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Directed by | |||
| Joshua Logan | |||
Writing credits(in alphabetical order) | ||
| Paddy Chayefsky | adaptation | |
| Alan Jay Lerner | musical play "Paint Your Wagon" | |
| Alan Jay Lerner | screenplay | |
Produced by | |||
| Alan Jay Lerner | .... | producer | |
| Tom Shaw | .... | associate producer | |
Original Music by | |||
| Nelson Riddle | |||
Cinematography by | |||
| William A. Fraker | (director of photography) | ||
Film Editing by | |||
| Robert C. Jones | |||
Production Design by | |||
| John Truscott | |||
Art Direction by | |||
| Carl Braunger | |||
Set Decoration by | |||
| James L. Berkey | (as James I. Berkey) | ||
Costume Design by | |||
| John Truscott | |||
Makeup Department | |||
| Frank McCoy | .... | makeup artist | |
| Vivienne Walker | .... | hair stylist (as Vivian Zavitz) | |
| Don Marando | .... | assistant makeup artist (uncredited) | |
| Jan Van Uchelen | .... | hair stylist (uncredited) | |
Production Management | |||
| Carl Beringer | .... | production manager | |
| Fred Lemoine | .... | production manager | |
Art Department | |||
| Robert Eaton | .... | property (as Bob Eaton) | |
| Lloyd R. Apperson | .... | construction foreman (uncredited) | |
| Irwin 'Eppy' Epstein | .... | drapery (uncredited) | |
Sound Department | |||
| Fred Hynes | .... | stereophonic re-recording supervisor | |
| William Randall | .... | sound mixer | |
Special Effects by | |||
| Maurice Ayers | .... | special effects | |
| Larry Hampton | .... | special effects | |
| Daniel Hays | .... | special effects (uncredited) | |
Stunts | |||
| Emile Avery | .... | stunts (uncredited) | |
| Buff Brady | .... | stunts (uncredited) | |
| Steven Burnett | .... | stunts (uncredited) | |
| Boyd Cabeen | .... | stunt double (uncredited) | |
| Ross Dollarhyde | .... | stunts (uncredited) | |
| Patty Elder | .... | stunts (uncredited) | |
| Tony Epper | .... | stunts (uncredited) | |
| Henry A. Escalante | .... | stunts (uncredited) | |
| Diamond Farnsworth | .... | stunts (uncredited) | |
| Richard Farnsworth | .... | stunts (uncredited) | |
| Lee Faulkner | .... | stunts (uncredited) | |
| Bob Herron | .... | stunts (uncredited) | |
| Chuck Hicks | .... | stunts (uncredited) | |
| Dick Hudkins | .... | stunts (uncredited) | |
| John Hudkins | .... | stunts (uncredited) | |
| Loren Janes | .... | stunts (uncredited) | |
| Monty Jordan | .... | utility stunts (uncredited) | |
| Walt La Rue | .... | stunts (uncredited) | |
| Harrold Laswell | .... | stunts (uncredited) | |
| Sharon Lucas | .... | stunts (uncredited) | |
| Rod McGaughy | .... | stunts (uncredited) | |
| Wayne McLaren | .... | stunts (uncredited) | |
| Frank Orsatti | .... | stunts (uncredited) | |
| Harvey Parry | .... | stunts (uncredited) | |
| Jack Perkins | .... | stunts (uncredited) | |
| David Sharpe | .... | stunts (uncredited) | |
| Mary Statler | .... | stunts (uncredited) | |
| Gibb Stepp | .... | stunts (uncredited) | |
| Buddy Van Horn | .... | stunt double (uncredited) | |
| Fred M. Waugh | .... | stunts (uncredited) | |
| Jack Williams | .... | stunts (uncredited) | |
| Joe Yrigoyen | .... | stunts (uncredited) | |
Camera and Electrical Department | |||
| Bobby Byrne | .... | assistant camera (as Bob Byrne) | |
| Loyal Griggs | .... | photographer: second unit | |
| Tom May | .... | key grip | |
| Joe Smith | .... | gaffer | |
| Nelson Tyler | .... | aerial photographer | |
| David M. Walsh | .... | camera operator (as David Walsh) | |
| Dick Colean | .... | assistant camera (uncredited) | |
| Richard Debolt | .... | camera & mechanical design (uncredited) | |
| Wynn Hammer | .... | still photographer (uncredited) | |
| Michael A. Jones | .... | electrician (uncredited) | |
| Jerry Whittington | .... | electrician (uncredited) | |
Costume and Wardrobe Department | |||
| Bill Jobe | .... | costume supervisor | |
| Anne Laune | .... | costume coordinator | |
| Haleen K. Holt | .... | costume illustrator (uncredited) | |
Music Department | |||
| Joseph J. Lilley | .... | choral arrangements | |
| Joseph J. Lilley | .... | music assistant to producers | |
| Nelson Riddle | .... | conductor | |
| Roger Wagner | .... | conductor: choral music | |
| Bob Bain | .... | musician: guitar (uncredited) | |
| Anita Gordon | .... | singing voice: Jean Seberg (uncredited) | |
| Willard Jones | .... | orchestrator (uncredited) | |
| Nelson Riddle | .... | orchestrator (uncredited) | |
Other crew | |||
| Jack Baker | .... | choreographer: "Gold Fever" and "Best Things" | |
| Cheryl Crawford | .... | presented on the stage by | |
| Joseph Curtis | .... | dialogue coach | |
| Jonas Halperin | .... | assistant to producer | |
| Gene Levy | .... | production coordinator | |
| David Stone Martin | .... | title designer | |
| Marshall J. Wolins | .... | script supervisor (as Marshall Wolins) | |
| Dominic Santarone | .... | caterer (uncredited) | |
| Ruth Santarone | .... | caterer (uncredited) | |
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(No spoilers herein).
My friend sent me this movie wanting to know my comments on it, without telling me even a word of what it was about or what he thought of it. I went and checked out the entry on IMDB and was a touch confused why he was sending me a sort of musical half-western flick, being that neither of those categories would pop up at the top of either our lists.
Needless to say, something about this movie surprised me -- I fully enjoyed watching it ! Right from the start the characters were interesting and the scenes quite absurdly funny. Some of the singing was truly awful (in a funny way), and other songs were actually very toe-tappingly catchy.
There is a whole lot of physical humor in this movie, from the opening scene after they bury the guy, to the ending scenes with the bull. And holy crap the older man drinks a lot. I don't think I've ever seen a movie where a single character drinks so much hard alcohol ! Along with the numerous sexual jokes I certainly wouldn't recommend this movie for children.
As the movie came to a conclusion, I found myself attached to the main characters and wanting to see more of their adventures. The plot had a very natural progression. As silly and ridiculous as it certainly was, the plot made a strange sort of sense.
I rate the movie an 8 out of 10.