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Connecting Rooms (1970) More at IMDbPro »

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5 out of 8 people found the following review useful:
Damp Davis, capable Kanner, 18 December 2002
2/10
Author: F Gwynplaine MacIntyre (Borroloola@earthlink.net) from Minffordd, North Wales

‘Connecting Rooms' is a bleak chamber drama, similar in mood and setting to ‘Separate Tables' but nowhere near so interesting as that film. I'm not aware that ‘Connecting Rooms' was ever released anywhere: I saw it at a trade screening, and not one of the cinema exhibitors in the audience showed any interest in booking this movie … despite the box-office value of Bette Davis and Michael Redgrave.

James Wallraven (Redgrave) is a schoolmaster who has been dismissed for sexual misconduct with one of his students: the script is careful to let us know that Wallraven was unfairly accused (unlike the equivalent character in ‘Separate Tables', played by David Niven in his Oscar-winning performance). The disgraced Wallraven lives in a dilapidated rooming house in Bayswater, hoping that no one here will learn his shameful secret. He meets Wanda Fleming, a repressed cellist (Davis). This film was based on a (flop) stage play called ‘The Cellist', and Davis's role is clearly the central character in this film. A tentative relationship develops between Wallraven and Wanda.

Wanda's student is a scruffy young man named Mickey Hollister (Alexis Kanner), who lusts for fame as a songwriter. Mickey also lusts for Wanda, even though he's a lot younger and better-looking than she is. Jealous that Wanda is giving her attentions to Wallraven, Mickey reveals Wallraven's secret … without revealing that Wallraven is innocent.

This whole thing is a soap opera. Leo Genn and Kay Walsh give good performances in supporting roles. Redgrave's role would have been much more interesting (and his performance more challenging) if his character had actually been guilty of the sex crime. By far, the best performance on offer here is Alexis Kanner's. Although Kanner is an extremely pretentious actor, he's also a very physical actor who takes risks. In many of his TV and film roles, what Kanner does onscreen is wrong … but he nearly always does something interesting and unexpected. He's vital, virile and primally evil as the covetous Hollister. If Kanner had channelled his talents more intelligently, and disciplined himself, he could have been the British version of James Dean.

At the end of the film, Bette Davis and Michael Redgrave walk past a theatre poster for a play starring an actress named Margo Channing (the character Davis played in ‘All About Eve'). This wasn't a very good in-joke, as it reminds us of a film that's much better than ‘Connecting Rooms', in which Bette Davis gives a much better performance than she does here. I'll reluctantly rate this movie 2 points out of 10.

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1 out of 1 people found the following review useful:
A wonderful movie about keeping hope alive by having unshakeable faith., 18 November 1998
8/10
Author: ROSELIN GATES from killeen, Texas

The story revolves around three people:Wanda, James and Mickey. Wanda is a lonely musician living in a rundown boarding house, and she meets Mickey a struggling music writer who lives just downstairs; while Professor James lives next door to her and in fact their rooms are only separated by a connecting door...thus the title of the movie. She lost the love of her life and now that's she's getting older Wanda gives her heart to Mickey with the hope of loving again,but he's only interested in becoming famous and getting whatever he can from Princess (what he calls her) In the meantime, the Professor loses his job, because he stands up for his belief...but he keeps it a secret from everyone. Wanda realizes that the Professor is tortured and tries to become a friend. In time their friendship develops, not to the liking of the nosey landlady, and Mickey who's failing at everything and now wants to make up for all of the times he'd ignored Wanda or simply used her. Wanda finally say her goodbyes to Mickey, much to his dismay and turn her attention to the fragile, but kindly Professor...in spite of the fact that she's found out his secret. He too gravitates towards her warmth as a wonderful person. The professor then ask to see her performance...at first she refuses, but recants,because she realises that in order for their relationship to progress, he needed to find out her secret...which he does. She wasn't a musician on stage, but rather a street musician who lived on whatever was thrown her way.Neither

comments,but rather wholeheartedly embraces each other for what they were.

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