| David Hemmings | ... | Tim Brett | |
| Gayle Hunnicutt | ... | Juliet Bristow | |
| Wilfrid Hyde-White | ... | Mr. Copsey | |
| Flora Robson | ... | Lucy Dawson | |
| Adolfo Celi | ... | Signor Bardoni | |
| Roland Culver | ... | Mr. Vellacot | |
| Daniel Massey | ... | Maj. Ricketts | |
| Mona Washbourne | ... | Mrs. Gray | |
| Arthur Lowe | ... | Mr. Nugent | |
| Yootha Joyce | ... | Miss Ward-Cadbury | |
| Derek Newark | ... | Sgt. Matthews | |
| Patricia Hayes | ... | Mrs. Baird | |
| Mary Wimbush | ... | Bunface | |
| Philip Stone | ... | CID Sergeant | |
| Glynn Edwards | ... | CID Superintendent | |
| Massimo Sarchielli | ... | Mario | |
| Angelo Infanti | ... | Bruno | |
| Bernard Archard | ... | Priest | |
| Kenneth Cranham | ... | Joe | |
| Michael Rothwell | ... | Rocky | |
| Petra Markham | ... | Schoolgirl #1 | |
| Georgina Moon | ... | Schoolgirl #2 | |
| Lois Hyett | ... | Schoolgirl #3 | |
| John Rae | ... | Uncle Stanley | |
| Edward Kemp | ... | Kenny | |
| Hilda Barry | ... | Miss Dacey | |
| Kurt Christian | ... | Nino | |
| Jessica Dublin | ... | American Matron #1 | |
| Louise Lambert | ... | American Matron #2 | |
| Richard Kerr | ... | Pop Singer | |
| Columbus | ... | A London Pigeon | |
| rest of cast listed alphabetically: | |||
| Zakes Mokae | |||
Directed by | |||
| Richard C. Sarafian | |||
Writing credits(in alphabetical order) | ||
| John Bingham | novel | |
| Paul Dehn | writer | |
Produced by | |||
| Paul Dehn | .... | associate producer | |
| John R. Sloan | .... | producer | |
Original Music by | |||
| Johnny Harris | |||
Cinematography by | |||
| Oswald Morris | |||
Film Editing by | |||
| Malcolm Cooke | |||
Casting by | |||
| Robert Simmonds | |||
| Harvey Woods | |||
Art Direction by | |||
| Ray Simm | |||
Costume Design by | |||
| Phyllis Dalton | |||
Makeup Department | |||
| Bob Lawrance | .... | makeup artist (as Bob Lawrence) | |
| Patricia McDermott | .... | hair stylist | |
Production Management | |||
| Mara Blasetti | .... | production manager: Italy | |
| Basil Rayburn | .... | production supervisor | |
Second Unit Director or Assistant Director | |||
| William P. Cartlidge | .... | assistant director (as Bill Cartlidge) | |
| Chris Kenny | .... | second assistant director (uncredited) | |
Art Department | |||
| Robert Cartwright | .... | assistant art director | |
| Peter James | .... | set dresser | |
| Vic Simpson | .... | construction manager | |
| Jack Towns | .... | property master | |
Sound Department | |||
| Dino Di Campo | .... | sound editor | |
| Bob Jones | .... | sound re-recording mixer | |
| Ken Ritchie | .... | sound recordist | |
Camera and Electrical Department | |||
| Ron Pearce | .... | gaffer | |
| Jimmy Turrell | .... | camera operator | |
| Joe Pearce | .... | still photographer (uncredited) | |
| Les Rodhouse | .... | best boy (uncredited) | |
Animation Department | |||
| Patrick Carey | .... | background artist: titles | |
Costume and Wardrobe Department | |||
| Jean Fairlie | .... | wardrobe supervisor | |
| Charles Guerin | .... | wardrobe master | |
Editorial Department | |||
| Peter Watson | .... | assistant film editor | |
Music Department | |||
| Johnny Harris | .... | conductor | |
Other crew | |||
| Josephine Knowles | .... | continuity | |
| Recent Posts (updated daily) | User |
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| The ending (SPOILER ALERT!) | fiftyfootqueenie |
| I can't live without seeing this movie | roxannequiasua |
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| Full cast and crew | Company credits | External reviews |
| IMDb Crime section | IMDb UK section | Add this title to MyMovies |
This British - very British - thriller trades on the good name of David Hemmings, who at this time still had substantial "Blow Up" cachet left to p*ss away. His jaded ex-junkie finds his aunt murdered one sunny vacation, and sets out to find out whodunit amid many threatening overtures from big nasties. The main selling point here is a wild and wholly inappropriate soundtrack from one Johnny Harris - Hemmings is just shlepping around the funeral doing nothing in particular, and in comes that damned 'screaming flute' with attendant bongos. It's not embarrassingly bad, but it is dull for long stretches of dialogue in between its set pieces, and for all its attempts to be tense and/or creepy the plot's passing resemblance to Argento's "Deep Red" (also with Hemmings) does this no favours at all.