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Directed by | |||
| Dennis Hopper | |||
Writing credits | ||
| Peter Fonda | (written by) & | |
| Dennis Hopper | (written by) & | |
| Terry Southern | (written by) | |
Produced by | |||
| Peter Fonda | .... | producer | |
| William Hayward | .... | associate producer (as William L. Hayward) | |
| Bert Schneider | .... | executive producer | |
| Bob Rafelson | .... | producer (uncredited) | |
Cinematography by | |||
| László Kovács | (director of photography) (as Laszlo Kovacs) | ||
| Baird Bryant | (uncredited) | ||
Film Editing by | |||
| Donn Cambern | |||
Art Direction by | |||
| Jeremy Kay | (as Jerry Kay) | ||
Makeup Department | |||
| Virgil Frye | .... | makeup artist | |
Production Management | |||
| Paul Lewis | .... | production manager | |
Second Unit Director or Assistant Director | |||
| Len Marsal | .... | second assistant director | |
Art Department | |||
| Robert Vincent O'Neill | .... | property master (as Robert O'Neil) | |
Sound Department | |||
| James Contrares | .... | boom operator | |
| Le Roy Robbins | .... | sound mixer | |
Special Effects by | |||
| Steve Karkus | .... | special effects | |
Stunts | |||
| Tex Hall | .... | stunt gaffer | |
| Gary Littlejohn | .... | stunts (uncredited) | |
Camera and Electrical Department | |||
| Richmond L. Aguilar | .... | gaffer (as Richmond Aguilar) | |
| Guy Badger | .... | generator operator | |
| Foster K. Denker | .... | electrician (as Foster Denker) | |
| Peter Heiser | .... | assistant camera (as Peter Heiser Jr.) | |
| Melton Maxwell | .... | best boy (as Mel Maxwell) | |
| Tom Ramsey | .... | key grip (as Thomas Ramsey) | |
| Peter Sorel | .... | still photographer | |
| Les Blank | .... | second camera operator (uncredited) | |
| Larry Lapointe | .... | electrician (uncredited) | |
Editorial Department | |||
| Henry Jaglom | .... | editorial consultant | |
| Marilyn Schlossberg | .... | post-production | |
| Stan Siegel | .... | assistant editor (as Stanley Siegel) | |
Music Department | |||
| Mike Deasy | .... | musician (uncredited) | |
Transportation Department | |||
| Lee Pierpont | .... | transportation | |
Other crew | |||
| Joyce King | .... | script supervisor | |
| Tony Vorno | .... | location manager | |
| Dan Haggerty | .... | motorcycle builder (uncredited) | |
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| Edge | Babel | Broken Flowers | Touch of Evil | Across the Universe |
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Still the granddaddy of all road movies. It perfectly captures the era and the angst of those living in it. It's the best because because it shows the true reality of the open road and yet still has the philosophical edge.
It shows how the open road is really an odyssey of personal discovery more than a particular destination. It also shows how one is still always trapped within the confines of the very society he wishes to escape. Above all it questions what true freedom really is, whether anyone is truly free, and whether it can even fully exist.
Fonda and Hopper are perfect. They channel the rebellious energies well. Of course it's Nicholson who steals it playing slightly nerdy lawyer named George Hanson. He exudes a certain charm here that's rarely seen in his other performances. He also sports the silliest 'riding' helmet you can imagine.
Lazlo Kovacs cinematography is outstanding. It captures the American landscape like its a travel show. The hippy commune scene is the best. You feel like you are right there. There is also the very memorable hallucinogenic drug scene in a graveyard.
Some may say it's boring, but the slow pacing is deliberate and well orchestrated. The framing and flash editing are groundbreaking in both it's vision and execution. A definite trend setter and most importantly a classic.