Overview
Release Date:
18 September 1971 (USA)
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Plot:
English Lord Brett Sinclair and American Danny Wilde are both wealthy playboys, they are teamed together...
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User Comments:
Inspired!
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| Peter Price | .... | assistant director (18 episodes, 1971-1972) |
| Frank Ernst | .... | assistant director (6 episodes, 1971-1972) |
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| Ken Tait | .... | set dresser (24 episodes, 1971-1972) |
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| James Devis | .... | camera operator (24 episodes, 1971-1972) |
| Brian Ellis | .... | focus puller (24 episodes, 1971-1972) |
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| John Briggs | .... | wardrobe supervisor (24 episodes, 1971-1972) |
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Additional Details
Also Known As:
The Friendly Persuaders (UK) (working title)
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Runtime:
60 min
Aspect Ratio:
1.33 : 1
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MOVIEmeter: 
15% since last week
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Fun Stuff
Trivia:
The cancellation of this series allowed Roger Moore to accept the role of James Bond.
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Quotes:
[
Danny and Brett are driving on a rough country road towards Danny's new cottage]
Lord Brett Sinclair:
Daniel, will you please turn around and take me to the station? I wish to go back to London.
Danny Wilde:
I'm not takin' you back to the station to go back to London. You're staying with me!
Lord Brett Sinclair:
I don't care how good your surprise is, nothing is worth a ride like this.
Danny Wilde:
You know what your problem is? You're getting soft! Living in London is doing it to you, making you a softy. You stick with me, 'cause the surprise I'm gonna show you is gonna knock your eyes out.
[
...]
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Soundtrack:
The Persuaders
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Never before have I seen on-screen chemistry like that between Roger Moore and Tony Curtis in The Persuaders. Both actors fill their roles perfectly and more besides, whoever teamed up these guys needs credit also.
Whether they're winning improbable fight scenes, surviving hair-raising car chases, or making sense of unusual situations (e.g Sinclair finding out how he has suddenly acquired a wife, Wilde being accidentally immersed into a Soviet spy ring, or Sinclair again finding that he has been cloned!) Moore and Curtis always appear to be having a riot of a time, perhaps in some measure a result of the large quantities of champagne the cast got through on the set.
Roger Moore deploys his usual charm and dry wit, whilst the manic Curtis excels with his deadpan humour and perfect timing. The contrast between the two main characters matches that between the two actors, but its more a case of salt and vinegar than cheese and chalk, Moore and Curtis are perfect together, and together they are perfect for the show. Slightly camp 1970s comedy/action - perfect for Roger to make his indelible mark on the James Bond series, and a welcome change for Tony from his less light-hearted roles.
Brilliant series, shame it only lasted a couple of years!