Ryan's Daughter (1970/I)

Director:

David Lean

Writer:

Robert Bolt (writer)

Release Date:

17 December 1970 (West Germany)

Genre:

Drama | Romance

Tagline:

A story of love...set against the violence of rebellion

Plot:

World War I seems far away from Ireland's Dingle peninsula when Rosy Ryan Shaughnessy goes horseback...

Plot Keywords:

Father | Village | Pub | Gun | Officer

Awards:

Won 2 Oscars. Another 8 wins & 19 nominations

Cast

Robert Mitchum	...	Charles Shaughnessy
Trevor Howard	...	Father Collins
Christopher Jones	...	Randolph Doryan
John Mills	...	Michael
Leo McKern	...	Thomas Ryan
Sarah Miles	...	Rosy Ryan
Barry Foster	...	Tim O'Leary
Marie Kean	...	Mrs. McCardle
Arthur O'Sullivan	...	Mr. McCardle
Evin Crowley	...	Maureen
Douglas Sheldon	...	Driver
Gerald Sim	...	Captain
Barry Jackson	...	Corporal
Des Keogh	...	Lanky private
Niall Toibin	...	O'Keefe

Also Known As:

Michael's Day (UK) (working title)

MPAA:

Rated R for a sex scene.

Runtime:

195 min (general release version) | 206 min (roadshow/DVD version)

Country:

UK

Language:

English

Colour:

Colour (Metrocolor)

Aspect Ratio:

2.35 : 1

Sound Mix:

70 mm 6-Track (70 mm prints) | Mono (35 mm optical prints) | 4-Track Stereo (35 mm magnetic prints)

Certification:

UK:15 (video rating) | UK:AA (original rating) | Australia:PG | Singapore:M18 | Iceland:16 | West Germany:16 (f) | USA:R (re-rating) (1996) | New Zealand:M (special edition) | Finland:K-16 | Sweden:11 | USA:GP (original rating)

Filming Locations:

Bridges of Ross, County Clare, Ireland

Company:

Faraway Productions

Trivia:

Peter O'Toole was considered for Michael and Doryan but turned down both parts.

Goofs:

Anachronisms: As he is driving Major Doryan to the camp, the corporal asks him if he had been in the Second Battle of the Marne. The Second Battle of the Marne was fought in July and August of 1918 near the end of WWI while events in Ryan's Daughter are set in 1916 not long after the Easter Rising.

Quotes:

Father Collins: I don't know what's the matter with youngsters in this town. Their talk is filthy, their doings are secret, and cruelty for fun.
Thomas Ryan: Unemployment is the matter with them, Father Hugh. It's the deliberate policy for the British government that Irish youngsters shall corrupt in idleness.

Movie Connections:

Edited into Elizabeth: The Golden Age (2007)

Long, sweeping and underrated - but easy to see why many don't like it.

In 1918 Ireland a school teacher's wife and an army captain have an illicit affair that has far reaching consequences.

The film that cast Robert Mitchum so against type as to be untrue (a cuckold husband!) and whose critical response drove a great director to near two decades of silence has to be viewed; if only as cinema history.

This is a small film blown up to try and be an epic, which it is not and that is the first of its faults. Nevertheless I think it is an important and enjoyable product that I have seen twice, once for the film and once to re-live the unbelievable cinematography and action scenes. The lifeboat scene is one of the greatest pieces of cinema ever, it should feature in film schools.

The problem with adultery is that directors always try and limit blame because they fear alienating the audience. Here we have no reason for it other than lust and selfishness, one person's happiness (if only brief) is only achieved by taking someone else's.

I have long held the view that Mitchum was underrated as an actor and has a wonderful speaking voice. I am glad he has this on his C.V, not that he will be need it anymore. Miles is equally good, although it is not as hard as hard a part to play. John Mills - as the village idiot - won an Oscar for his over-the-top performance that he reports upon faithfully on his autobiography. "They sat me down and gave me the worst haircut they could think of..."

It has been said so many before, but there is no real need for a film with modest intentions to be so long. I actually don't mind because I have a lot of patience with quality material and know there will be some great scenes in any David Lean film. I am just sorry that the main man had such a fragile ego; especially when the industry had rewarded him with so much silverware.