vic Abbott | ... | Cowdor | |
| Ian Hogg | ... | First Thane | |
| Geoffrey Reed | ... | Second Thane | |
| Nigel Ashton | ... | Third Thane | |
| William Hobbs | ... | Young Seyward | |
| Alf Joint | ... | Old Seyward | |
| Paul Hennen | ... | Doctor's Apprentice | |
| rest of cast listed alphabetically: | |||
| Olga Anthony | ... | Dancer (uncredited) | |
| Roy Desmond | ... | Dancer (uncredited) | |
| David Ellison | ... | Old Soldier (uncredited) | |
| Pamela Foster | ... | Dancer (uncredited) | |
| Clement Freud | ... | Hanging Man (uncredited) | |
| John Gordon | ... | Dancer (uncredited) | |
| Barbara Ann Grimes | ... | Dancer (uncredited) | |
| Aud Johansen | ... | Dancer (uncredited) | |
| Janie Kells | ... | Dancer (uncredited) | |
| Howard Lang | ... | Old Soldier (uncredited) | |
| Dickie Martyn | ... | Dancer (uncredited) | |
| Terence Mountain | ... | Soldier (uncredited) | |
| Beth Owen | ... | Dancer (uncredited) | |
| Christina Paul | ... | Dancer (uncredited) | |
| Lynette Reade | ... | A witch (uncredited) | |
| Maxine Skelton | ... | Dancer (uncredited) | |
| Don Vernon | ... | Dancer (uncredited) | |
| Anna Willoughby | ... | Dancer (uncredited) | |
Directed by | |||
| Roman Polanski | |||
Writing credits | ||
| William Shakespeare | (play) | |
| Roman Polanski | writer | |
| Kenneth Tynan | writer | |
Produced by | |||
| Andrew Braunsberg | .... | producer | |
| Timothy Burrill | .... | associate producer | |
| Hugh M. Hefner | .... | executive producer | |
| Victor Lownes | .... | assistant executive producer | |
Original Music by | |||
| The Third Ear Band | |||
Cinematography by | |||
| Gilbert Taylor | (as Gil Taylor) | ||
Film Editing by | |||
| Alastair McIntyre | |||
Casting by | |||
| Miriam Brickman | |||
Production Design by | |||
| Wilfred Shingleton | (as Wilfrid Shingleton) | ||
Art Direction by | |||
| Fred Carter | |||
Set Decoration by | |||
| Bryan Graves | |||
Costume Design by | |||
| Anthony Mendleson | |||
Makeup Department | |||
| Biddy Chrystal | .... | chief hair stylist | |
| Tom Smith | .... | key makeup artist | |
Second Unit Director or Assistant Director | |||
| Hercules Bellville | .... | second unit director | |
| Simon Relph | .... | first assistant director | |
| Michael Green | .... | third assistant director (uncredited) | |
| Nigel Wooll | .... | second assistant director (uncredited) | |
Art Department | |||
| Jack Stephens | .... | assistant art director | |
| Kenneth Tynan | .... | artistic advisor | |
Sound Department | |||
| Jonathan Bates | .... | dubbing editor | |
| Simon Kaye | .... | sound mixer | |
| Nolan Roberts | .... | dubbing mixer | |
| John Ireland | .... | dialogue editor (uncredited) | |
Special Effects by | |||
| Ted Samuels | .... | special effects | |
Stunts | |||
| Ken Buckle | .... | stunts (uncredited) | |
| Russ Jones | .... | stunt double: broadsword (uncredited) | |
Camera and Electrical Department | |||
| Alec Mills | .... | camera operator | |
| Maurice Gillett | .... | gaffer (uncredited) | |
Costume and Wardrobe Department | |||
| Jackie Breed | .... | wardrobe | |
| Philippe Pickford | .... | wardrobe (as Phil Pickford) | |
Other crew | |||
| Angela Allen | .... | continuity | |
| Sally Gilpin | .... | choreographer | |
| William Hobbs | .... | fight director | |
| David W. Orton | .... | production advisor | |
| Jeremy Taylor | .... | horse master | |
| Richard Vetter | .... | process consultant | |
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| Tristan + Isolde | Caligola | Excalibur | Beowulf | Macbeth |
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| Full cast and crew | Company credits | External reviews |
| IMDb Drama section | IMDb UK section | Add this title to MyMovies |
I remember watching this film in my Grade 11 English class when we were studying William Shakespeare's "Macbeth". Reading the story a couple of times, I rather enjoyed the classic tale to a degree. Whether or not it would convincingly translate to film, I, along with my class, was about to find out...with Roman Polanski's 1971 film adaptation, also produced by - HUGH HEFNER?!? As strangely amusing as the "Playboy" credit seemed in the opening credits, we were prepared for a very interesting take on the famous, violent play.
Shakespearean tragedies/comedies being translated to film are nothing new, of course. There have been some clear hits and misses over the decades - but fortunately, "Macbeth" does not fall into that latter "miss" category, for it is a tremendously underrated, very surprising, and overall competently made film. Roman Polanski is an excellent director here, and the acting, music, and effects (some of which - particularly the "dagger/murder" sequence - perversely amused my fellow classmates, who are obviously jaded by today's overblown, unsubtle, effects-laden "dramas") worked well for me. As well, the graphic violent and sexual nature of the film (which was also sometimes entertaining to the class, sadly) shocked me quite a bit. Of course, for a film made in 1971, Polanski's "Macbeth" isn't exactly "tame", if you will. Apparently it was rated X at the time, when the notorious film rating existed. I'm not sure if that's true or not, but it clearly wouldn't be surprising if it were, especially considering how intense this film can get - both physically and psychologically. It works extremely well as an old-fashioned action-packed thriller, and even to someone who knew the story fairly well, it was an exciting little soap opera to behold. The class really enjoyed it as well, I'm glad to say; even for all its "old" qualities (i.e. the twangy psychadelic-sounding music that plays upon the closing credits) it still achieved a certain charm that was impossible to deny.
One of the most impressive and enjoyable Shakespearean films I have ever seen, "Macbeth" deserves much more acclaim than scorn - for it is well-made, and enormously faithful to its original source, capturing all the details of ol' Scotland and its inhabitants with great care. It's a wonderful treat. Highly recommended.