| Photos (See all 26 | slideshow) |
| Michael Caine | ... | Charlie Croker | |
| Noel Coward | ... | Mr. Bridger (as Noël Coward) | |
| Benny Hill | ... | Professor Simon Peach | |
| Raf Vallone | ... | Altabani | |
| Tony Beckley | ... | Freddie | |
| Rossano Brazzi | ... | Beckerman | |
| Margaret Blye | ... | Lorna (as Maggie Blye) | |
| Irene Handl | ... | Miss Peach | |
| John Le Mesurier | ... | Governor (as John le Mesurier) | |
| Fred Emney | ... | Birkinshaw | |
| John Clive | ... | Garage Manager | |
| Graham Payn | ... | Keats | |
| Michael Standing | ... | Arthur | |
| Stanley Caine | ... | Coco | |
| Barry Cox | ... | Chris | |
| Harry Baird | ... | Big William | |
| George Innes | ... | Bill Bailey | |
| John Forgeham | ... | Frank | |
| Robert Powell | ... | Yellow | |
| Derek Ware | ... | Rozzer | |
| Frank Jarvis | ... | Roger | |
| David Salamone | ... | Dominic | |
| Richard Essome | ... | Tony | |
| Mario Valgoi | ... | Manzo | |
| Renato Romano | ... | Cosca | |
| Franco Novelli | ... | Altabani's Driver | |
| Robert Rietty | ... | Police Chief | |
| Timothy Bateson | ... | Dentist | |
| David Kelly | ... | Vicar | |
| Arnold Diamond | ... | Senior Computer Room Official | |
| Simon Dee | ... | Shirtmaker | |
| Alastair Hunter | ... | Warder (Cinema) (as Alistair Hunter) | |
| Lana Gatto | ... | Mrs. Cosca | |
| John Morris | ... | Standin | |
| Louis Mansi | ... | Computer Room Official | |
| rest of cast listed alphabetically: | |||
| Hazel Collinson | ... | Blonde scrubber at Diner party (uncredited) | |
| Lelia Goldoni | ... | Mrs. Beckerman (uncredited) | |
| Frank Kelly | ... | Prisoner in cell (uncredited) | |
| Valerie Leon | ... | Receptionist, Royal Lancaster (uncredited) | |
| Henry McGee | ... | Tailor (uncredited) | |
Directed by | |||
| Peter Collinson | |||
Writing credits(in alphabetical order) | ||
| Troy Kennedy-Martin | written by (as Troy Kennedy Martin) | |
Produced by | |||
| Michael Deeley | .... | producer | |
| Robert Porter | .... | associate producer (as Bob Porter) | |
| Stanley Baker | .... | producer (uncredited) | |
Original Music by | |||
| Quincy Jones | |||
Cinematography by | |||
| Douglas Slocombe | |||
Film Editing by | |||
| John Trumper | |||
Casting by | |||
| Paul Lee Lander | |||
Production Design by | |||
| Disley Jones | |||
Art Direction by | |||
| Michael Knight | |||
Makeup Department | |||
| Gordon Bond | .... | chief hair stylist | |
| Freddie Williamson | .... | chief makeup artist | |
Production Management | |||
| Derek Kavanagh | .... | production manager | |
| Giorgio Migliarini | .... | production supervisor: Italy | |
| Stanley O'Toole | .... | executive in charge of production: Paramount (uncredited) | |
Second Unit Director or Assistant Director | |||
| David Munro | .... | assistant director: second unit | |
| Mauro Sacripanti | .... | assistant director: Italy | |
| Scott Wodehouse | .... | assistant director | |
| Philip Wrestler | .... | second unit director (as Phillip Wrestler) | |
| John Glen | .... | second unit director (uncredited) | |
| Antal Kovacs | .... | second unit director (uncredited) | |
Art Department | |||
| Terry Apsey | .... | construction manager | |
Sound Department | |||
| John Aldred | .... | sound mixer | |
| John Glen | .... | additional sound editor | |
| Gerry Humphreys | .... | dubbing mixer | |
| Stephen Warwick | .... | sound editor | |
| Tom Otter | .... | boom operator (uncredited) | |
Special Effects by | |||
| Pat Moore | .... | special effects | |
Stunts | |||
| Claude Carliez | .... | stunts (uncredited) | |
| Rémy Julienne | .... | stunt coordinator (uncredited) | |
| Rémy Julienne | .... | stunt driver (uncredited) | |
| Rémy Julienne | .... | stunts (uncredited) | |
| Nosher Powell | .... | stunts (uncredited) | |
| Robin Webb | .... | stunts (uncredited) | |
Camera and Electrical Department | |||
| Ronnie Maasz | .... | director of photography: second unit | |
| Norman Warwick | .... | camera operator: second unit | |
| Chic Waterson | .... | camera operator | |
| Michael Browne | .... | gaffer (uncredited) | |
| Mike Drew | .... | focus puller (uncredited) | |
| David Wynn-Jones | .... | clapper loader (uncredited) | |
Costume and Wardrobe Department | |||
| Dulcie Midwinter | .... | wardrobe supervisor | |
| Roy Ponting | .... | wardrobe master | |
Music Department | |||
| Keith Grant | .... | music scoring engineer (uncredited) | |
Other crew | |||
| Barbara Allen | .... | production secretary | |
| Al Burgess | .... | location manager | |
| Douglas Hayward | .... | suits: Mr. Caine | |
| Helen Whitson | .... | continuity | |
|
|
|
|
|
| The Italian Job | Takers | The Getaway | Gone in Sixty Seconds | Bullitt |
|
IMDb User Rating: |
IMDb User Rating: |
IMDb User Rating: |
IMDb User Rating: |
IMDb User Rating: |
| Full cast and crew | Company credits | External reviews |
| News articles | IMDb Action section | IMDb UK section |
"The Italian Job" is a comedic heist film that is mostly renowned for the extended car chase getaway. In it, a thief recently released from prison (Michael Caine) organizes a scheme to steal a shipment of gold bars by creating a massive traffic jam and using a trio of Mini Coopers to escape with the loot.
The cast is pretty decent with the always dependable Caine perfectly cast as charismatic thief Charlie Croker, Noel Coward as the incarcerated backer of the titular job and Benny Hill in a small role as a computer expert obsessed with plump women. Besides that there's no-one worth remarking on and not much acting that isn't up to snuff.
The script is bold and inventive with much of the humour being understated and unpredictable. The heist itself is clever but the staging of the getaway is a real work of art. Again, there is an inventiveness that is quite refreshing. Nevertheless, I was starting to get a little tired of waiting for the heist to be set in motion. Finally, the ending caps the proceedings in memorable fashion.
The direction by Peter Collinson is solid and above average for an action-comedy. The music, handled by Quincy Jones, is memorable but also characteristic of the era, meaning that it is unlikely to appeal to all tastes.
If you're looking for a lighthearted crime caper this is just the ticket. I particularly recommend the film since it includes what is, in my opinion, the best car chase ever filmed.