The Wild Bunch (1969) 8.1
An aging group of outlaws look for one last big score as the "traditional" American West is disappearing around them. Director:Sam Peckinpah |
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The Wild Bunch (1969) 8.1
An aging group of outlaws look for one last big score as the "traditional" American West is disappearing around them. Director:Sam Peckinpah |
|
| Watch Trailer 0Share... |
| Cast overview, first billed only: | |||
| William Holden | ... | ||
| Ernest Borgnine | ... | ||
| Robert Ryan | ... | ||
| Edmond O'Brien | ... | ||
| Warren Oates | ... | ||
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Jaime Sánchez | ... |
Angel
(as Jaime Sanchez)
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| Ben Johnson | ... | ||
| Emilio Fernández | ... |
Gen. Mapache
(as Emilio Fernandez)
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| Strother Martin | ... | ||
| L.Q. Jones | ... | ||
| Albert Dekker | ... | ||
| Bo Hopkins | ... | ||
| Dub Taylor | ... | ||
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Paul Harper | ... |
Ross
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Jorge Russek | ... |
Maj. Zamorra
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In the Wild Bunch the movie opens with a group of aging outlaw's final score, a bank robbery. The event concludes with a violent and overtly bloody shootout that would generally mark the finale of a movie. This is correct in that it marks the finale of an era, for the characters and the world they live in. They simply can no longer keep up, the times are changing, technology advancing, and they're style of life is getting left behind in the dust that they spent so long galloping through. They abandon their careers for the simpler life of retirement. They enjoy this time, they live their fantasies. During this time the law is always on their tracks, bounty hunters. The further into their fantasy they get, the closer their demise seems to get. When one of their own is captured they are faced with the choice of escape or what is certainly a suicide mission to attempt and free their fallen behind comrade. For them it is not a choice. They all die in what can only be described as a ... Written by VilanTrub@gmail.com
Peckinpah has a rep and this is the film which provided most of it. I had the privilege of actually seeing this on the big screen once, in the late seventies. As the beginning credits end, Pike (Holden) tells his bunch "If they move, Kill 'em!" Then Peckinpah's credit appears. A woman seated behind me gasped, whispering "oh, no..." Oh, my. It sounded like the lady didn't know she'd wandered into a Peckinpah film and she knew what she was in for. When you enter Peckinpah-land, you need to be prepared. There are no punches pulled, no sidestepping the unpleasant aspects of life. Peckinpah's characters are tough men; I mean, really tough, not phony-Hollywood tough. In this case, they are coarsened by what seems to be years on the trail, blasted by the sun, snapped at by rattlesnakes, and harassed by bandits. And at this point, they've pretty much had it.
Not that they're complaining, mind you. They've lived their lives how they saw fit, this bunch, and they make no apologies for any of it. I believe the actual year is around 1913, just before World War I begins. Most of the action takes place in Mexico, where the Bunch becomes involved with a local general (Fernandez) with the usual delusions of grandeur. If you go by the name of the character Angel, the general can be viewed as a version of the devil. That would make the Bunch avenging angels at the end. But heroes? No, not at all. They have their own code, they know instinctively they're stronger together than on each own, but they reason this concept out also - Peckinpah wants to make sure it's clear these are not unthinking savages. They're just men, who've reached a point in history where they must make a crucial turn. History, it seems, has no real use for them anymore. It's quite simple
- they either fade slowly or go out quickly. In a film such as this,
with its now insurmountable rep, you tend to wait for those big set pieces, especially the climactic battle. Wait for it, wait for it... here it is. Bam! - you're in Peckinpah territory. You're a part of history.